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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D625DE it is the complementary color #29DA21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D625DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D625DE shade: #DB25D9, #EC37EC, #FD49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D625DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D625DE shade: #D625DE, #C513CB, #B401B8, #A300A5 and #920092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D625DE shade: #D625DE, #DE25B4, #DE2582, #DE2550 and #DE2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D625DE shade: #D625DE, #A425DE, #7225DE, #4025DE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D625DE shade matches the following richer shades: #D625DE and #E911F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D625DE shade: #D625DE, #C439CA, #B14EB6, #9F62A1 and #8C768D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D625DE shade: #7225DE, #A325DE, #D525DE, #DE25B6 and #DE2585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D625DE shade: #94179A, #B71CBE, #D625DE, #DD49E3 and #E36DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D625DE shade: #D625DE, #DE4125 and #25DE8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D625DE shade: #D625DE, #DED525 and #25DED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D625DE shade: #D625DE, #DE4125, #2EDE25 and #25C2DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D625DE shade: #D625DE, #DE7825, #2EDE25 and #258BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

Complementary color

CMYK 81 / 0 / 85 / 15

HEX #29DA21

RGB 41 218 33

HSL 117.41, 0.74%, 0.49%

LAB 76.51, -73.1, 69.73

 

CMYK 0 / 83 / 1 / 14

HEX #DB25D9

RGB 219 37 217

HSL 300.66, 0.72%, 0.5%

LAB 53.38, 83, -50.95

 

CMYK 0 / 77 / 0 / 7

HEX #EC37EC

RGB 236 55 236

HSL 300, 0.83%, 0.57%

LAB 58.62, 84.91, -53.16

 

CMYK 1 / 71 / 0 / 0

HEX #FD49FF

RGB 253 73 255

HSL 299.34, 1%, 0.64%

LAB 64.05, 86.09, -54.91

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 3 / 91 / 0 / 20

HEX #C513CB

RGB 197 19 203

HSL 298.04, 0.83%, 0.44%

LAB 47.81, 80.01, -52.03

 

CMYK 2 / 99 / 0 / 28

HEX #B401B8

RGB 180 1 184

HSL 298.69, 0.99%, 0.36%

LAB 43.04, 76.15, -48.76

 

CMYK 1 / 100 / 0 / 35

HEX #A300A5

RGB 163 0 165

HSL 299.27, 1%, 0.32%

LAB 38.73, 70.6, -44.53

 

CMYK 0 / 100 / 0 / 43

HEX #920092

RGB 146 0 146

HSL 300, 1%, 0.29%

LAB 34.37, 64.84, -40.15

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 0 / 83 / 19 / 13

HEX #DE25B4

RGB 222 37 180

HSL 313.62, 0.74%, 0.51%

LAB 52, 78.5, -31.74

 

CMYK 0 / 83 / 41 / 13

HEX #DE2582

RGB 222 37 130

HSL 329.84, 0.74%, 0.51%

LAB 50.05, 73.03, -4.96

 

CMYK 0 / 83 / 64 / 13

HEX #DE2550

RGB 222 37 80

HSL 346.05, 0.74%, 0.51%

LAB 48.8, 69.37, 23.79

 

CMYK 0 / 83 / 83 / 13

HEX #DE2525

RGB 222 37 37

HSL 0, 0.74%, 0.51%

LAB 48.24, 67.71, 47.85

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 26 / 83 / 0 / 13

HEX #A425DE

RGB 164 37 222

HSL 281.19, 0.74%, 0.51%

LAB 44.93, 74.59, -67.87

 

CMYK 49 / 83 / 0 / 13

HEX #7225DE

RGB 114 37 222

HSL 264.97, 0.74%, 0.51%

LAB 38.15, 67.82, -79.23

 

CMYK 71 / 83 / 0 / 13

HEX #4025DE

RGB 64 37 222

HSL 248.76, 0.74%, 0.51%

LAB 33.32, 63.25, -87.37

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 4 / 93 / 0 / 5

HEX #E911F2

RGB 233 17 242

HSL 297.6, 0.9%, 0.51%

LAB 56.22, 91.87, -60.38

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 3 / 72 / 0 / 21

HEX #C439CA

RGB 196 57 202

HSL 297.52, 0.58%, 0.51%

LAB 50.6, 70.93, -47.01

 

CMYK 3 / 57 / 0 / 29

HEX #B14EB6

RGB 177 78 182

HSL 297.12, 0.42%, 0.51%

LAB 49.71, 54.55, -37.02

 

