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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5DE82 it is the complementary color #2A217D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5DE82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5DE82 shade: #DADE7D, #EBF090, #FCFFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5DE82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5DE82 shade: #D5DE82, #C4CC6F, #B3BA5C, #A2A849 and #919636

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5DE82 shade: #D4DD82, #DDCE82, #DDB582, #DD9C82 and #DD8382

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5DE82 shade: #D4DD82, #BCDD82, #A3DD82, #8ADD82 and #82DD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5DE82 shade matches the following richer shades: #D4DD82, #DFEA75 and #E9F768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5DE82 shade: #D4DD82, #CAD18E, #C0C49B, #B5B7A8 and #ABAAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5DE82 shade: #DDB482, #DDCC82, #D6DD82, #BDDD82 and #A5DD82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5DE82 shade: #BECC40, #C9D561, #D4DD82, #DFE6A2 and #EAEFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5DE82 shade: #D5DE82, #82DD9C and #C082DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5DE82 shade: #D5DE82, #82D6DD and #DD82D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5DE82 shade: #D5DE82, #82DD9C, #8982DD and #DD82C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5DE82 shade: #D5DE82, #82DDB7, #8982DD and #DD82A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

Complementary color

CMYK 66 / 74 / 0 / 51

HEX #2A217D

RGB 42 33 125

HSL 245.87, 0.58%, 0.31%

LAB 20.29, 33.42, -50.59

 

CMYK 2 / 0 / 44 / 13

HEX #DADE7D

RGB 218 222 125

HSL 62.47, 0.6%, 0.68%

LAB 86.32, -15.15, 46.92

 

CMYK 2 / 0 / 40 / 6

HEX #EBF090

RGB 235 240 144

HSL 63.13, 0.76%, 0.75%

LAB 92.57, -15.48, 45.77

 

CMYK 1 / 0 / 36 / 0

HEX #FCFFA3

RGB 252 255 163

HSL 61.96, 1%, 0.82%

LAB 97.98, -14.3, 43.65

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

CMYK 4 / 0 / 46 / 20

HEX #C4CC6F

RGB 196 204 111

HSL 65.16, 0.48%, 0.62%

LAB 79.65, -16.27, 45.17

 

CMYK 4 / 0 / 51 / 27

HEX #B3BA5C

RGB 179 186 92

HSL 64.47, 0.41%, 0.55%

LAB 73.2, -15.89, 46.33

 

CMYK 4 / 0 / 57 / 34

HEX #A2A849

RGB 162 168 73

HSL 63.79, 0.39%, 0.47%

LAB 66.65, -15.41, 47.42

 

CMYK 3 / 0 / 64 / 41

HEX #919636

RGB 145 150 54

HSL 63.13, 0.47%, 0.4%

LAB 59.98, -14.79, 48.33

 

CMYK 4 / 0 / 41 / 13

HEX #D4DD82

RGB 212 221 130

HSL 65.93, 0.57%, 0.69%

LAB 85.67, -16.48, 43.56

 

CMYK 0 / 7 / 41 / 13

HEX #DDCE82

RGB 221 206 130

HSL 50.11, 0.57%, 0.69%

LAB 82.45, -5.37, 39.64

 

CMYK 0 / 18 / 41 / 13

HEX #DDB582

RGB 221 181 130

HSL 33.63, 0.57%, 0.69%

LAB 76.09, 7.69, 31.41

 

CMYK 0 / 29 / 41 / 13

HEX #DD9C82

RGB 221 156 130

HSL 17.14, 0.57%, 0.69%

LAB 70.01, 21.09, 23.3

 

CMYK 0 / 41 / 41 / 13

HEX #DD8382

RGB 221 131 130

HSL 0.66, 0.57%, 0.69%

LAB 64.34, 34.46, 15.52

 

CMYK 4 / 0 / 41 / 13

HEX #D4DD82

RGB 212 221 130

HSL 65.93, 0.57%, 0.69%

LAB 85.67, -16.48, 43.56

 

CMYK 15 / 0 / 41 / 13

HEX #BCDD82

RGB 188 221 130

HSL 81.76, 0.57%, 0.69%

LAB 83.97, -25.62, 41.07

 

CMYK 26 / 0 / 41 / 13

HEX #A3DD82

RGB 163 221 130

HSL 98.24, 0.57%, 0.69%

LAB 82.44, -34.63, 38.8

 

CMYK 38 / 0 / 41 / 13

HEX #8ADD82

RGB 138 221 130

HSL 114.73, 0.57%, 0.69%

LAB 81.14, -42.88, 36.87

 

CMYK 41 / 0 / 34 / 13

HEX #82DD92

RGB 130 221 146

HSL 130.55, 0.57%, 0.69%

LAB 81.03, -42.78, 28.53

 

CMYK 4 / 0 / 41 / 13

HEX #D4DD82

RGB 212 221 130

HSL 65.93, 0.57%, 0.69%

LAB 85.67, -16.48, 43.56

 

CMYK 5 / 0 / 50 / 8

HEX #DFEA75

RGB 223 234 117

HSL 65.64, 0.74%, 0.69%

LAB 89.77, -19.82, 54.98

 

CMYK 6 / 0 / 58 / 3

HEX #E9F768

RGB 233 247 104

HSL 65.87, 0.9%, 0.69%

LAB 93.82, -23.18, 65.55

 

