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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D636FF it is the complementary color #29C900. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D636FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D636FF shade: #DB36FA, #EC48FF, #FD5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D636FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D636FF shade: #D636FF, #C524EC, #B412D9, #A300C6 and #9200B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D636FF shade: #D638FF, #FF38F1, #FF38BC, #FF3886 and #FF3851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D636FF shade: #D638FF, #A038FF, #6B38FF and #3838FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D636FF shade matches the following richer shades: #D638FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D636FF shade: #D638FF, #CC48EE, #C358DE, #B968CE and #B078BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D636FF shade: #6938FF, #9E38FF, #D338FF, #FF38F5 and #FF38C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D636FF shade: #B500E4, #CE0EFF, #D638FF, #DE61FF and #E78AFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D636FF shade: #D636FF, #FF383B and #38FF84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D636FF shade: #D636FF, #FFD338 and #38FFD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D636FF shade: #D636FF, #FF383B, #63FF38 and #38FFFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D636FF shade: #D636FF, #FF7038, #63FF38 and #38C6FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

Complementary color

CMYK 80 / 0 / 100 / 21

HEX #29C900

RGB 41 201 0

HSL 107.76, 1%, 0.39%

LAB 71.04, -69.1, 69.93

 

CMYK 12 / 78 / 0 / 2

HEX #DB36FA

RGB 219 54 250

HSL 290.51, 0.95%, 0.6%

LAB 56.68, 84.29, -64.22

 

CMYK 7 / 72 / 0 / 0

HEX #EC48FF

RGB 236 72 255

HSL 293.77, 1%, 0.64%

LAB 61.38, 83, -59.31

 

CMYK 1 / 65 / 0 / 0

HEX #FD5AFF

RGB 253 90 255

HSL 299.27, 1%, 0.68%

LAB 66.07, 80.38, -51.71

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

CMYK 17 / 85 / 0 / 7

HEX #C524EC

RGB 197 36 236

HSL 288.3, 0.84%, 0.53%

LAB 50.91, 82.51, -65.87

 

CMYK 17 / 92 / 0 / 15

HEX #B412D9

RGB 180 18 217

HSL 288.84, 0.85%, 0.46%

LAB 45.83, 79.72, -63.42

 

CMYK 18 / 100 / 0 / 22

HEX #A300C6

RGB 163 0 198

HSL 289.39, 1%, 0.39%

LAB 41, 75.94, -60.41

 

CMYK 18 / 100 / 0 / 30

HEX #9200B3

RGB 146 0 179

HSL 288.94, 1%, 0.35%

LAB 36.68, 70.28, -56.36

 

CMYK 16 / 78 / 0 / 0

HEX #D638FF

RGB 214 56 255

HSL 287.64, 1%, 0.61%

LAB 56.43, 83.73, -67.44

 

CMYK 0 / 78 / 5 / 0

HEX #FF38F1

RGB 255 56 241

HSL 304.22, 1%, 0.61%

LAB 62.03, 89.05, -50.34

 

CMYK 0 / 78 / 26 / 0

HEX #FF38BC

RGB 255 56 188

HSL 320.2, 1%, 0.61%

LAB 59.63, 82.22, -24.1

 

CMYK 0 / 78 / 47 / 0

HEX #FF3886

RGB 255 56 134

HSL 336.48, 1%, 0.61%

LAB 57.86, 76.92, 4.77

 

CMYK 0 / 78 / 68 / 0

HEX #FF3851

RGB 255 56 81

HSL 352.46, 1%, 0.61%

LAB 56.76, 73.56, 34.56

 

CMYK 16 / 78 / 0 / 0

HEX #D638FF

RGB 214 56 255

HSL 287.64, 1%, 0.61%

LAB 56.43, 83.73, -67.44

 

CMYK 37 / 78 / 0 / 0

HEX #A038FF

RGB 160 56 255

HSL 271.36, 1%, 0.61%

LAB 48.91, 75.01, -80

 

CMYK 58 / 78 / 0 / 0

HEX #6B38FF

RGB 107 56 255

HSL 255.38, 1%, 0.61%

LAB 43.02, 68.18, -89.88

 

CMYK 78 / 78 / 0 / 0

HEX #3838FF

RGB 56 56 255

HSL 240, 1%, 0.61%

LAB 39.39, 63.96, -96.01

 

CMYK 16 / 78 / 0 / 0

HEX #D638FF

RGB 214 56 255

HSL 287.64, 1%, 0.61%

LAB 56.43, 83.73, -67.44

 

CMYK 16 / 78 / 0 / 0

HEX #D638FF

RGB 214 56 255

HSL 287.64, 1%, 0.61%

LAB 56.43, 83.73, -67.44

 

CMYK 14 / 70 / 0 / 7

HEX #CC48EE

RGB 204 72 238

HSL 287.71, 0.83%, 0.61%

LAB 55.73, 73.61, -59.18

 

