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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D619CB it is the complementary color #29E634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D619CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D619CB shade: #DB19C6, #EC2BD9, #FD3DEC, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D619CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D619CB shade: #D619CB, #C507B8, #B400A5, #A30092 and #92007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D619CB shade: #D619CB, #D61998, #D61965, #D61932 and #D61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D619CB shade: #D619CB, #AE19D6, #7B19D6, #4819D6 and #1919D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D619CB shade matches the following richer shades: #D619CB and #E905DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D619CB shade: #D619CB, #C32CBA, #AF3FA9, #9C5398 and #886686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D619CB shade: #7B19D6, #AD19D6, #D619CD, #D6199A and #D61968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D619CB shade: #8C1085, #B114A8, #D619CB, #E632DC and #EB56E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D619CB shade: #D619CB, #D64819 and #19D694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D619CB shade: #D619CB, #CDD619 and #19CDD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D619CB shade: #D619CB, #D64819, #19D622 and #19A7D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D619CB shade: #D619CB, #D68119, #19D622 and #196ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

Complementary color

CMYK 82 / 0 / 77 / 10

HEX #29E634

RGB 41 230 52

HSL 123.49, 0.79%, 0.53%

LAB 80.36, -75.53, 68.31

 

CMYK 0 / 89 / 10 / 14

HEX #DB19C6

RGB 219 25 198

HSL 306.49, 0.8%, 0.48%

LAB 51.65, 82.34, -42.8

 

CMYK 0 / 82 / 8 / 7

HEX #EC2BD9

RGB 236 43 217

HSL 305.91, 0.84%, 0.55%

LAB 56.65, 84.95, -45.57

 

CMYK 0 / 76 / 7 / 1

HEX #FD3DEC

RGB 253 61 236

HSL 305.31, 0.98%, 0.62%

LAB 61.89, 86.69, -47.8

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 96 / 7 / 23

HEX #C507B8

RGB 197 7 184

HSL 304.11, 0.93%, 0.4%

LAB 46.29, 78.45, -43.39

 

CMYK 0 / 100 / 8 / 29

HEX #B400A5

RGB 180 0 165

HSL 305, 1%, 0.35%

LAB 41.88, 73.5, -39.33

 

CMYK 0 / 100 / 10 / 36

HEX #A30092

RGB 163 0 146

HSL 306.26, 1%, 0.32%

LAB 37.59, 67.83, -34.82

 

CMYK 0 / 100 / 13 / 43

HEX #92007F

RGB 146 0 127

HSL 307.81, 1%, 0.29%

LAB 33.23, 62.06, -30.17

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 88 / 29 / 16

HEX #D61998

RGB 214 25 152

HSL 319.68, 0.79%, 0.47%

LAB 48.58, 75.67, -20.58

 

CMYK 0 / 88 / 53 / 16

HEX #D61965

RGB 214 25 101

HSL 335.87, 0.79%, 0.47%

LAB 46.88, 70.99, 8

 

CMYK 0 / 88 / 77 / 16

HEX #D61932

RGB 214 25 50

HSL 352.06, 0.79%, 0.47%

LAB 45.94, 68.3, 37.92

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 19 / 88 / 0 / 16

HEX #AE19D6

RGB 174 25 214

HSL 287.3, 0.79%, 0.47%

LAB 45.01, 77.23, -63.08

 

CMYK 43 / 88 / 0 / 16

HEX #7B19D6

RGB 123 25 214

HSL 271.11, 0.79%, 0.47%

LAB 37.41, 70.38, -75.81

 

CMYK 66 / 88 / 0 / 16

HEX #4819D6

RGB 72 25 214

HSL 254.92, 0.79%, 0.47%

LAB 31.64, 65.79, -85.53

 

CMYK 88 / 88 / 0 / 16

HEX #1919D6

RGB 25 25 214

HSL 240, 0.79%, 0.47%

LAB 28.79, 63.8, -90.35

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 98 / 6 / 9

HEX #E905DC

RGB 233 5 220

HSL 303.42, 0.96%, 0.47%

LAB 54.66, 89.64, -50.48

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 77 / 5 / 24

HEX #C32CBA

RGB 195 44 186

HSL 303.58, 0.63%, 0.47%

LAB 48.2, 72.1, -41.56

 

