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Color name
HEX #D64833

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64833 it is the complementary color #29B7CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64833 shade: #DB482E, #EC5A41, #FD6C54, #FF7E67 and #FF907A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64833 shade: #D64833, #C53620, #B4240D, #A31200 and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64833 shade: #D64732 and #D63232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64833 shade: #D64732, #D67332, #D6A032, #D6CC32 and #B4D632

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64833 shade matches the following richer shades: #D64732, #EA391E and #FE2A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64833 shade: #D64732, #C25646, #AE655A, #9B736E and #878281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64833 shade: #D63276, #D6324B, #D64532, #D67132 and #D69D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64833 shade: #982D1E, #BA3824, #D64732, #DD6655 and #E48577

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64833 shade: #D64833, #A2D632 and #3261D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64833 shade: #D64833, #32D645 and #4532D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64833 shade: #D64833, #A2D632, #32C3D6 and #6632D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64833 shade: #D64833, #71D632, #32C3D6 and #9732D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

Complementary color

CMYK 80 / 10 / 0 / 20

HEX #29B7CC

RGB 41 183 204

HSL 187.73, 0.67%, 0.48%

LAB 68.53, -28.74, -20.98

 

CMYK 0 / 67 / 79 / 14

HEX #DB482E

RGB 219 72 46

HSL 9.02, 0.71%, 0.52%

LAB 51.71, 56.05, 46.41

 

CMYK 0 / 62 / 72 / 7

HEX #EC5A41

RGB 236 90 65

HSL 8.77, 0.82%, 0.59%

LAB 57.59, 55.01, 43.59

 

CMYK 0 / 57 / 67 / 1

HEX #FD6C54

RGB 253 108 84

HSL 8.52, 0.98%, 0.66%

LAB 63.55, 53.83, 40.97

 

CMYK 0 / 51 / 60 / 0

HEX #FF7E67

RGB 255 126 103

HSL 9.08, 1%, 0.7%

LAB 67.4, 47.22, 35.45

 

CMYK 0 / 44 / 52 / 0

HEX #FF907A

RGB 255 144 122

HSL 9.92, 1%, 0.74%

LAB 71.29, 39.71, 30.1

 

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

CMYK 0 / 73 / 84 / 23

HEX #C53620

RGB 197 54 32

HSL 8, 0.72%, 0.45%

LAB 45.1, 55.31, 45.68

 

CMYK 0 / 80 / 93 / 29

HEX #B4240D

RGB 180 36 13

HSL 8.26, 0.87%, 0.38%

LAB 39.57, 55.5, 48.15

 

CMYK 0 / 89 / 100 / 36

HEX #A31200

RGB 163 18 0

HSL 6.63, 1%, 0.32%

LAB 34.44, 54.72, 48.23

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 67 / 77 / 16

HEX #D64732

RGB 214 71 50

HSL 7.68, 0.67%, 0.52%

LAB 50.73, 54.93, 43.04

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 67 / 77 / 16

HEX #D64732

RGB 214 71 50

HSL 7.68, 0.67%, 0.52%

LAB 50.73, 54.93, 43.04

 

CMYK 0 / 46 / 77 / 16

HEX #D67332

RGB 214 115 50

HSL 23.78, 0.67%, 0.52%

LAB 58.78, 34.14, 51.27

 

CMYK 0 / 25 / 77 / 16

HEX #D6A032

RGB 214 160 50

HSL 40.24, 0.67%, 0.52%

LAB 69.23, 10.04, 61.41

 

CMYK 0 / 5 / 77 / 16

HEX #D6CC32

RGB 214 204 50

HSL 56.34, 0.67%, 0.52%

LAB 80.58, -12.93, 71.9

 

CMYK 16 / 0 / 77 / 16

HEX #B4D632

RGB 180 214 50

HSL 72.44, 0.67%, 0.52%

LAB 80.75, -31.89, 71.12

 

CMYK 0 / 67 / 77 / 16

HEX #D64732

RGB 214 71 50

HSL 7.68, 0.67%, 0.52%

LAB 50.73, 54.93, 43.04

 

CMYK 0 / 76 / 87 / 8

HEX #EA391E

RGB 234 57 30

HSL 7.94, 0.83%, 0.52%

LAB 52.41, 65.64, 55.53

 

CMYK 0 / 83 / 96 / 0

HEX #FE2A0A

RGB 254 42 10

HSL 7.87, 0.99%, 0.52%

LAB 54.81, 74.87, 65.42

 

CMYK 0 / 67 / 77 / 16

HEX #D64732

RGB 214 71 50

HSL 7.68, 0.67%, 0.52%

LAB 50.73, 54.93, 43.04

 

CMYK 0 / 56 / 64 / 24

HEX #C25646

RGB 194 86 70

HSL 7.74, 0.5%, 0.52%

LAB 50.18, 42.14, 30.43

 

