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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D60419 it is the complementary color #29FBE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D60419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D60419 shade: #DB0414, #EC1627, #FD283A, #FF3A4D and #FF4C60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D60419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D60419 shade: #D60419, #C50006, #B40000, #A30000 and #920000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D60419 shade: #D60419 and #D60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D60419 shade: #D60419, #D60452, #D6048A, #D604C3 and #B104D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D60419 shade matches the following richer shades: #D60419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D60419 shade: #D60419, #C51627, #B32735, #A13944 and #8F4B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D60419 shade: #D60489, #D60451, #D60419, #D62704 and #D65F04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D60419 shade: #86020F, #AE0314, #D60419, #FA0A22 and #FA3246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D60419 shade: #D60419, #C1D604 and #046DD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D60419 shade: #D60419, #19D604 and #0419D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D60419 shade: #D60419, #C1D604, #04D6C1 and #1904D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D60419 shade: #D60419, #82D604, #04D6C1 and #5804D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

Complementary color

CMYK 84 / 0 / 8 / 2

HEX #29FBE6

RGB 41 251 230

HSL 174, 0.96%, 0.57%

LAB 89.48, -51.84, -3.56

 

CMYK 0 / 98 / 91 / 14

HEX #DB0414

RGB 219 4 20

HSL 355.53, 0.96%, 0.44%

LAB 45.9, 71.26, 53.55

 

CMYK 0 / 91 / 83 / 7

HEX #EC1627

RGB 236 22 39

HSL 355.23, 0.85%, 0.51%

LAB 50.16, 74.04, 49.62

 

CMYK 0 / 84 / 77 / 1

HEX #FD283A

RGB 253 40 58

HSL 354.93, 0.98%, 0.57%

LAB 54.77, 75.9, 45.19

 

CMYK 0 / 77 / 70 / 0

HEX #FF3A4D

RGB 255 58 77

HSL 354.21, 1%, 0.61%

LAB 56.9, 72.83, 37.02

 

CMYK 0 / 70 / 62 / 0

HEX #FF4C60

RGB 255 76 96

HSL 353.3, 1%, 0.65%

LAB 59.23, 68.13, 28.97

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 100 / 97 / 23

HEX #C50006

RGB 197 0 6

HSL 358.17, 1%, 0.39%

LAB 41.03, 66.02, 53.2

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 98 / 98 / 16

HEX #D60404

RGB 214 4 4

HSL 0, 0.96%, 0.43%

LAB 44.79, 69.86, 57.65

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 98 / 62 / 16

HEX #D60452

RGB 214 4 82

HSL 337.71, 0.96%, 0.43%

LAB 45.62, 72.14, 18.07

 

CMYK 0 / 98 / 36 / 16

HEX #D6048A

RGB 214 4 138

HSL 321.71, 0.96%, 0.43%

LAB 47.26, 76.47, -14.16

 

CMYK 0 / 98 / 9 / 16

HEX #D604C3

RGB 214 4 195

HSL 305.43, 0.96%, 0.43%

LAB 49.89, 83.14, -43.91

 

CMYK 17 / 98 / 0 / 16

HEX #B104D6

RGB 177 4 214

HSL 289.43, 0.96%, 0.43%

LAB 44.64, 80.21, -63.65

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 89 / 80 / 23

HEX #C51627

RGB 197 22 39

HSL 354.17, 0.8%, 0.43%

LAB 42.14, 64.01, 39.16

 

CMYK 0 / 78 / 70 / 30

HEX #B32735

RGB 179 39 53

HSL 354, 0.64%, 0.43%

LAB 40.07, 55.52, 27.54

 

CMYK 0 / 65 / 58 / 37

HEX #A13944

RGB 161 57 68

HSL 353.65, 0.48%, 0.43%

LAB 39.45, 43.84, 16.76

 

CMYK 0 / 48 / 43 / 44

HEX #8F4B52

RGB 143 75 82

HSL 353.82, 0.31%, 0.43%

LAB 40.38, 29.37, 8.85

 

CMYK 0 / 98 / 36 / 16

HEX #D60489

RGB 214 4 137

HSL 322, 0.96%, 0.43%

LAB 47.22, 76.38, -13.61

 

CMYK 0 / 98 / 62 / 16

HEX #D60451

RGB 214 4 81

HSL 338, 0.96%, 0.43%

LAB 45.6, 72.08, 18.66

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 82 / 98 / 16

HEX #D62704

RGB 214 39 4

HSL 10, 0.96%, 0.43%

LAB 46.65, 64.52, 58.48

 

CMYK 0 / 56 / 98 / 16

HEX #D65F04

RGB 214 95 4

HSL 26, 0.96%, 0.43%

LAB 54.54, 43.21, 62.75

 

CMYK 0 / 99 / 89 / 47

HEX #86020F

RGB 134 2 15

HSL 354.09, 0.97%, 0.27%

LAB 27.15, 49.59, 33.63

 

CMYK 0 / 98 / 89 / 32

HEX #AE0314

RGB 174 3 20

HSL 354.04, 0.97%, 0.35%

LAB 36.2, 60.05, 42.14

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 0 / 96 / 86 / 2

HEX #FA0A22

RGB 250 10 34

HSL 354, 0.96%, 0.51%

LAB 52.57, 78.57, 55.24

 

CMYK 0 / 80 / 72 / 2

HEX #FA3246

RGB 250 50 70

HSL 354, 0.95%, 0.59%

LAB 55.12, 73.28, 38.69

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 10 / 0 / 98 / 16

HEX #C1D604

RGB 193 214 4

HSL 66, 0.96%, 0.43%

LAB 81.53, -27.66, 80.52

 

CMYK 98 / 49 / 0 / 16

HEX #046DD6

RGB 4 109 214

HSL 210, 0.96%, 0.43%

LAB 46.73, 14.88, -60.88

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 88 / 0 / 98 / 16

HEX #19D604

RGB 25 214 4

HSL 114, 0.96%, 0.43%

LAB 75.02, -74.25, 72.64

 

CMYK 98 / 88 / 0 / 16

HEX #0419D6

RGB 4 25 214

HSL 234, 0.96%, 0.43%

LAB 28.32, 63.49, -91.16

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 10 / 0 / 98 / 16

HEX #C1D604

RGB 193 214 4

HSL 66, 0.96%, 0.43%

LAB 81.53, -27.66, 80.52

 

CMYK 98 / 0 / 10 / 16

HEX #04D6C1

RGB 4 214 193

HSL 174, 0.96%, 0.43%

LAB 77.26, -48.03, -1.98

 

CMYK 88 / 98 / 0 / 16

HEX #1904D6

RGB 25 4 214

HSL 246, 0.96%, 0.43%

LAB 27.15, 68.82, -93.09

 

CMYK 0 / 98 / 88 / 16

HEX #D60419

RGB 214 4 25

HSL 354, 0.96%, 0.43%

LAB 44.88, 70.1, 50.19

 

CMYK 39 / 0 / 98 / 16

HEX #82D604

RGB 130 214 4

HSL 84, 0.96%, 0.43%

LAB 77.79, -51.85, 76.01

 

CMYK 98 / 0 / 10 / 16

HEX #04D6C1

RGB 4 214 193

HSL 174, 0.96%, 0.43%

LAB 77.26, -48.03, -1.98

 

CMYK 59 / 98 / 0 / 16

HEX #5804D6

RGB 88 4 214

HSL 264, 0.96%, 0.43%

LAB 31.84, 71.03, -85.15

 

Description

Color code: HEX #D60419 | qconv.com Color code: HEX #D60419 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 4 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 4 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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