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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60E83 it is the complementary color #29F17C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60E83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60E83 shade: #DB0E7E, #EC2091, #FD32A4, #FF44B7 and #FF56CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60E83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60E83 shade: #D60E83, #C50070, #B4005D, #A3004A and #920037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60E83 shade: #D70D83, #D70D4D, #D70D16 and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60E83 shade: #D70D83, #D70DBA, #BE0DD7, #880DD7 and #510DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60E83 shade matches the following richer shades: #D70D83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60E83 shade: #D70D83, #C52080, #B2327D, #A0457A and #8D5877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60E83 shade: #BC0DD7, #D70DBC, #D70D86, #D70D51 and #D70D1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60E83 shade: #8A0854, #B00B6C, #D70D83, #F01E99 and #F344AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60E83 shade: #D60E83, #D7860D and #0DD7D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60E83 shade: #D60E83, #86D70D and #0D86D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60E83 shade: #D60E83, #D7860D, #0DD75E and #0D5ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60E83 shade: #D60E83, #D7C30D, #0DD75E and #0D21D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

Complementary color

CMYK 83 / 0 / 49 / 5

HEX #29F17C

RGB 41 241 124

HSL 144.9, 0.88%, 0.55%

LAB 84.4, -70.97, 43.42

 

CMYK 0 / 94 / 42 / 14

HEX #DB0E7E

RGB 219 14 126

HSL 327.22, 0.88%, 0.46%

LAB 48.11, 75.57, -5.48

 

CMYK 0 / 86 / 39 / 7

HEX #EC2091

RGB 236 32 145

HSL 326.76, 0.84%, 0.53%

LAB 52.85, 78.61, -9.53

 

CMYK 0 / 80 / 35 / 1

HEX #FD32A4

RGB 253 50 164

HSL 326.31, 0.98%, 0.59%

LAB 57.89, 80.65, -12.87

 

CMYK 0 / 73 / 28 / 0

HEX #FF44B7

RGB 255 68 183

HSL 323.1, 1%, 0.63%

LAB 60.62, 78.31, -19.72

 

CMYK 0 / 66 / 21 / 0

HEX #FF56CA

RGB 255 86 202

HSL 318.82, 1%, 0.67%

LAB 63.49, 74.6, -26.16

 

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

CMYK 0 / 100 / 43 / 23

HEX #C50070

RGB 197 0 112

HSL 325.89, 1%, 0.39%

LAB 42.82, 70.82, -5.16

 

CMYK 0 / 100 / 48 / 29

HEX #B4005D

RGB 180 0 93

HSL 329, 1%, 0.35%

LAB 38.71, 65.46, 0.39

 

CMYK 0 / 100 / 55 / 36

HEX #A3004A

RGB 163 0 74

HSL 332.76, 1%, 0.32%

LAB 34.56, 60.08, 6.24

 

CMYK 0 / 100 / 62 / 43

HEX #920037

RGB 146 0 55

HSL 337.4, 1%, 0.29%

LAB 30.37, 54.7, 12.44

 

CMYK 0 / 94 / 39 / 16

HEX #D70D83

RGB 215 13 131

HSL 324.95, 0.89%, 0.45%

LAB 47.46, 75.25, -9.58

 

CMYK 0 / 94 / 64 / 16

HEX #D70D4D

RGB 215 13 77

HSL 340.99, 0.89%, 0.45%

LAB 46, 71.31, 21.72

 

CMYK 0 / 94 / 90 / 16

HEX #D70D16

RGB 215 13 22

HSL 357.33, 0.89%, 0.45%

LAB 45.35, 69.49, 51.95

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 39 / 16

HEX #D70D83

RGB 215 13 131

HSL 324.95, 0.89%, 0.45%

LAB 47.46, 75.25, -9.58

 

CMYK 0 / 94 / 13 / 16

HEX #D70DBA

RGB 215 13 186

HSL 308.61, 0.89%, 0.45%

LAB 49.83, 81.42, -38.74

 

CMYK 12 / 94 / 0 / 16

HEX #BE0DD7

RGB 190 13 215

HSL 292.57, 0.89%, 0.45%

LAB 47.16, 81.46, -60.05

 

CMYK 37 / 94 / 0 / 16

HEX #880DD7

RGB 136 13 215

HSL 276.53, 0.89%, 0.45%

LAB 38.6, 74.24, -74.36

 

CMYK 62 / 94 / 0 / 16

HEX #510DD7

RGB 81 13 215

HSL 260.2, 0.89%, 0.45%

LAB 31.68, 69.43, -86.02

 

CMYK 0 / 94 / 39 / 16

HEX #D70D83

RGB 215 13 131

HSL 324.95, 0.89%, 0.45%

LAB 47.46, 75.25, -9.58

 

CMYK 0 / 94 / 39 / 16

HEX #D70D83

RGB 215 13 131

HSL 324.95, 0.89%, 0.45%

LAB 47.46, 75.25, -9.58

 

