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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5ED6D it is the complementary color #2A1292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5ED6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5ED6D shade: #DAED68, #EBFF7B, #FCFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5ED6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5ED6D shade: #D5ED6D, #C4DB5A, #B3C947, #A2B734 and #91A521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5ED6D shade: #D5ED6D, #EDE26D, #EDC06D, #ED9D6D and #ED7B6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5ED6D shade: #D5ED6D, #B2ED6D, #90ED6D, #6EED6D and #6DED8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5ED6D shade matches the following richer shades: #D5ED6D and #DDFA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5ED6D shade: #D5ED6D, #CCDF7A, #C4D288, #BCC595 and #B4B8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5ED6D shade: #EDC06D, #EDE26D, #D5ED6D, #B3ED6D and #91ED6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5ED6D shade: #C0E324, #CAE849, #D5ED6D, #DFF192 and #EAF6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5ED6D shade: #D5ED6D, #6DED9E and #D16DED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5ED6D shade: #D5ED6D, #6DD5ED and #ED6DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5ED6D shade: #D5ED6D, #6DED9E, #856DED and #ED6DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5ED6D shade: #D5ED6D, #6DEDC4, #856DED and #ED6D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

Complementary color

CMYK 71 / 88 / 0 / 43

HEX #2A1292

RGB 42 18 146

HSL 251.25, 0.78%, 0.32%

LAB 20.04, 47.62, -64.18

 

CMYK 8 / 0 / 56 / 7

HEX #DAED68

RGB 218 237 104

HSL 68.57, 0.79%, 0.67%

LAB 90.08, -24.31, 61.07

 

CMYK 8 / 0 / 52 / 0

HEX #EBFF7B

RGB 235 255 123

HSL 69.09, 1%, 0.74%

LAB 96.25, -24.7, 60.08

 

CMYK 1 / 0 / 44 / 0

HEX #FCFF8E

RGB 252 255 142

HSL 61.59, 1%, 0.78%

LAB 97.7, -16.46, 53.38

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 11 / 0 / 59 / 14

HEX #C4DB5A

RGB 196 219 90

HSL 70.7, 0.64%, 0.61%

LAB 83.51, -25.47, 59.37

 

CMYK 11 / 0 / 65 / 21

HEX #B3C947

RGB 179 201 71

HSL 70.15, 0.55%, 0.53%

LAB 77.17, -24.98, 60.12

 

CMYK 11 / 0 / 72 / 28

HEX #A2B734

RGB 162 183 52

HSL 69.62, 0.56%, 0.46%

LAB 70.73, -24.37, 60.5

 

CMYK 12 / 0 / 80 / 35

HEX #91A521

RGB 145 165 33

HSL 69.09, 0.67%, 0.39%

LAB 64.19, -23.57, 60.19

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26D

RGB 237 226 109

HSL 54.84, 0.78%, 0.68%

LAB 88.69, -10.99, 57.64

 

CMYK 0 / 19 / 54 / 7

HEX #EDC06D

RGB 237 192 109

HSL 38.91, 0.78%, 0.68%

LAB 80.07, 6.4, 47.48

 

CMYK 0 / 34 / 54 / 7

HEX #ED9D6D

RGB 237 157 109

HSL 22.5, 0.78%, 0.68%

LAB 71.71, 24.89, 37.17

 

CMYK 0 / 48 / 54 / 7

HEX #ED7B6D

RGB 237 123 109

HSL 6.56, 0.78%, 0.68%

LAB 64.38, 42.55, 27.76

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 25 / 0 / 54 / 7

HEX #B2ED6D

RGB 178 237 109

HSL 87.66, 0.78%, 0.68%

LAB 87.55, -38.97, 55.28

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6D

RGB 144 237 109

HSL 103.59, 0.78%, 0.68%

LAB 85.81, -50.44, 52.79

 

CMYK 54 / 0 / 54 / 7

HEX #6EED6D

RGB 110 237 109

HSL 119.53, 0.78%, 0.68%

LAB 84.48, -60.04, 50.88

 

