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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60E2C it is the complementary color #29F1D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60E2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60E2C shade: #DB0E27, #EC203A, #FD324D, #FF4460 and #FF5673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60E2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60E2C shade: #D60E2C, #C50019, #B40006, #A30000 and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60E2C shade: #D70D2C and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60E2C shade: #D70D2C, #D70D62, #D70D98, #D70DCF and #A90DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60E2C shade matches the following richer shades: #D70D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60E2C shade: #D70D2C, #C52039, #B23246, #A04553 and #8D5860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60E2C shade: #D70D97, #D70D61, #D70D2C, #D7250D and #D75B0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60E2C shade: #8A081C, #B00B24, #D70D2C, #F01E3D and #F3445F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60E2C shade: #D60E2C, #CDD70D and #0D7CD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60E2C shade: #D60E2C, #2CD70D and #0D2CD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60E2C shade: #D60E2C, #CDD70D, #0DD7B9 and #170DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60E2C shade: #D60E2C, #91D70D, #0DD7B9 and #540DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

Complementary color

CMYK 83 / 0 / 12 / 5

HEX #29F1D3

RGB 41 241 211

HSL 171, 0.88%, 0.55%

LAB 86.05, -52.7, 1.35

 

CMYK 0 / 94 / 82 / 14

HEX #DB0E27

RGB 219 14 39

HSL 352.68, 0.88%, 0.46%

LAB 46.34, 70.73, 44.82

 

CMYK 0 / 86 / 75 / 7

HEX #EC203A

RGB 236 32 58

HSL 352.35, 0.84%, 0.53%

LAB 50.89, 73.03, 40.02

 

CMYK 0 / 80 / 70 / 1

HEX #FD324D

RGB 253 50 77

HSL 352.02, 0.98%, 0.59%

LAB 55.79, 74.38, 35.6

 

CMYK 0 / 73 / 62 / 0

HEX #FF4460

RGB 255 68 96

HSL 351.02, 1%, 0.63%

LAB 58.26, 70.8, 27.73

 

CMYK 0 / 66 / 55 / 0

HEX #FF5673

RGB 255 86 115

HSL 349.7, 1%, 0.67%

LAB 60.92, 65.7, 20.2

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

CMYK 0 / 100 / 87 / 23

HEX #C50019

RGB 197 0 25

HSL 352.39, 1%, 0.39%

LAB 41.12, 66.27, 45.7

 

CMYK 0 / 100 / 97 / 29

HEX #B40006

RGB 180 0 6

HSL 358, 1%, 0.35%

LAB 37.33, 61.74, 49.32

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 94 / 54 / 16

HEX #D70D62

RGB 215 13 98

HSL 334.75, 0.89%, 0.45%

LAB 46.47, 72.58, 9.3

 

CMYK 0 / 94 / 29 / 16

HEX #D70D98

RGB 215 13 152

HSL 318.71, 0.89%, 0.45%

LAB 48.26, 77.37, -21.06

 

CMYK 0 / 94 / 4 / 16

HEX #D70DCF

RGB 215 13 207

HSL 302.38, 0.89%, 0.45%

LAB 50.97, 84.26, -49.11

 

CMYK 21 / 94 / 0 / 16

HEX #A90DD7

RGB 169 13 215

HSL 286.34, 0.89%, 0.45%

LAB 43.7, 78.41, -65.83

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 84 / 71 / 23

HEX #C52039

RGB 197 32 57

HSL 350.91, 0.72%, 0.45%

LAB 43.06, 62.68, 29.55

 

CMYK 0 / 72 / 61 / 30

HEX #B23246

RGB 178 50 70

HSL 350.63, 0.56%, 0.45%

LAB 41.51, 52.46, 18.81

 

CMYK 0 / 57 / 48 / 37

HEX #A04553

RGB 160 69 83

HSL 350.77, 0.4%, 0.45%

LAB 41.77, 39.1, 10.56

 

CMYK 0 / 38 / 32 / 45

HEX #8D5860

RGB 141 88 96

HSL 350.94, 0.23%, 0.45%

LAB 43.49, 22.99, 4.6

 

