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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D61A79 it is the complementary color #29E586. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D61A79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D61A79 shade: #DB1A74, #EC2C87, #FD3E9A, #FF50AD and #FF62C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D61A79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D61A79 shade: #D61A79, #C50866, #B40053, #A30040 and #92002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D61A79 shade: #D51A78, #D51A46 and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D61A79 shade: #D51A78, #D51AAB, #CC1AD5, #9A1AD5 and #681AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D61A79 shade matches the following richer shades: #D51A78 and #E80679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D61A79 shade: #D51A78, #C12D78, #AE4178, #9B5478 and #876778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D61A79 shade: #CB1AD5, #D51AAC, #D51A7A, #D51A49 and #D51D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D61A79 shade: #8B114F, #B01564, #D51A78, #E5338D and #EA57A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D61A79 shade: #D61A79, #D59A1A and #1AC5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D61A79 shade: #D61A79, #7AD51A and #1A7AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D61A79 shade: #D61A79, #D59A1A, #1AD574 and #1A55D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D61A79 shade: #D61A79, #D5D21A, #1AD574 and #1A1DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

Complementary color

CMYK 82 / 0 / 41 / 10

HEX #29E586

RGB 41 229 134

HSL 149.68, 0.78%, 0.53%

LAB 80.87, -65.27, 33.98

 

CMYK 0 / 88 / 47 / 14

HEX #DB1A74

RGB 219 26 116

HSL 332.02, 0.79%, 0.48%

LAB 48.34, 73.17, 0.97

 

CMYK 0 / 81 / 43 / 7

HEX #EC2C87

RGB 236 44 135

HSL 331.56, 0.83%, 0.55%

LAB 53.37, 75.28, -2.79

 

CMYK 0 / 75 / 39 / 1

HEX #FD3E9A

RGB 253 62 154

HSL 331.1, 0.98%, 0.62%

LAB 58.66, 76.54, -5.87

 

CMYK 0 / 69 / 32 / 0

HEX #FF50AD

RGB 255 80 173

HSL 328.11, 1%, 0.66%

LAB 61.67, 73.25, -12.38

 

CMYK 0 / 62 / 25 / 0

HEX #FF62C0

RGB 255 98 192

HSL 324.08, 1%, 0.69%

LAB 64.8, 68.67, -18.49

 

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

CMYK 0 / 96 / 48 / 23

HEX #C50866

RGB 197 8 102

HSL 330.16, 0.92%, 0.4%

LAB 42.77, 69.22, 1.02

 

CMYK 0 / 100 / 54 / 29

HEX #B40053

RGB 180 0 83

HSL 332.33, 1%, 0.35%

LAB 38.42, 64.7, 6.38

 

CMYK 0 / 100 / 61 / 36

HEX #A30040

RGB 163 0 64

HSL 336.44, 1%, 0.32%

LAB 34.31, 59.41, 12.45

 

CMYK 0 / 100 / 69 / 43

HEX #92002D

RGB 146 0 45

HSL 341.51, 1%, 0.29%

LAB 30.16, 54.14, 18.85

 

CMYK 0 / 88 / 44 / 16

HEX #D51A78

RGB 213 26 120

HSL 329.84, 0.78%, 0.47%

LAB 47.29, 72.12, -3.15

 

CMYK 0 / 88 / 67 / 16

HEX #D51A46

RGB 213 26 70

HSL 345.88, 0.78%, 0.47%

LAB 46.08, 68.7, 26.05

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 44 / 16

HEX #D51A78

RGB 213 26 120

HSL 329.84, 0.78%, 0.47%

LAB 47.29, 72.12, -3.15

 

CMYK 0 / 88 / 20 / 16

HEX #D51AAB

RGB 213 26 171

HSL 313.48, 0.78%, 0.47%

LAB 49.28, 77.54, -30.82

 

CMYK 4 / 88 / 0 / 16

HEX #CC1AD5

RGB 204 26 213

HSL 297.11, 0.78%, 0.47%

LAB 49.95, 81.72, -54.28

 

CMYK 28 / 88 / 0 / 16

HEX #9A1AD5

RGB 154 26 213

HSL 281.07, 0.78%, 0.47%

LAB 41.86, 73.93, -67.76

 

CMYK 51 / 88 / 0 / 16

HEX #681AD5

RGB 104 26 213

HSL 265.03, 0.78%, 0.47%

LAB 34.98, 67.88, -79.33

 

CMYK 0 / 88 / 44 / 16

HEX #D51A78

RGB 213 26 120

HSL 329.84, 0.78%, 0.47%

LAB 47.29, 72.12, -3.15

 

CMYK 0 / 97 / 48 / 9

HEX #E80679

RGB 232 6 121

HSL 329.47, 0.95%, 0.47%

LAB 50.29, 78.65, 1.08

 