CMYK 4 / 0 / 41 / 13

HEX #D4DD82

RGB 212 221 130

HSL 65.93, 0.57%, 0.69%

LAB 85.67, -16.48, 43.56

 

CMYK 3 / 0 / 32 / 18

HEX #CAD18E

RGB 202 209 142

HSL 66.27, 0.42%, 0.69%

LAB 81.9, -12.93, 32.51

 

CMYK 2 / 0 / 21 / 23

HEX #C0C49B

RGB 192 196 155

HSL 65.85, 0.26%, 0.69%

LAB 77.91, -8.28, 20.17

 

CMYK 1 / 0 / 8 / 28

HEX #B5B7A8

RGB 181 183 168

HSL 68, 0.09%, 0.69%

LAB 73.88, -3.41, 7.38

 

CMYK 6 / 6 / 0 / 29

HEX #ABAAB5

RGB 171 170 181

HSL 245.45, 0.07%, 0.69%

LAB 70, 2.49, -5.51

 

CMYK 0 / 19 / 41 / 13

HEX #DDB482

RGB 221 180 130

HSL 32.97, 0.57%, 0.69%

LAB 75.84, 8.22, 31.08

 

CMYK 0 / 8 / 41 / 13

HEX #DDCC82

RGB 221 204 130

HSL 48.79, 0.57%, 0.69%

LAB 81.93, -4.35, 38.98

 

CMYK 3 / 0 / 41 / 13

HEX #D6DD82

RGB 214 221 130

HSL 64.62, 0.57%, 0.69%

LAB 85.82, -15.7, 43.78

 

CMYK 14 / 0 / 41 / 13

HEX #BDDD82

RGB 189 221 130

HSL 81.1, 0.57%, 0.69%

LAB 84.04, -25.25, 41.17

 

CMYK 25 / 0 / 41 / 13

HEX #A5DD82

RGB 165 221 130

HSL 96.92, 0.57%, 0.69%

LAB 82.55, -33.94, 38.97

 

CMYK 7 / 0 / 69 / 20

HEX #BECC40

RGB 190 204 64

HSL 66, 0.58%, 0.53%

LAB 78.75, -22.36, 64.72

 

CMYK 6 / 0 / 54 / 16

HEX #C9D561

RGB 201 213 97

HSL 66.21, 0.58%, 0.61%

LAB 82.31, -20.01, 55.02

 

CMYK 4 / 0 / 41 / 13

HEX #D4DD82

RGB 212 221 130

HSL 65.93, 0.57%, 0.69%

LAB 85.67, -16.48, 43.56

 

CMYK 3 / 0 / 30 / 10

HEX #DFE6A2

RGB 223 230 162

HSL 66.18, 0.58%, 0.77%

LAB 89.34, -12.98, 32.43

 

CMYK 2 / 0 / 18 / 6

HEX #EAEFC3

RGB 234 239 195

HSL 66.82, 0.58%, 0.85%

LAB 93.09, -8.89, 20.77

 

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

CMYK 41 / 0 / 29 / 13

HEX #82DD9C

RGB 130 221 156

HSL 137.14, 0.57%, 0.69%

LAB 81.21, -41.04, 23.6

 

CMYK 13 / 41 / 0 / 13

HEX #C082DD

RGB 192 130 221

HSL 280.88, 0.57%, 0.69%

LAB 63.67, 39.77, -37.21

 

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

CMYK 41 / 3 / 0 / 13

HEX #82D6DD

RGB 130 214 221

HSL 184.62, 0.57%, 0.69%

LAB 80.77, -23.69, -11.47

 

CMYK 0 / 41 / 3 / 13

HEX #DD82D6

RGB 221 130 214

HSL 304.62, 0.57%, 0.69%

LAB 66.67, 47.14, -28.4

 

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

CMYK 41 / 0 / 29 / 13

HEX #82DD9C

RGB 130 221 156

HSL 137.14, 0.57%, 0.69%

LAB 81.21, -41.04, 23.6

 

CMYK 38 / 41 / 0 / 13

HEX #8982DD

RGB 137 130 221

HSL 244.62, 0.57%, 0.69%

LAB 58.51, 24.29, -45.67

 

CMYK 0 / 41 / 12 / 13

HEX #DD82C3

RGB 221 130 195

HSL 317.14, 0.57%, 0.69%

LAB 65.96, 43.91, -18.85

 

CMYK 4 / 0 / 41 / 13

HEX #D5DE82

RGB 213 222 130

HSL 65.87, 0.58%, 0.69%

LAB 86.01, -16.58, 44.01

 

CMYK 41 / 0 / 17 / 13

HEX #82DDB7

RGB 130 221 183

HSL 154.95, 0.57%, 0.69%

LAB 81.77, -35.79, 10.2

 

CMYK 38 / 41 / 0 / 13

HEX #8982DD

RGB 137 130 221

HSL 244.62, 0.57%, 0.69%

LAB 58.51, 24.29, -45.67

 

CMYK 0 / 41 / 24 / 13

HEX #DD82A8

RGB 221 130 168

HSL 334.95, 0.57%, 0.69%

LAB 65.09, 39.78, -4.93

 

Description

Color code: HEX #D5DE82 | qconv.com Color code: HEX #D5DE82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 222 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 222 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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