CMYK 12 / 60 / 0 / 13

HEX #C358DE

RGB 195 88 222

HSL 287.91, 0.67%, 0.61%

LAB 55.94, 62.02, -49.92

 

CMYK 10 / 50 / 0 / 19

HEX #B968CE

RGB 185 104 206

HSL 287.65, 0.51%, 0.61%

LAB 56.75, 48.5, -39.66

 

CMYK 7 / 37 / 0 / 25

HEX #B078BE

RGB 176 120 190

HSL 288, 0.35%, 0.61%

LAB 58.4, 33.97, -28.08

 

CMYK 59 / 78 / 0 / 0

HEX #6938FF

RGB 105 56 255

HSL 254.77, 1%, 0.61%

LAB 42.84, 67.97, -90.19

 

CMYK 38 / 78 / 0 / 0

HEX #9E38FF

RGB 158 56 255

HSL 270.75, 1%, 0.61%

LAB 48.66, 74.72, -80.42

 

CMYK 17 / 78 / 0 / 0

HEX #D338FF

RGB 211 56 255

HSL 286.73, 1%, 0.61%

LAB 55.98, 83.22, -68.18

 

CMYK 0 / 78 / 4 / 0

HEX #FF38F5

RGB 255 56 245

HSL 303.02, 1%, 0.61%

LAB 62.24, 89.62, -52.24

 

CMYK 0 / 78 / 25 / 0

HEX #FF38C0

RGB 255 56 192

HSL 318.99, 1%, 0.61%

LAB 59.79, 82.69, -26.16

 

CMYK 21 / 100 / 0 / 11

HEX #B500E4

RGB 181 0 228

HSL 287.63, 1%, 0.45%

LAB 46.21, 83.48, -69.08

 

CMYK 19 / 95 / 0 / 0

HEX #CE0EFF

RGB 206 14 255

HSL 287.8, 1%, 0.53%

LAB 52.57, 90.23, -73.75

 

CMYK 16 / 78 / 0 / 0

HEX #D638FF

RGB 214 56 255

HSL 287.64, 1%, 0.61%

LAB 56.43, 83.73, -67.44

 

CMYK 13 / 62 / 0 / 0

HEX #DE61FF

RGB 222 97 255

HSL 287.47, 1%, 0.69%

LAB 62.76, 70.63, -57.23

 

CMYK 9 / 46 / 0 / 0

HEX #E78AFF

RGB 231 138 255

HSL 287.69, 1%, 0.77%

LAB 71.14, 53.55, -43.93

 

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

CMYK 0 / 78 / 77 / 0

HEX #FF383B

RGB 255 56 59

HSL 359.1, 1%, 0.61%

LAB 56.49, 72.69, 46.58

 

CMYK 78 / 0 / 48 / 0

HEX #38FF84

RGB 56 255 132

HSL 142.91, 1%, 0.61%

LAB 88.94, -72.82, 45.33

 

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

CMYK 0 / 17 / 78 / 0

HEX #FFD338

RGB 255 211 56

HSL 46.73, 1%, 0.61%

LAB 86.07, 1.1, 76.37

 

CMYK 78 / 0 / 17 / 0

HEX #38FFD3

RGB 56 255 211

HSL 166.73, 1%, 0.61%

LAB 90.35, -57.09, 7.59

 

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

CMYK 0 / 78 / 77 / 0

HEX #FF383B

RGB 255 56 59

HSL 359.1, 1%, 0.61%

LAB 56.49, 72.69, 46.58

 

CMYK 61 / 0 / 78 / 0

HEX #63FF38

RGB 99 255 56

HSL 107.04, 1%, 0.61%

LAB 89.14, -73.5, 75.91

 

CMYK 78 / 0 / 2 / 0

HEX #38FFFB

RGB 56 255 251

HSL 178.79, 1%, 0.61%

LAB 91.38, -46.69, -11.63

 

CMYK 16 / 79 / 0 / 0

HEX #D636FF

RGB 214 54 255

HSL 287.76, 1%, 0.61%

LAB 56.24, 84.28, -67.75

 

CMYK 0 / 56 / 78 / 0

HEX #FF7038

RGB 255 112 56

HSL 16.88, 1%, 0.61%

LAB 64.27, 51.49, 55.97

 

CMYK 61 / 0 / 78 / 0

HEX #63FF38

RGB 99 255 56

HSL 107.04, 1%, 0.61%

LAB 89.14, -73.5, 75.91

 

CMYK 78 / 22 / 0 / 0

HEX #38C6FF

RGB 56 198 255

HSL 197.19, 1%, 0.61%

LAB 75.11, -18.4, -38.52

 

Description

Color code: HEX #D636FF | qconv.com Color code: HEX #D636FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 54 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 54 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 79 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 79% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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