CMYK 0 / 88 / 44 / 16

HEX #D51A78

RGB 213 26 120

HSL 329.84, 0.78%, 0.47%

LAB 47.29, 72.12, -3.15

 

CMYK 0 / 77 / 38 / 24

HEX #C12D78

RGB 193 45 120

HSL 329.59, 0.62%, 0.47%

LAB 45.04, 62.8, -6.9

 

CMYK 0 / 63 / 31 / 32

HEX #AE4178

RGB 174 65 120

HSL 329.72, 0.46%, 0.47%

LAB 44.43, 49.92, -8.16

 

CMYK 0 / 46 / 23 / 39

HEX #9B5478

RGB 155 84 120

HSL 329.58, 0.3%, 0.47%

LAB 45.17, 34.11, -7.34

 

CMYK 0 / 24 / 11 / 47

HEX #876778

RGB 135 103 120

HSL 328.13, 0.13%, 0.47%

LAB 47.25, 15.75, -4.53

 

CMYK 5 / 88 / 0 / 16

HEX #CB1AD5

RGB 203 26 213

HSL 296.79, 0.78%, 0.47%

LAB 49.79, 81.55, -54.56

 

CMYK 0 / 88 / 19 / 16

HEX #D51AAC

RGB 213 26 172

HSL 313.16, 0.78%, 0.47%

LAB 49.33, 77.66, -31.34

 

CMYK 0 / 88 / 43 / 16

HEX #D51A7A

RGB 213 26 122

HSL 329.2, 0.78%, 0.47%

LAB 47.35, 72.29, -4.28

 

CMYK 0 / 88 / 66 / 16

HEX #D51A49

RGB 213 26 73

HSL 344.92, 0.78%, 0.47%

LAB 46.13, 68.85, 24.27

 

CMYK 0 / 86 / 88 / 16

HEX #D51D1A

RGB 213 29 26

HSL 0.96, 0.78%, 0.47%

LAB 45.77, 66.7, 50.33

 

CMYK 0 / 88 / 43 / 45

HEX #8B114F

RGB 139 17 79

HSL 329.51, 0.78%, 0.31%

LAB 30.53, 52.06, -3.53

 

CMYK 0 / 88 / 43 / 31

HEX #B01564

RGB 176 21 100

HSL 329.42, 0.79%, 0.39%

LAB 39.05, 62.45, -3.67

 

CMYK 0 / 88 / 44 / 16

HEX #D51A78

RGB 213 26 120

HSL 329.84, 0.78%, 0.47%

LAB 47.29, 72.12, -3.15

 

CMYK 0 / 78 / 38 / 10

HEX #E5338D

RGB 229 51 141

HSL 329.66, 0.77%, 0.55%

LAB 52.89, 72.37, -7.22

 

CMYK 0 / 63 / 31 / 8

HEX #EA57A1

RGB 234 87 161

HSL 329.8, 0.78%, 0.63%

LAB 58.86, 63.43, -9.98

 

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 88 / 8 / 0 / 16

HEX #1AC5D5

RGB 26 197 213

HSL 185.13, 0.78%, 0.47%

LAB 72.86, -33.74, -19.34

 

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

CMYK 43 / 0 / 88 / 16

HEX #7AD51A

RGB 122 213 26

HSL 89.2, 0.78%, 0.47%

LAB 77.16, -53.7, 72.58

 

CMYK 88 / 43 / 0 / 16

HEX #1A7AD5

RGB 26 122 213

HSL 209.2, 0.78%, 0.47%

LAB 50.62, 7.21, -54.04

 

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 88 / 0 / 46 / 16

HEX #1AD574

RGB 26 213 116

HSL 148.88, 0.78%, 0.47%

LAB 75.49, -64.18, 36.02

 

CMYK 88 / 60 / 0 / 16

HEX #1A55D5

RGB 26 85 213

HSL 221.07, 0.78%, 0.47%

LAB 40.44, 30.96, -70.52

 

CMYK 0 / 88 / 43 / 16

HEX #D61A79

RGB 214 26 121

HSL 329.68, 0.78%, 0.47%

LAB 47.51, 72.43, -3.41

 

CMYK 0 / 1 / 88 / 16

HEX #D5D21A

RGB 213 210 26

HSL 59.04, 0.78%, 0.47%

LAB 82.01, -17.02, 78.9

 

CMYK 88 / 0 / 46 / 16

HEX #1AD574

RGB 26 213 116

HSL 148.88, 0.78%, 0.47%

LAB 75.49, -64.18, 36.02

 

CMYK 88 / 86 / 0 / 16

HEX #1A1DD5

RGB 26 29 213

HSL 239.04, 0.78%, 0.47%

LAB 29.16, 62.11, -89.15

 

Description

Color code: HEX #D61A79 | qconv.com Color code: HEX #D61A79 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 26 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 26 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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