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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D62EEA it is the complementary color #29D115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D62EEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D62EEA shade: #DB2EE5, #EC40F8, #FD52FF, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D62EEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D62EEA shade: #D62EEA, #C51CD7, #B40AC4, #A300B1 and #92009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D62EEA shade: #D62EEA, #EA2ECB, #EA2E98, #EA2E66 and #EA2E33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D62EEA shade: #D62EEA, #A32EEA, #702EEA, #3E2EEA and #2E2EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D62EEA shade matches the following richer shades: #D62EEA and #E41BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D62EEA shade: #D62EEA, #C740D7, #B953C5, #AA65B2 and #9B78A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D62EEA shade: #702EEA, #A22EEA, #D42EEA, #EA2ECE and #EA2E9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D62EEA shade: #A211B4, #C415D9, #D62EEA, #DD53EE and #E479F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D62EEA shade: #D62EEA, #EA3D2E and #2EEA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D62EEA shade: #D62EEA, #EAD42E and #2EEAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D62EEA shade: #D62EEA, #EA3D2E, #44EA2E and #2EDAEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D62EEA shade: #D62EEA, #EA762E, #44EA2E and #2EA2EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

Complementary color

CMYK 80 / 0 / 90 / 18

HEX #29D115

RGB 41 209 21

HSL 113.62, 0.82%, 0.45%

LAB 73.63, -70.95, 69.54

 

CMYK 4 / 80 / 0 / 10

HEX #DB2EE5

RGB 219 46 229

HSL 296.72, 0.78%, 0.54%

LAB 54.73, 82.88, -55.59

 

CMYK 5 / 74 / 0 / 3

HEX #EC40F8

RGB 236 64 248

HSL 296.09, 0.93%, 0.61%

LAB 60.14, 84.31, -57.43

 

CMYK 1 / 68 / 0 / 0

HEX #FD52FF

RGB 253 82 255

HSL 299.31, 1%, 0.66%

LAB 65.07, 83.19, -53.29

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 8 / 87 / 0 / 16

HEX #C51CD7

RGB 197 28 215

HSL 294.22, 0.77%, 0.48%

LAB 49.02, 80.54, -57

 

CMYK 8 / 95 / 0 / 23

HEX #B40AC4

RGB 180 10 196

HSL 294.84, 0.9%, 0.4%

LAB 44.1, 77.16, -54.09

 

CMYK 8 / 100 / 0 / 31

HEX #A300B1

RGB 163 0 177

HSL 295.25, 1%, 0.35%

LAB 39.51, 72.47, -50.44

 

CMYK 8 / 100 / 0 / 38

HEX #92009E

RGB 146 0 158

HSL 295.44, 1%, 0.31%

LAB 35.16, 66.74, -46.21

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 0 / 80 / 13 / 8

HEX #EA2ECB

RGB 234 46 203

HSL 309.89, 0.82%, 0.55%

LAB 55.84, 82, -38.88

 

CMYK 0 / 80 / 35 / 8

HEX #EA2E98

RGB 234 46 152

HSL 326.17, 0.82%, 0.55%

LAB 53.72, 75.96, -12.43

 

CMYK 0 / 80 / 56 / 8

HEX #EA2E66

RGB 234 46 102

HSL 342.13, 0.82%, 0.55%

LAB 52.29, 71.72, 15.51

 

CMYK 0 / 80 / 78 / 8

HEX #EA2E33

RGB 234 46 51

HSL 358.4, 0.82%, 0.55%

LAB 51.48, 69.24, 44.44

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 30 / 80 / 0 / 8

HEX #A32EEA

RGB 163 46 234

HSL 277.34, 0.82%, 0.55%

LAB 46.55, 74.3, -72.05

 

CMYK 52 / 80 / 0 / 8

HEX #702EEA

RGB 112 46 234

HSL 261.06, 0.82%, 0.55%

LAB 40.15, 67.34, -82.79

 

CMYK 74 / 80 / 0 / 8

HEX #3E2EEA

RGB 62 46 234

HSL 245.11, 0.82%, 0.55%

LAB 35.83, 62.75, -90.07

 

CMYK 80 / 80 / 0 / 8

HEX #2E2EEA

RGB 46 46 234

HSL 240, 0.82%, 0.55%

LAB 34.95, 61.84, -91.55

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 10 / 89 / 0 / 1

HEX #E41BFC

RGB 228 27 252

HSL 293.6, 0.97%, 0.55%

LAB 56.39, 91.47, -65.73

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 7 / 70 / 0 / 16

HEX #C740D7

RGB 199 64 215

HSL 293.64, 0.65%, 0.55%

LAB 52.64, 71.37, -51.18

 