CMYK 0 / 42 / 48 / 32

HEX #AE655A

RGB 174 101 90

HSL 7.86, 0.34%, 0.52%

LAB 50.74, 28.16, 18.95

 

CMYK 0 / 26 / 29 / 39

HEX #9B736E

RGB 155 115 110

HSL 6.67, 0.18%, 0.52%

LAB 52.24, 15.01, 8.92

 

CMYK 0 / 4 / 4 / 47

HEX #878281

RGB 135 130 129

HSL 10, 0.02%, 0.52%

LAB 54.76, 1.69, 1.2

 

CMYK 0 / 77 / 45 / 16

HEX #D63276

RGB 214 50 118

HSL 335.12, 0.67%, 0.52%

LAB 49.36, 66.64, 1.12

 

CMYK 0 / 77 / 65 / 16

HEX #D6324B

RGB 214 50 75

HSL 350.85, 0.67%, 0.52%

LAB 48.37, 63.52, 25.95

 

CMYK 0 / 68 / 77 / 16

HEX #D64532

RGB 214 69 50

HSL 6.95, 0.67%, 0.52%

LAB 50.43, 55.73, 42.73

 

CMYK 0 / 47 / 77 / 16

HEX #D67132

RGB 214 113 50

HSL 23.05, 0.67%, 0.52%

LAB 58.36, 35.18, 50.85

 

CMYK 0 / 27 / 77 / 16

HEX #D69D32

RGB 214 157 50

HSL 39.15, 0.67%, 0.52%

LAB 68.49, 11.65, 60.71

 

CMYK 0 / 70 / 80 / 40

HEX #982D1E

RGB 152 45 30

HSL 7.38, 0.67%, 0.36%

LAB 35.29, 43.73, 34.36

 

CMYK 0 / 70 / 81 / 27

HEX #BA3824

RGB 186 56 36

HSL 8, 0.68%, 0.44%

LAB 43.35, 51.08, 41.29

 

CMYK 0 / 67 / 77 / 16

HEX #D64732

RGB 214 71 50

HSL 7.68, 0.67%, 0.52%

LAB 50.73, 54.93, 43.04

 

CMYK 0 / 54 / 62 / 13

HEX #DD6655

RGB 221 102 85

HSL 7.5, 0.67%, 0.6%

LAB 57.59, 45.27, 32.03

 

CMYK 0 / 42 / 48 / 11

HEX #E48577

RGB 228 133 119

HSL 7.71, 0.67%, 0.68%

LAB 65.44, 34.92, 23.36

 

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

CMYK 24 / 0 / 77 / 16

HEX #A2D632

RGB 162 214 50

HSL 79.02, 0.67%, 0.52%

LAB 79.62, -38.94, 69.65

 

CMYK 77 / 55 / 0 / 16

HEX #3261D6

RGB 50 97 214

HSL 222.8, 0.67%, 0.52%

LAB 44.35, 25.54, -64.7

 

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

CMYK 77 / 0 / 68 / 16

HEX #32D645

RGB 50 214 69

HSL 126.95, 0.67%, 0.52%

LAB 75.58, -68.35, 57.59

 

CMYK 68 / 77 / 0 / 16

HEX #4532D6

RGB 69 50 214

HSL 246.95, 0.67%, 0.52%

LAB 34.81, 55.54, -80.3

 

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

CMYK 24 / 0 / 77 / 16

HEX #A2D632

RGB 162 214 50

HSL 79.02, 0.67%, 0.52%

LAB 79.62, -38.94, 69.65

 

CMYK 77 / 9 / 0 / 16

HEX #32C3D6

RGB 50 195 214

HSL 186.95, 0.67%, 0.52%

LAB 72.6, -30.6, -20.24

 

CMYK 52 / 77 / 0 / 16

HEX #6632D6

RGB 102 50 214

HSL 259.02, 0.67%, 0.52%

LAB 37.77, 59.33, -75.3

 

CMYK 0 / 66 / 76 / 16

HEX #D64833

RGB 214 72 51

HSL 7.73, 0.67%, 0.52%

LAB 50.89, 54.56, 42.68

 

CMYK 47 / 0 / 77 / 16

HEX #71D632

RGB 113 214 50

HSL 96.95, 0.67%, 0.52%

LAB 77.18, -55.88, 66.49

 

CMYK 77 / 9 / 0 / 16

HEX #32C3D6

RGB 50 195 214

HSL 186.95, 0.67%, 0.52%

LAB 72.6, -30.6, -20.24

 

CMYK 29 / 77 / 0 / 16

HEX #9732D6

RGB 151 50 214

HSL 276.95, 0.67%, 0.52%

LAB 43.82, 66.89, -65.17

 

Description

Color code: HEX #D64833 | qconv.com Color code: HEX #D64833 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 72 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 72 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 76 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 76% 16% C M Y K

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Provide designers and agencies with accurate color values.

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