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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D63CA2 it is the complementary color #29C35D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D63CA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D63CA2 shade: #DB3C9D, #EC4EB0, #FD60C3, #FF72D6 and #FF84E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D63CA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D63CA2 shade: #D63CA2, #C52A8F, #B4187C, #A30669 and #920056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D63CA2 shade: #D53DA2, #D53D79, #D53D50 and #D53D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D63CA2 shade: #D53DA2, #D53DCB, #B73DD5, #8E3DD5 and #643DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D63CA2 shade matches the following richer shades: #D53DA2, #E82AA8 and #FB17AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D63CA2 shade: #D53DA2, #C2509C, #AF6396, #9D768F and #8A8989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D63CA2 shade: #B73DD5, #D53DCB, #D53DA3, #D53D7A and #D53D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D63CA2 shade: #9F2174, #C1288D, #D53DA2, #DD5FB2 and #E481C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D63CA2 shade: #D63CA2, #D58E3D and #3DD5CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D63CA2 shade: #D63CA2, #A3D53D and #3DA3D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D63CA2 shade: #D63CA2, #D58E3D, #3DD570 and #3D84D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D63CA2 shade: #D63CA2, #D5BC3D, #3DD570 and #3D56D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

Complementary color

CMYK 79 / 0 / 52 / 24

HEX #29C35D

RGB 41 195 93

HSL 140.26, 0.65%, 0.46%

LAB 69.68, -60.43, 40.13

 

CMYK 0 / 73 / 28 / 14

HEX #DB3C9D

RGB 219 60 157

HSL 323.4, 0.69%, 0.55%

LAB 52.65, 68.9, -17.26

 

CMYK 0 / 67 / 25 / 7

HEX #EC4EB0

RGB 236 78 176

HSL 322.78, 0.81%, 0.62%

LAB 58.43, 69.32, -19.3

 

CMYK 0 / 62 / 23 / 1

HEX #FD60C3

RGB 253 96 195

HSL 322.17, 0.98%, 0.68%

LAB 64.31, 69.32, -20.97

 

CMYK 0 / 55 / 16 / 0

HEX #FF72D6

RGB 255 114 214

HSL 317.45, 1%, 0.72%

LAB 68.13, 64.84, -25.78

 

CMYK 0 / 48 / 9 / 0

HEX #FF84E9

RGB 255 132 233

HSL 310.73, 1%, 0.76%

LAB 71.99, 59.43, -30.35

 

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

CMYK 0 / 79 / 27 / 23

HEX #C52A8F

RGB 197 42 143

HSL 320.9, 0.65%, 0.47%

LAB 46.32, 67.24, -18.91

 

CMYK 0 / 87 / 31 / 29

HEX #B4187C

RGB 180 24 124

HSL 321.54, 0.76%, 0.4%

LAB 40.92, 65.29, -15.84

 

CMYK 0 / 96 / 36 / 36

HEX #A30669

RGB 163 6 105

HSL 322.17, 0.93%, 0.33%

LAB 35.86, 62.09, -11.9

 

CMYK 0 / 100 / 41 / 43

HEX #920056

RGB 146 0 86

HSL 324.66, 1%, 0.29%

LAB 31.31, 57.18, -6.83

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 71 / 43 / 16

HEX #D53D79

RGB 213 61 121

HSL 336.32, 0.64%, 0.54%

LAB 50.53, 63.1, 0.99

 

CMYK 0 / 71 / 62 / 16

HEX #D53D50

RGB 213 61 80

HSL 352.5, 0.64%, 0.54%

LAB 49.57, 59.89, 24.46

 

CMYK 0 / 71 / 71 / 16

HEX #D53D3D

RGB 213 61 61

HSL 0, 0.64%, 0.54%

LAB 49.28, 58.88, 35.29

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 71 / 5 / 16

HEX #D53DCB

RGB 213 61 203

HSL 303.95, 0.64%, 0.54%

LAB 53.81, 73.44, -42.33

 

CMYK 14 / 71 / 0 / 16

HEX #B73DD5

RGB 183 61 213

HSL 288.16, 0.64%, 0.54%

LAB 49.75, 68.76, -54.8

 

CMYK 33 / 71 / 0 / 16

HEX #8E3DD5

RGB 142 61 213

HSL 271.97, 0.64%, 0.54%

LAB 44.08, 60.69, -64.23

 

CMYK 53 / 71 / 0 / 16

HEX #643DD5

RGB 100 61 213

HSL 255.39, 0.64%, 0.54%

LAB 39.33, 53.53, -72.18

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 82 / 28 / 9

HEX #E82AA8

RGB 232 42 168

HSL 320.21, 0.81%, 0.54%

LAB 53.64, 78.15, -22.03

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 59 / 20 / 24

HEX #C2509C

RGB 194 80 156

HSL 320, 0.48%, 0.54%

LAB 51.39, 54.13, -18.96

 

