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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D61CC3 it is the complementary color #29E33C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D61CC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D61CC3 shade: #DB1CBE, #EC2ED1, #FD40E4, #FF52F7 and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D61CC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D61CC3 shade: #D61CC3, #C50AB0, #B4009D, #A3008A and #920077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D61CC3 shade: #D41BC1, #D41B8F, #D41B5D, #D41B2B and #D41B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D61CC3 shade: #D41BC1, #B51BD4, #831BD4, #511BD4 and #1F1BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D61CC3 shade matches the following richer shades: #D41BC1 and #E708D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D61CC3 shade: #D41BC1, #C02EB1, #AD42A2, #995592 and #866983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D61CC3 shade: #841BD4, #B51BD4, #D41BC1, #D41B90 and #D41B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D61CC3 shade: #8B127E, #AF16A0, #D41BC1, #E434D2 and #E958DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D61CC3 shade: #D61CC3, #D4521B and #1BD49C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D61CC3 shade: #D61CC3, #C1D41B and #1BC1D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D61CC3 shade: #D61CC3, #D4521B, #1BD42E and #1B9CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D61CC3 shade: #D61CC3, #D48A1B, #1BD42E and #1B65D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

Complementary color

CMYK 82 / 0 / 74 / 11

HEX #29E33C

RGB 41 227 60

HSL 126.13, 0.77%, 0.53%

LAB 79.46, -74.1, 64.88

 

CMYK 0 / 87 / 13 / 14

HEX #DB1CBE

RGB 219 28 190

HSL 309.11, 0.77%, 0.48%

LAB 51.39, 80.82, -38.57

 

CMYK 0 / 81 / 11 / 7

HEX #EC2ED1

RGB 236 46 209

HSL 308.53, 0.83%, 0.55%

LAB 56.48, 83.21, -41.3

 

CMYK 0 / 75 / 10 / 1

HEX #FD40E4

RGB 253 64 228

HSL 307.94, 0.98%, 0.62%

LAB 61.78, 84.75, -43.49

 

CMYK 0 / 68 / 3 / 0

HEX #FF52F7

RGB 255 82 247

HSL 302.77, 1%, 0.66%

LAB 64.97, 82.38, -49.02

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

CMYK 0 / 95 / 11 / 23

HEX #C50AB0

RGB 197 10 176

HSL 306.74, 0.9%, 0.41%

LAB 45.94, 77.1, -39.24

 

CMYK 0 / 100 / 13 / 29

HEX #B4009D

RGB 180 0 157

HSL 307.67, 1%, 0.35%

LAB 41.43, 72.41, -35.22

 

CMYK 0 / 100 / 15 / 36

HEX #A3008A

RGB 163 0 138

HSL 309.2, 1%, 0.32%

LAB 37.15, 66.75, -30.6

 

CMYK 0 / 100 / 18 / 43

HEX #920077

RGB 146 0 119

HSL 311.1, 1%, 0.29%

LAB 32.79, 60.98, -25.82

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 0 / 87 / 33 / 17

HEX #D41B8F

RGB 212 27 143

HSL 322.38, 0.77%, 0.47%

LAB 47.96, 73.95, -16.16

 

CMYK 0 / 87 / 56 / 17

HEX #D41B5D

RGB 212 27 93

HSL 338.59, 0.77%, 0.47%

LAB 46.41, 69.61, 12.23

 

CMYK 0 / 87 / 80 / 17

HEX #D41B2B

RGB 212 27 43

HSL 354.81, 0.77%, 0.47%

LAB 45.57, 67.21, 41.39

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 15 / 87 / 0 / 17

HEX #B51BD4

RGB 181 27 212

HSL 289.95, 0.77%, 0.47%

LAB 46.12, 77.62, -60.07

 

CMYK 38 / 87 / 0 / 17

HEX #831BD4

RGB 131 27 212

HSL 273.73, 0.77%, 0.47%

LAB 38.49, 70.44, -72.85

 

CMYK 62 / 87 / 0 / 17

HEX #511BD4

RGB 81 27 212

HSL 257.51, 0.77%, 0.47%

LAB 32.45, 65.32, -83

 

CMYK 85 / 87 / 0 / 17

HEX #1F1BD4

RGB 31 27 212

HSL 241.3, 0.77%, 0.47%

LAB 28.98, 62.7, -88.88

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 0 / 97 / 10 / 9

HEX #E708D0

RGB 231 8 208

HSL 306.19, 0.93%, 0.47%

LAB 53.73, 87.5, -45.13

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 0 / 76 / 8 / 25

HEX #C02EB1

RGB 192 46 177

HSL 306.16, 0.61%, 0.47%

LAB 47.41, 69.56, -37.56

 