CMYK 54 / 0 / 40 / 7

HEX #6DED8F

RGB 109 237 143

HSL 135.94, 0.78%, 0.68%

LAB 84.9, -55.43, 35.03

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 12 / 0 / 62 / 2

HEX #DDFA60

RGB 221 250 96

HSL 71.3, 0.94%, 0.68%

LAB 93.71, -29.85, 68.49

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 9 / 0 / 45 / 13

HEX #CCDF7A

RGB 204 223 122

HSL 71.29, 0.61%, 0.68%

LAB 85.51, -21.4, 47.15

 

CMYK 7 / 0 / 35 / 18

HEX #C4D288

RGB 196 210 136

HSL 71.35, 0.45%, 0.68%

LAB 81.62, -16.48, 35.14

 

CMYK 5 / 0 / 24 / 23

HEX #BCC595

RGB 188 197 149

HSL 71.25, 0.29%, 0.68%

LAB 77.75, -11.18, 23.1

 

CMYK 2 / 0 / 12 / 28

HEX #B4B8A2

RGB 180 184 162

HSL 70.91, 0.13%, 0.68%

LAB 73.93, -5.33, 10.7

 

CMYK 0 / 19 / 54 / 7

HEX #EDC06D

RGB 237 192 109

HSL 38.91, 0.78%, 0.68%

LAB 80.07, 6.4, 47.48

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26D

RGB 237 226 109

HSL 54.84, 0.78%, 0.68%

LAB 88.69, -10.99, 57.64

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 39 / 0 / 54 / 7

HEX #91ED6D

RGB 145 237 109

HSL 103.13, 0.78%, 0.68%

LAB 85.85, -50.13, 52.85

 

CMYK 15 / 0 / 84 / 11

HEX #C0E324

RGB 192 227 36

HSL 70.99, 0.77%, 0.52%

LAB 85.13, -33.58, 78.88

 

CMYK 13 / 0 / 69 / 9

HEX #CAE849

RGB 202 232 73

HSL 71.32, 0.78%, 0.6%

LAB 87.36, -30.36, 70.33

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 7 / 0 / 39 / 5

HEX #DFF192

RGB 223 241 146

HSL 71.37, 0.77%, 0.76%

LAB 91.99, -20.3, 43.87

 

CMYK 5 / 0 / 26 / 4

HEX #EAF6B7

RGB 234 246 183

HSL 71.43, 0.78%, 0.84%

LAB 94.66, -14.07, 29.06

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 54 / 0 / 33 / 7

HEX #6DED9E

RGB 109 237 158

HSL 142.97, 0.78%, 0.68%

LAB 85.14, -52.83, 27.78

 

CMYK 12 / 54 / 0 / 7

HEX #D16DED

RGB 209 109 237

HSL 286.88, 0.78%, 0.68%

LAB 62.17, 58.57, -48.32

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 54 / 10 / 0 / 7

HEX #6DD5ED

RGB 109 213 237

HSL 191.25, 0.78%, 0.68%

LAB 80.15, -23.64, -21.02

 

CMYK 0 / 54 / 10 / 7

HEX #ED6DD5

RGB 237 109 213

HSL 311.25, 0.78%, 0.68%

LAB 64.76, 61.89, -30.62

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 54 / 0 / 33 / 7

HEX #6DED9E

RGB 109 237 158

HSL 142.97, 0.78%, 0.68%

LAB 85.14, -52.83, 27.78

 

CMYK 44 / 54 / 0 / 7

HEX #856DED

RGB 133 109 237

HSL 251.25, 0.78%, 0.68%

LAB 54.07, 40.03, -61.72

 

CMYK 0 / 54 / 21 / 7

HEX #ED6DBC

RGB 237 109 188

HSL 322.97, 0.78%, 0.68%

LAB 63.81, 58.18, -17.97

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 54 / 0 / 17 / 7

HEX #6DEDC4

RGB 109 237 196

HSL 160.78, 0.78%, 0.68%

LAB 85.91, -45.13, 9.17

 

CMYK 44 / 54 / 0 / 7

HEX #856DED

RGB 133 109 237

HSL 251.25, 0.78%, 0.68%

LAB 54.07, 40.03, -61.72

 

CMYK 0 / 54 / 37 / 7

HEX #ED6D96

RGB 237 109 150

HSL 340.78, 0.78%, 0.68%

LAB 62.63, 53.36, 1.98

 

Description

Color code: HEX #D5ED6D | qconv.com Color code: HEX #D5ED6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 237 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 237 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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