CMYK 0 / 43 / 14 / 31

HEX #AF6396

RGB 175 99 150

HSL 319.74, 0.32%, 0.54%

LAB 52.11, 37.72, -14.57

 

CMYK 0 / 25 / 9 / 38

HEX #9D768F

RGB 157 118 143

HSL 321.54, 0.17%, 0.54%

LAB 54.14, 19.47, -7.62

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 14 / 71 / 0 / 16

HEX #B73DD5

RGB 183 61 213

HSL 288.16, 0.64%, 0.54%

LAB 49.75, 68.76, -54.8

 

CMYK 0 / 71 / 5 / 16

HEX #D53DCB

RGB 213 61 203

HSL 303.95, 0.64%, 0.54%

LAB 53.81, 73.44, -42.33

 

CMYK 0 / 71 / 23 / 16

HEX #D53DA3

RGB 213 61 163

HSL 319.74, 0.64%, 0.54%

LAB 51.98, 67.8, -21.92

 

CMYK 0 / 71 / 43 / 16

HEX #D53D7A

RGB 213 61 122

HSL 335.92, 0.64%, 0.54%

LAB 50.56, 63.19, 0.43

 

CMYK 0 / 71 / 62 / 16

HEX #D53D51

RGB 213 61 81

HSL 352.11, 0.64%, 0.54%

LAB 49.59, 59.95, 23.88

 

CMYK 0 / 79 / 27 / 38

HEX #9F2174

RGB 159 33 116

HSL 320.48, 0.66%, 0.38%

LAB 37.33, 57.21, -16.68

 

CMYK 0 / 79 / 27 / 24

HEX #C1288D

RGB 193 40 141

HSL 320.39, 0.66%, 0.46%

LAB 45.33, 66.59, -19.29

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 57 / 19 / 13

HEX #DD5FB2

RGB 221 95 178

HSL 320.48, 0.65%, 0.62%

LAB 58.76, 58.43, -20.16

 

CMYK 0 / 43 / 14 / 11

HEX #E481C3

RGB 228 129 195

HSL 320, 0.65%, 0.7%

LAB 66.62, 46.67, -17.77

 

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

CMYK 0 / 33 / 71 / 16

HEX #D58E3D

RGB 213 142 61

HSL 31.97, 0.64%, 0.54%

LAB 64.83, 19.81, 52.42

 

CMYK 71 / 0 / 5 / 16

HEX #3DD5CB

RGB 61 213 203

HSL 176.05, 0.64%, 0.54%

LAB 77.81, -40.93, -6.47

 

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

CMYK 23 / 0 / 71 / 16

HEX #A3D53D

RGB 163 213 61

HSL 79.74, 0.64%, 0.54%

LAB 79.45, -37.54, 65.9

 

CMYK 71 / 23 / 0 / 16

HEX #3DA3D5

RGB 61 163 213

HSL 199.74, 0.64%, 0.54%

LAB 63.34, -13.15, -33.92

 

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

CMYK 0 / 33 / 71 / 16

HEX #D58E3D

RGB 213 142 61

HSL 31.97, 0.64%, 0.54%

LAB 64.83, 19.81, 52.42

 

CMYK 71 / 0 / 47 / 16

HEX #3DD570

RGB 61 213 112

HSL 140.13, 0.64%, 0.54%

LAB 75.92, -60.97, 38.64

 

CMYK 71 / 38 / 0 / 16

HEX #3D84D5

RGB 61 132 213

HSL 211.97, 0.64%, 0.54%

LAB 54.34, 4.66, -48.05

 

CMYK 0 / 72 / 24 / 16

HEX #D63CA2

RGB 214 60 162

HSL 320.26, 0.65%, 0.54%

LAB 51.99, 68.26, -21.3

 

CMYK 0 / 12 / 71 / 16

HEX #D5BC3D

RGB 213 188 61

HSL 50.13, 0.64%, 0.54%

LAB 76.34, -4.72, 64.09

 

CMYK 71 / 0 / 47 / 16

HEX #3DD570

RGB 61 213 112

HSL 140.13, 0.64%, 0.54%

LAB 75.92, -60.97, 38.64

 

CMYK 71 / 60 / 0 / 16

HEX #3D56D5

RGB 61 86 213

HSL 230.13, 0.64%, 0.54%

LAB 41.93, 33.48, -68.05

 

Description

Color code: HEX #D63CA2 | qconv.com Color code: HEX #D63CA2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 60 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 60 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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