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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D623EF it is the complementary color #29DC10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D623EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D623EF shade: #DB23EA, #EC35FD, #FD47FF, #FF59FF and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D623EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D623EF shade: #D623EF, #C511DC, #B400C9, #A300B6 and #9200A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D623EF shade: #D524EE, #EE24D0, #EE249A, #EE2464 and #EE242D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D623EF shade: #D524EE, #9F24EE, #6924EE, #3224EE and #2424EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D623EF shade matches the following richer shades: #D524EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D623EF shade: #D524EE, #C737DB, #B94AC8, #AA5DB5 and #9C70A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D623EF shade: #6824EE, #9D24EE, #D324EE, #EE24D3 and #EE249D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D623EF shade: #9F0DB3, #C110D9, #D524EE, #DD4BF1 and #E471F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D623EF shade: #D623EF, #EE3224 and #24EE82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D623EF shade: #D623EF, #EED324 and #24EED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D623EF shade: #D623EF, #EE3224, #3FEE24 and #24E1EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D623EF shade: #D623EF, #EE6E24, #3FEE24 and #24A4EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

Complementary color

CMYK 81 / 0 / 93 / 14

HEX #29DC10

RGB 41 220 16

HSL 112.65, 0.86%, 0.46%

LAB 77.1, -74.23, 73.18

 

CMYK 6 / 85 / 0 / 8

HEX #DB23EA

RGB 219 35 234

HSL 295.48, 0.83%, 0.53%

LAB 54.24, 85.97, -59.19

 

CMYK 7 / 79 / 0 / 1

HEX #EC35FD

RGB 236 53 253

HSL 294.9, 0.98%, 0.6%

LAB 59.41, 88.04, -61.37

 

CMYK 1 / 72 / 0 / 0

HEX #FD47FF

RGB 253 71 255

HSL 299.35, 1%, 0.64%

LAB 63.84, 86.69, -55.24

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

CMYK 10 / 92 / 0 / 14

HEX #C511DC

RGB 197 17 220

HSL 293.2, 0.86%, 0.46%

LAB 48.81, 82.9, -60.19

 

CMYK 10 / 100 / 0 / 21

HEX #B400C9

RGB 180 0 201

HSL 293.73, 1%, 0.39%

LAB 44.12, 78.88, -56.97

 

CMYK 10 / 100 / 0 / 29

HEX #A300B6

RGB 163 0 182

HSL 293.74, 1%, 0.36%

LAB 39.86, 73.28, -52.86

 

CMYK 10 / 100 / 0 / 36

HEX #9200A3

RGB 146 0 163

HSL 293.74, 1%, 0.32%

LAB 35.51, 67.56, -48.67

 

CMYK 11 / 85 / 0 / 7

HEX #D524EE

RGB 213 36 238

HSL 292.57, 0.86%, 0.54%

LAB 53.58, 85.42, -62.56

 

CMYK 0 / 85 / 13 / 7

HEX #EE24D0

RGB 238 36 208

HSL 308.91, 0.86%, 0.54%

LAB 56.08, 85.47, -41.33

 

CMYK 0 / 85 / 35 / 7

HEX #EE249A

RGB 238 36 154

HSL 324.95, 0.86%, 0.54%

LAB 53.78, 79.21, -13.45

 

CMYK 0 / 85 / 58 / 7

HEX #EE2464

RGB 238 36 100

HSL 340.99, 0.86%, 0.54%

LAB 52.24, 74.82, 16.78

 

CMYK 0 / 85 / 81 / 7

HEX #EE242D

RGB 238 36 45

HSL 357.33, 0.86%, 0.54%

LAB 51.41, 72.4, 47.84

 

CMYK 11 / 85 / 0 / 7

HEX #D524EE

RGB 213 36 238

HSL 292.57, 0.86%, 0.54%

LAB 53.58, 85.42, -62.56

 

CMYK 33 / 85 / 0 / 7

HEX #9F24EE

RGB 159 36 238

HSL 276.53, 0.86%, 0.54%

LAB 45.37, 77.28, -76.27

 

CMYK 56 / 85 / 0 / 7

HEX #6924EE

RGB 105 36 238

HSL 260.5, 0.86%, 0.54%

LAB 38.62, 71.06, -87.61

 

CMYK 79 / 85 / 0 / 7

HEX #3224EE

RGB 50 36 238

HSL 244.16, 0.86%, 0.54%

LAB 34.22, 67.34, -95.04

 

CMYK 85 / 85 / 0 / 7

HEX #2424EE

RGB 36 36 238

HSL 240, 0.86%, 0.54%

LAB 33.58, 66.83, -96.11

 

CMYK 11 / 85 / 0 / 7

HEX #D524EE

RGB 213 36 238

HSL 292.57, 0.86%, 0.54%

LAB 53.58, 85.42, -62.56

 

CMYK 11 / 85 / 0 / 7

HEX #D524EE

RGB 213 36 238

HSL 292.57, 0.86%, 0.54%

LAB 53.58, 85.42, -62.56

 