CMYK 1 / 39 / 0 / 37

HEX #9F62A1

RGB 159 98 161

HSL 298.1, 0.25%, 0.51%

LAB 50.31, 34.96, -23.97

 

CMYK 1 / 16 / 0 / 45

HEX #8C768D

RGB 140 118 141

HSL 297.39, 0.09%, 0.51%

LAB 52.35, 12.86, -9.32

 

CMYK 49 / 83 / 0 / 13

HEX #7225DE

RGB 114 37 222

HSL 264.97, 0.74%, 0.51%

LAB 38.15, 67.82, -79.23

 

CMYK 27 / 83 / 0 / 13

HEX #A325DE

RGB 163 37 222

HSL 280.86, 0.74%, 0.51%

LAB 44.78, 74.44, -68.12

 

CMYK 4 / 83 / 0 / 13

HEX #D525DE

RGB 213 37 222

HSL 297.08, 0.74%, 0.51%

LAB 52.67, 82.69, -54.99

 

CMYK 0 / 83 / 18 / 13

HEX #DE25B6

RGB 222 37 182

HSL 312.97, 0.74%, 0.51%

LAB 52.1, 78.75, -32.76

 

CMYK 0 / 83 / 40 / 13

HEX #DE2585

RGB 222 37 133

HSL 328.86, 0.74%, 0.51%

LAB 50.15, 73.31, -6.63

 

CMYK 4 / 85 / 0 / 40

HEX #94179A

RGB 148 23 154

HSL 297.25, 0.74%, 0.35%

LAB 36.45, 62.93, -41.7

 

CMYK 4 / 85 / 0 / 25

HEX #B71CBE

RGB 183 28 190

HSL 297.41, 0.74%, 0.43%

LAB 45.1, 74.15, -48.95

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 3 / 68 / 0 / 11

HEX #DD49E3

RGB 221 73 227

HSL 297.66, 0.73%, 0.59%

LAB 57.74, 74.93, -49.66

 

CMYK 3 / 53 / 0 / 9

HEX #E36DE9

RGB 227 109 233

HSL 297.1, 0.74%, 0.67%

LAB 64.28, 62.51, -42.62

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 0 / 71 / 83 / 13

HEX #DE4125

RGB 222 65 37

HSL 9.08, 0.74%, 0.51%

LAB 51.2, 59.43, 50.52

 

CMYK 83 / 0 / 37 / 13

HEX #25DE8B

RGB 37 222 139

HSL 153.08, 0.74%, 0.51%

LAB 78.75, -62.24, 28.64

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 0 / 4 / 83 / 13

HEX #DED525

RGB 222 213 37

HSL 57.08, 0.74%, 0.51%

LAB 83.57, -14.44, 78.25

 

CMYK 83 / 0 / 4 / 13

HEX #25DED5

RGB 37 222 213

HSL 177.08, 0.74%, 0.51%

LAB 80.43, -44.42, -7.98

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 0 / 71 / 83 / 13

HEX #DE4125

RGB 222 65 37

HSL 9.08, 0.74%, 0.51%

LAB 51.2, 59.43, 50.52

 

CMYK 79 / 0 / 83 / 13

HEX #2EDE25

RGB 46 222 37

HSL 117.08, 0.74%, 0.51%

LAB 77.85, -73.5, 70.04

 

CMYK 83 / 13 / 0 / 13

HEX #25C2DE

RGB 37 194 222

HSL 189.08, 0.74%, 0.51%

LAB 72.4, -28.75, -24.92

 

CMYK 4 / 83 / 0 / 13

HEX #D625DE

RGB 214 37 222

HSL 297.41, 0.74%, 0.51%

LAB 52.83, 82.87, -54.71

 

CMYK 0 / 46 / 83 / 13

HEX #DE7825

RGB 222 120 37

HSL 26.92, 0.74%, 0.51%

LAB 60.87, 34.34, 59.02

 

CMYK 79 / 0 / 83 / 13

HEX #2EDE25

RGB 46 222 37

HSL 117.08, 0.74%, 0.51%

LAB 77.85, -73.5, 70.04

 

CMYK 83 / 37 / 0 / 13

HEX #258BDE

RGB 37 139 222

HSL 206.92, 0.74%, 0.51%

LAB 56.22, 1.1, -50.16

 

Description

Color code: HEX #D625DE | qconv.com Color code: HEX #D625DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 37 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 37 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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