CMYK 0 / 94 / 30 / 16

HEX #D70D97

RGB 215 13 151

HSL 319.01, 0.89%, 0.45%

LAB 48.22, 77.26, -20.53

 

CMYK 0 / 94 / 55 / 16

HEX #D70D61

RGB 215 13 97

HSL 335.05, 0.89%, 0.45%

LAB 46.44, 72.51, 9.89

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 83 / 94 / 16

HEX #D7250D

RGB 215 37 13

HSL 7.13, 0.89%, 0.45%

LAB 46.71, 65.37, 56.11

 

CMYK 0 / 58 / 94 / 16

HEX #D75B0D

RGB 215 91 13

HSL 23.17, 0.89%, 0.45%

LAB 53.98, 45.6, 60.65

 

CMYK 0 / 94 / 80 / 46

HEX #8A081C

RGB 138 8 28

HSL 350.77, 0.89%, 0.29%

LAB 28.54, 50.03, 27.57

 

CMYK 0 / 94 / 80 / 31

HEX #B00B24

RGB 176 11 36

HSL 350.91, 0.88%, 0.37%

LAB 37.11, 60.02, 34.31

 

CMYK 0 / 94 / 80 / 16

HEX #D70D2C

RGB 215 13 44

HSL 350.79, 0.89%, 0.45%

LAB 45.52, 69.97, 40.98

 

CMYK 0 / 88 / 75 / 6

HEX #F01E3D

RGB 240 30 61

HSL 351.14, 0.88%, 0.53%

LAB 51.6, 74.5, 39.31

 

CMYK 0 / 72 / 61 / 5

HEX #F3445F

RGB 243 68 95

HSL 350.74, 0.88%, 0.61%

LAB 56.1, 67.29, 25.09

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

CMYK 5 / 0 / 94 / 16

HEX #CDD70D

RGB 205 215 13

HSL 62.97, 0.89%, 0.45%

LAB 82.71, -23.04, 80.98

 

CMYK 94 / 42 / 0 / 16

HEX #0D7CD7

RGB 13 124 215

HSL 207.03, 0.89%, 0.45%

LAB 51.16, 6.11, -54.32

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

CMYK 80 / 0 / 94 / 16

HEX #2CD70D

RGB 44 215 13

HSL 110.79, 0.89%, 0.45%

LAB 75.55, -72.52, 72.27

 

CMYK 94 / 80 / 0 / 16

HEX #0D2CD7

RGB 13 44 215

HSL 230.79, 0.89%, 0.45%

LAB 31.33, 55.78, -86.71

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

CMYK 5 / 0 / 94 / 16

HEX #CDD70D

RGB 205 215 13

HSL 62.97, 0.89%, 0.45%

LAB 82.71, -23.04, 80.98

 

CMYK 94 / 0 / 14 / 16

HEX #0DD7B9

RGB 13 215 185

HSL 171.09, 0.89%, 0.45%

LAB 77.39, -50.35, 2.5

 

CMYK 89 / 94 / 0 / 16

HEX #170DD7

RGB 23 13 215

HSL 242.97, 0.89%, 0.45%

LAB 27.78, 67.33, -92.62

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2C

RGB 214 14 44

HSL 351, 0.88%, 0.45%

LAB 45.35, 69.62, 40.74

 

CMYK 33 / 0 / 94 / 16

HEX #91D70D

RGB 145 215 13

HSL 80.79, 0.89%, 0.45%

LAB 78.84, -46.86, 76.3

 

CMYK 94 / 0 / 14 / 16

HEX #0DD7B9

RGB 13 215 185

HSL 171.09, 0.89%, 0.45%

LAB 77.39, -50.35, 2.5

 

CMYK 61 / 94 / 0 / 16

HEX #540DD7

RGB 84 13 215

HSL 261.09, 0.89%, 0.45%

LAB 31.99, 69.62, -85.5

 

Description

Color code: HEX #D60E2C | qconv.com Color code: HEX #D60E2C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 14 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 14 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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