CMYK 9 / 75 / 0 / 14

HEX #C737DB

RGB 199 55 219

HSL 292.68, 0.69%, 0.54%

LAB 51.82, 75.04, -54.76

 

CMYK 8 / 63 / 0 / 22

HEX #B94AC8

RGB 185 74 200

HSL 292.86, 0.53%, 0.54%

LAB 51.13, 61.64, -45.12

 

CMYK 6 / 49 / 0 / 29

HEX #AA5DB5

RGB 170 93 181

HSL 292.5, 0.37%, 0.54%

LAB 51.51, 44.97, -33.68

 

CMYK 4 / 31 / 0 / 36

HEX #9C70A2

RGB 156 112 162

HSL 292.8, 0.21%, 0.54%

LAB 53.24, 26.24, -20.08

 

CMYK 56 / 85 / 0 / 7

HEX #6824EE

RGB 104 36 238

HSL 260.2, 0.86%, 0.54%

LAB 38.51, 70.97, -87.79

 

CMYK 34 / 85 / 0 / 7

HEX #9D24EE

RGB 157 36 238

HSL 275.94, 0.86%, 0.54%

LAB 45.09, 77.01, -76.74

 

CMYK 11 / 85 / 0 / 7

HEX #D324EE

RGB 211 36 238

HSL 291.98, 0.86%, 0.54%

LAB 53.26, 85.09, -63.09

 

CMYK 0 / 85 / 11 / 7

HEX #EE24D3

RGB 238 36 211

HSL 308.02, 0.86%, 0.54%

LAB 56.23, 85.86, -42.8

 

CMYK 0 / 85 / 34 / 7

HEX #EE249D

RGB 238 36 157

HSL 324.06, 0.86%, 0.54%

LAB 53.89, 79.51, -15.06

 

CMYK 11 / 93 / 0 / 30

HEX #9F0DB3

RGB 159 13 179

HSL 292.77, 0.86%, 0.38%

LAB 39.43, 70.72, -51.8

 

CMYK 11 / 93 / 0 / 15

HEX #C110D9

RGB 193 16 217

HSL 292.84, 0.86%, 0.46%

LAB 47.9, 81.92, -59.97

 

CMYK 11 / 85 / 0 / 7

HEX #D524EE

RGB 213 36 238

HSL 292.57, 0.86%, 0.54%

LAB 53.58, 85.42, -62.56

 

CMYK 8 / 69 / 0 / 5

HEX #DD4BF1

RGB 221 75 241

HSL 292.77, 0.86%, 0.62%

LAB 58.75, 76.57, -55.89

 

CMYK 7 / 54 / 0 / 4

HEX #E471F4

RGB 228 113 244

HSL 292.67, 0.86%, 0.7%

LAB 65.62, 62.89, -46.59

 

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

CMYK 0 / 79 / 85 / 7

HEX #EE3224

RGB 238 50 36

HSL 4.16, 0.86%, 0.54%

LAB 52.49, 68.93, 53.27

 

CMYK 85 / 0 / 45 / 7

HEX #24EE82

RGB 36 238 130

HSL 147.92, 0.86%, 0.54%

LAB 83.51, -69.43, 39.38

 

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

CMYK 0 / 11 / 85 / 7

HEX #EED324

RGB 238 211 36

HSL 51.98, 0.86%, 0.54%

LAB 84.43, -6.67, 79.75

 

CMYK 85 / 0 / 11 / 7

HEX #24EED3

RGB 36 238 211

HSL 171.98, 0.86%, 0.54%

LAB 85.11, -51.81, -0.03

 

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

CMYK 0 / 79 / 85 / 7

HEX #EE3224

RGB 238 50 36

HSL 4.16, 0.86%, 0.54%

LAB 52.49, 68.93, 53.27

 

CMYK 74 / 0 / 85 / 7

HEX #3FEE24

RGB 63 238 36

HSL 111.98, 0.86%, 0.54%

LAB 83.09, -75.89, 75.05

 

CMYK 85 / 5 / 0 / 7

HEX #24E1EE

RGB 36 225 238

HSL 183.86, 0.86%, 0.54%

LAB 82.05, -38.56, -18.83

 

CMYK 10 / 85 / 0 / 6

HEX #D623EF

RGB 214 35 239

HSL 292.65, 0.86%, 0.54%

LAB 53.74, 85.93, -62.85

 

CMYK 0 / 54 / 85 / 7

HEX #EE6E24

RGB 238 110 36

HSL 21.98, 0.86%, 0.54%

LAB 61.18, 45.58, 60.58

 

CMYK 74 / 0 / 85 / 7

HEX #3FEE24

RGB 63 238 36

HSL 111.98, 0.86%, 0.54%

LAB 83.09, -75.89, 75.05

 

CMYK 85 / 31 / 0 / 7

HEX #24A4EE

RGB 36 164 238

HSL 201.98, 0.86%, 0.54%

LAB 64.24, -7.58, -46.33

 

Description

Color code: HEX #D623EF | qconv.com Color code: HEX #D623EF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 35 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 35 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 85 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 85% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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