CMYK 0 / 64 / 3 / 31

HEX #AF3FA9

RGB 175 63 169

HSL 303.21, 0.47%, 0.47%

LAB 46.36, 58.35, -34.68

 

CMYK 0 / 47 / 3 / 39

HEX #9C5398

RGB 156 83 152

HSL 303.29, 0.31%, 0.47%

LAB 46.34, 40.46, -24.82

 

CMYK 0 / 25 / 1 / 47

HEX #886686

RGB 136 102 134

HSL 303.53, 0.14%, 0.47%

LAB 47.57, 19.41, -12.4

 

CMYK 43 / 88 / 0 / 16

HEX #7B19D6

RGB 123 25 214

HSL 271.11, 0.79%, 0.47%

LAB 37.41, 70.38, -75.81

 

CMYK 19 / 88 / 0 / 16

HEX #AD19D6

RGB 173 25 214

HSL 286.98, 0.79%, 0.47%

LAB 44.85, 77.08, -63.35

 

CMYK 0 / 88 / 4 / 16

HEX #D619CD

RGB 214 25 205

HSL 302.86, 0.79%, 0.47%

LAB 51.15, 82.41, -47.68

 

CMYK 0 / 88 / 28 / 16

HEX #D6199A

RGB 214 25 154

HSL 319.05, 0.79%, 0.47%

LAB 48.67, 75.9, -21.66

 

CMYK 0 / 88 / 51 / 16

HEX #D61968

RGB 214 25 104

HSL 334.92, 0.79%, 0.47%

LAB 46.96, 71.21, 6.26

 

CMYK 0 / 89 / 5 / 45

HEX #8C1085

RGB 140 16 133

HSL 303.39, 0.79%, 0.31%

LAB 33.22, 59.44, -34.01

 

CMYK 0 / 89 / 5 / 31

HEX #B114A8

RGB 177 20 168

HSL 303.44, 0.8%, 0.39%

LAB 42.27, 71.11, -40.53

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 78 / 4 / 10

HEX #E632DC

RGB 230 50 220

HSL 303.33, 0.78%, 0.55%

LAB 56.36, 82.63, -47.8

 

CMYK 0 / 63 / 4 / 8

HEX #EB56E2

RGB 235 86 226

HSL 303.62, 0.79%, 0.63%

LAB 61.49, 73.13, -43.03

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 66 / 88 / 16

HEX #D64819

RGB 214 72 25

HSL 14.92, 0.79%, 0.47%

LAB 50.69, 53.83, 54.61

 

CMYK 88 / 0 / 31 / 16

HEX #19D694

RGB 25 214 148

HSL 159.05, 0.79%, 0.47%

LAB 76.34, -58.36, 20.67

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 4 / 0 / 88 / 16

HEX #CDD619

RGB 205 214 25

HSL 62.86, 0.79%, 0.47%

LAB 82.46, -22.37, 79.16

 

CMYK 88 / 4 / 0 / 16

HEX #19CDD6

RGB 25 205 214

HSL 182.86, 0.79%, 0.47%

LAB 75.28, -37.23, -16.23

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 66 / 88 / 16

HEX #D64819

RGB 214 72 25

HSL 14.92, 0.79%, 0.47%

LAB 50.69, 53.83, 54.61

 

CMYK 88 / 0 / 84 / 16

HEX #19D622

RGB 25 214 34

HSL 122.86, 0.79%, 0.47%

LAB 75.09, -73.38, 68.17

 

CMYK 88 / 22 / 0 / 16

HEX #19A7D6

RGB 25 167 214

HSL 194.92, 0.79%, 0.47%

LAB 63.92, -18.41, -33.62

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 40 / 88 / 16

HEX #D68119

RGB 214 129 25

HSL 33.02, 0.79%, 0.47%

LAB 61.71, 25.98, 63.15

 

CMYK 88 / 0 / 84 / 16

HEX #19D622

RGB 25 214 34

HSL 122.86, 0.79%, 0.47%

LAB 75.09, -73.38, 68.17

 

CMYK 88 / 49 / 0 / 16

HEX #196ED6

RGB 25 110 214

HSL 213.02, 0.79%, 0.47%

LAB 47.25, 15.09, -60.03

 

Description

Color code: HEX #D619CB | qconv.com Color code: HEX #D619CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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