CMYK 0 / 62 / 6 / 32

HEX #AD42A2

RGB 173 66 162

HSL 306.17, 0.45%, 0.47%

LAB 46.16, 55.39, -30.86

 

CMYK 0 / 44 / 5 / 40

HEX #995592

RGB 153 85 146

HSL 306.18, 0.29%, 0.47%

LAB 46.1, 37.32, -21.63

 

CMYK 0 / 22 / 2 / 47

HEX #866983

RGB 134 105 131

HSL 306.21, 0.12%, 0.47%

LAB 48.02, 16.3, -9.96

 

CMYK 38 / 87 / 0 / 17

HEX #841BD4

RGB 132 27 212

HSL 274.05, 0.77%, 0.47%

LAB 38.63, 70.57, -72.61

 

CMYK 15 / 87 / 0 / 17

HEX #B51BD4

RGB 181 27 212

HSL 289.95, 0.77%, 0.47%

LAB 46.12, 77.62, -60.07

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 0 / 87 / 32 / 17

HEX #D41B90

RGB 212 27 144

HSL 322.05, 0.77%, 0.47%

LAB 48, 74.05, -16.7

 

CMYK 0 / 87 / 55 / 17

HEX #D41B5F

RGB 212 27 95

HSL 337.95, 0.77%, 0.47%

LAB 46.45, 69.74, 11.06

 

CMYK 0 / 87 / 9 / 45

HEX #8B127E

RGB 139 18 126

HSL 306.45, 0.77%, 0.31%

LAB 32.76, 57.78, -30.37

 

CMYK 0 / 87 / 9 / 31

HEX #AF16A0

RGB 175 22 160

HSL 305.88, 0.78%, 0.39%

LAB 41.57, 69.23, -36.87

 

CMYK 0 / 87 / 9 / 17

HEX #D41BC1

RGB 212 27 193

HSL 306.16, 0.77%, 0.47%

LAB 50.25, 80.06, -42.19

 

CMYK 0 / 77 / 8 / 11

HEX #E434D2

RGB 228 52 210

HSL 306.14, 0.77%, 0.55%

LAB 55.69, 80.28, -43.2

 

CMYK 0 / 62 / 6 / 9

HEX #E958DA

RGB 233 88 218

HSL 306.21, 0.77%, 0.63%

LAB 61.1, 70.61, -39.16

 

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

CMYK 0 / 61 / 87 / 17

HEX #D4521B

RGB 212 82 27

HSL 17.84, 0.77%, 0.47%

LAB 51.96, 48.87, 54.71

 

CMYK 87 / 0 / 26 / 17

HEX #1BD49C

RGB 27 212 156

HSL 161.84, 0.77%, 0.47%

LAB 75.9, -55.69, 15.84

 

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

CMYK 9 / 0 / 87 / 17

HEX #C1D41B

RGB 193 212 27

HSL 66.16, 0.77%, 0.47%

LAB 81.02, -26.38, 77.28

 

CMYK 87 / 9 / 0 / 17

HEX #1BC1D4

RGB 27 193 212

HSL 186.16, 0.77%, 0.47%

LAB 71.64, -32.09, -20.65

 

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

CMYK 0 / 61 / 87 / 17

HEX #D4521B

RGB 212 82 27

HSL 17.84, 0.77%, 0.47%

LAB 51.96, 48.87, 54.71

 

CMYK 87 / 0 / 78 / 17

HEX #1BD42E

RGB 27 212 46

HSL 126.16, 0.77%, 0.47%

LAB 74.52, -72.01, 64.45

 

CMYK 87 / 26 / 0 / 17

HEX #1B9CD4

RGB 27 156 212

HSL 198.16, 0.77%, 0.47%

LAB 60.57, -13.04, -37.72

 

CMYK 0 / 87 / 9 / 16

HEX #D61CC3

RGB 214 28 195

HSL 306.13, 0.77%, 0.47%

LAB 50.77, 80.55, -42.52

 

CMYK 0 / 35 / 87 / 17

HEX #D48A1B

RGB 212 138 27

HSL 36, 0.77%, 0.47%

LAB 63.55, 20.33, 63.94

 

CMYK 87 / 0 / 78 / 17

HEX #1BD42E

RGB 27 212 46

HSL 126.16, 0.77%, 0.47%

LAB 74.52, -72.01, 64.45

 

CMYK 87 / 52 / 0 / 17

HEX #1B65D4

RGB 27 101 212

HSL 216, 0.77%, 0.47%

LAB 44.65, 20.23, -63.09

 

Description

Color code: HEX #D61CC3 | qconv.com Color code: HEX #D61CC3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 28 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 28 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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