CMYK 6 / 58 / 0 / 23

HEX #B953C5

RGB 185 83 197

HSL 293.68, 0.5%, 0.55%

LAB 52.43, 57.08, -41.33

 

CMYK 4 / 43 / 0 / 30

HEX #AA65B2

RGB 170 101 178

HSL 293.77, 0.33%, 0.55%

LAB 53.02, 40.12, -29.57

 

CMYK 3 / 25 / 0 / 37

HEX #9B78A0

RGB 155 120 160

HSL 292.5, 0.17%, 0.55%

LAB 55.01, 20.89, -16.23

 

CMYK 52 / 80 / 0 / 8

HEX #702EEA

RGB 112 46 234

HSL 261.06, 0.82%, 0.55%

LAB 40.15, 67.34, -82.79

 

CMYK 31 / 80 / 0 / 8

HEX #A22EEA

RGB 162 46 234

HSL 277.02, 0.82%, 0.55%

LAB 46.41, 74.14, -72.28

 

CMYK 9 / 80 / 0 / 8

HEX #D42EEA

RGB 212 46 234

HSL 292.98, 0.82%, 0.55%

LAB 53.91, 82.43, -59.78

 

CMYK 0 / 80 / 12 / 8

HEX #EA2ECE

RGB 234 46 206

HSL 308.94, 0.82%, 0.55%

LAB 55.99, 82.4, -40.37

 

CMYK 0 / 80 / 34 / 8

HEX #EA2E9B

RGB 234 46 155

HSL 325.21, 0.82%, 0.55%

LAB 53.83, 76.27, -14.04

 

CMYK 10 / 91 / 0 / 29

HEX #A211B4

RGB 162 17 180

HSL 293.37, 0.83%, 0.39%

LAB 40.21, 70.82, -51.11

 

CMYK 10 / 90 / 0 / 15

HEX #C415D9

RGB 196 21 217

HSL 293.57, 0.82%, 0.47%

LAB 48.61, 81.77, -58.8

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 7 / 65 / 0 / 7

HEX #DD53EE

RGB 221 83 238

HSL 293.42, 0.82%, 0.63%

LAB 59.65, 73.06, -52.78

 

CMYK 5 / 50 / 0 / 5

HEX #E479F1

RGB 228 121 241

HSL 293.5, 0.81%, 0.71%

LAB 66.92, 58.53, -42.9

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 0 / 74 / 80 / 8

HEX #EA3D2E

RGB 234 61 46

HSL 4.79, 0.82%, 0.55%

LAB 52.98, 64.75, 48.57

 

CMYK 80 / 0 / 41 / 8

HEX #2EEA89

RGB 46 234 137

HSL 149.04, 0.82%, 0.55%

LAB 82.5, -65.98, 34.63

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 0 / 9 / 80 / 8

HEX #EAD42E

RGB 234 212 46

HSL 52.98, 0.82%, 0.55%

LAB 84.37, -8.6, 77.07

 

CMYK 80 / 0 / 9 / 8

HEX #2EEAD4

RGB 46 234 212

HSL 172.98, 0.82%, 0.55%

LAB 84.06, -49.15, -2.08

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 0 / 74 / 80 / 8

HEX #EA3D2E

RGB 234 61 46

HSL 4.79, 0.82%, 0.55%

LAB 52.98, 64.75, 48.57

 

CMYK 71 / 0 / 80 / 8

HEX #44EA2E

RGB 68 234 46

HSL 112.98, 0.82%, 0.55%

LAB 81.99, -73.43, 71.7

 

CMYK 80 / 7 / 0 / 8

HEX #2EDAEA

RGB 46 218 234

HSL 185.11, 0.82%, 0.55%

LAB 79.99, -35.81, -19.81

 

CMYK 9 / 80 / 0 / 8

HEX #D62EEA

RGB 214 46 234

HSL 293.62, 0.82%, 0.55%

LAB 54.23, 82.79, -59.26

 

CMYK 0 / 50 / 80 / 8

HEX #EA762E

RGB 234 118 46

HSL 22.98, 0.82%, 0.55%

LAB 62.21, 40.39, 57.31

 

CMYK 71 / 0 / 80 / 8

HEX #44EA2E

RGB 68 234 46

HSL 112.98, 0.82%, 0.55%

LAB 81.99, -73.43, 71.7

 

CMYK 80 / 31 / 0 / 8

HEX #2EA2EA

RGB 46 162 234

HSL 202.98, 0.82%, 0.55%

LAB 63.64, -7.07, -45.07

 

Description

Color code: HEX #D62EEA | qconv.com Color code: HEX #D62EEA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 46 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 46 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 80 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 80% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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