CMYK 0 / 84 / 35 / 23

HEX #C52080

RGB 197 32 128

HSL 325.09, 0.72%, 0.45%

LAB 44.89, 68.01, -11.96

 

CMYK 0 / 72 / 30 / 30

HEX #B2327D

RGB 178 50 125

HSL 324.84, 0.56%, 0.45%

LAB 43.1, 57.73, -13.16

 

CMYK 0 / 57 / 24 / 37

HEX #A0457A

RGB 160 69 122

HSL 325.05, 0.4%, 0.45%

LAB 42.97, 43.92, -11.81

 

CMYK 0 / 38 / 16 / 45

HEX #8D5877

RGB 141 88 119

HSL 324.91, 0.23%, 0.45%

LAB 44.2, 26.62, -8.39

 

CMYK 13 / 94 / 0 / 16

HEX #BC0DD7

RGB 188 13 215

HSL 291.98, 0.89%, 0.45%

LAB 46.82, 81.16, -60.61

 

CMYK 0 / 94 / 13 / 16

HEX #D70DBC

RGB 215 13 188

HSL 308.02, 0.89%, 0.45%

LAB 49.94, 81.68, -39.75

 

CMYK 0 / 94 / 38 / 16

HEX #D70D86

RGB 215 13 134

HSL 324.06, 0.89%, 0.45%

LAB 47.57, 75.54, -11.25

 

CMYK 0 / 94 / 62 / 16

HEX #D70D51

RGB 215 13 81

HSL 339.8, 0.89%, 0.45%

LAB 46.08, 71.52, 19.34

 

CMYK 0 / 94 / 87 / 16

HEX #D70D1B

RGB 215 13 27

HSL 355.84, 0.89%, 0.45%

LAB 45.38, 69.57, 49.74

 

CMYK 0 / 94 / 39 / 46

HEX #8A0854

RGB 138 8 84

HSL 324.92, 0.89%, 0.29%

LAB 29.95, 53.92, -7.72

 

CMYK 0 / 94 / 39 / 31

HEX #B00B6C

RGB 176 11 108

HSL 324.73, 0.88%, 0.37%

LAB 38.82, 64.7, -9.08

 

CMYK 0 / 94 / 39 / 16

HEX #D70D83

RGB 215 13 131

HSL 324.95, 0.89%, 0.45%

LAB 47.46, 75.25, -9.58

 

CMYK 0 / 88 / 36 / 6

HEX #F01E99

RGB 240 30 153

HSL 324.86, 0.88%, 0.53%

LAB 53.76, 80.58, -12.85

 

CMYK 0 / 72 / 30 / 5

HEX #F344AA

RGB 243 68 170

HSL 325.03, 0.88%, 0.61%

LAB 58.12, 73.87, -16.18

 

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

CMYK 0 / 38 / 94 / 16

HEX #D7860D

RGB 215 134 13

HSL 35.94, 0.89%, 0.45%

LAB 62.95, 23.54, 66.79

 

CMYK 94 / 0 / 0 / 16

HEX #0DD7D7

RGB 13 215 215

HSL 180, 0.89%, 0.45%

LAB 78.22, -41.94, -12.35

 

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

CMYK 38 / 0 / 94 / 16

HEX #86D70D

RGB 134 215 13

HSL 84.06, 0.89%, 0.45%

LAB 78.29, -50.76, 75.62

 

CMYK 94 / 38 / 0 / 16

HEX #0D86D7

RGB 13 134 215

HSL 204.06, 0.89%, 0.45%

LAB 54.07, 0.03, -49.67

 

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

CMYK 0 / 38 / 94 / 16

HEX #D7860D

RGB 215 134 13

HSL 35.94, 0.89%, 0.45%

LAB 62.95, 23.54, 66.79

 

CMYK 94 / 0 / 56 / 16

HEX #0DD75E

RGB 13 215 94

HSL 144.06, 0.89%, 0.45%

LAB 75.76, -68.92, 46.94

 

CMYK 94 / 56 / 0 / 16

HEX #0D5ED7

RGB 13 94 215

HSL 215.94, 0.89%, 0.45%

LAB 42.76, 25.28, -67.89

 

CMYK 0 / 93 / 39 / 16

HEX #D60E83

RGB 214 14 131

HSL 324.9, 0.88%, 0.45%

LAB 47.3, 74.94, -9.84

 

CMYK 0 / 9 / 94 / 16

HEX #D7C30D

RGB 215 195 13

HSL 54.06, 0.89%, 0.45%

LAB 78.17, -8.82, 77.91

 

CMYK 94 / 0 / 56 / 16

HEX #0DD75E

RGB 13 215 94

HSL 144.06, 0.89%, 0.45%

LAB 75.76, -68.92, 46.94

 

CMYK 94 / 85 / 0 / 16

HEX #0D21D7

RGB 13 33 215

HSL 234.06, 0.89%, 0.45%

LAB 29.61, 60.85, -89.57

 

Description

Color code: HEX #D60E83 | qconv.com Color code: HEX #D60E83 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 14 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 14 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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