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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D20F it is the complementary color #2A2DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D20F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D20F shade: #DAD20A, #EBE41D, #FCF630, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D20F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D20F shade: #D5D20F, #C4C000, #B3AE00, #A29C00 and #918A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D20F shade: #D6D30E, #D69D0E, #D6670E, #D6320E and #D60E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D20F shade: #D6D30E, #A3D60E, #6DD60E, #38D60E and #0ED61B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D20F shade matches the following richer shades: #D6D30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D20F shade: #D6D30E, #C4C121, #B1AF34, #9E9D46 and #8C8B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D20F shade: #D6680E, #D69E0E, #D6D30E, #A4D60E and #6FD60E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D20F shade: #898709, #B0AD0C, #D6D30E, #EFEC1F and #F2EF45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D20F shade: #D5D20F, #0ED633 and #830ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D20F shade: #D5D20F, #0ED6D3 and #D30ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D20F shade: #D5D20F, #0ED633, #0E12D6 and #D60EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D20F shade: #D5D20F, #0ED66F, #0E12D6 and #D60E76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

Complementary color

CMYK 83 / 81 / 0 / 6

HEX #2A2DF0

RGB 42 45 240

HSL 239.09, 0.87%, 0.55%

LAB 35.32, 63.89, -94.35

 

CMYK 0 / 4 / 95 / 15

HEX #DAD20A

RGB 218 210 10

HSL 57.69, 0.91%, 0.45%

LAB 82.39, -15.12, 81.48

 

CMYK 0 / 3 / 88 / 8

HEX #EBE41D

RGB 235 228 29

HSL 57.96, 0.84%, 0.52%

LAB 88.56, -16.54, 84.34

 

CMYK 0 / 2 / 81 / 1

HEX #FCF630

RGB 252 246 48

HSL 58.24, 0.97%, 0.59%

LAB 94.66, -17.78, 85.98

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

CMYK 0 / 2 / 100 / 23

HEX #C4C000

RGB 196 192 0

HSL 58.78, 1%, 0.38%

LAB 75.72, -15.68, 76.71

 

CMYK 0 / 3 / 100 / 30

HEX #B3AE00

RGB 179 174 0

HSL 58.32, 1%, 0.35%

LAB 69.37, -13.98, 71.44

 

CMYK 0 / 4 / 100 / 36

HEX #A29C00

RGB 162 156 0

HSL 57.78, 1%, 0.32%

LAB 62.89, -12.23, 66.06

 

CMYK 0 / 5 / 100 / 43

HEX #918A00

RGB 145 138 0

HSL 57.1, 1%, 0.28%

LAB 56.28, -10.43, 60.58

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 0 / 27 / 93 / 16

HEX #D69D0E

RGB 214 157 14

HSL 42.9, 0.88%, 0.45%

LAB 68.34, 10.73, 70.46

 

CMYK 0 / 52 / 93 / 16

HEX #D6670E

RGB 214 103 14

HSL 26.7, 0.88%, 0.45%

LAB 56.12, 39.37, 61.78

 

CMYK 0 / 77 / 93 / 16

HEX #D6320E

RGB 214 50 14

HSL 10.8, 0.88%, 0.45%

LAB 47.76, 61.58, 56.34

 

CMYK 0 / 93 / 93 / 16

HEX #D60E0E

RGB 214 14 14

HSL 0, 0.88%, 0.45%

LAB 45.14, 69.03, 54.77

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 24 / 0 / 93 / 16

HEX #A3D60E

RGB 163 214 14

HSL 75.3, 0.88%, 0.45%

LAB 79.56, -39.64, 77.19

 

CMYK 49 / 0 / 93 / 16

HEX #6DD60E

RGB 109 214 14

HSL 91.5, 0.88%, 0.45%

LAB 76.91, -58.4, 73.95

 

CMYK 74 / 0 / 93 / 16

HEX #38D60E

RGB 56 214 14

HSL 107.4, 0.88%, 0.45%

LAB 75.43, -70.54, 72.13

 

CMYK 93 / 0 / 87 / 16

HEX #0ED61B

RGB 14 214 27

HSL 123.9, 0.88%, 0.45%

LAB 74.99, -74.32, 69.55

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 0 / 2 / 83 / 23

HEX #C4C121

RGB 196 193 33

HSL 58.9, 0.71%, 0.45%

LAB 76.06, -15.64, 72.03

 

CMYK 0 / 1 / 71 / 31

HEX #B1AF34

RGB 177 175 52

HSL 59.04, 0.55%, 0.45%

LAB 69.65, -13.97, 59.84

 

CMYK 0 / 1 / 56 / 38

HEX #9E9D46

RGB 158 157 70

HSL 59.32, 0.39%, 0.45%

LAB 63.2, -11.62, 44.83

 

CMYK 0 / 1 / 36 / 45

HEX #8C8B59

RGB 140 139 89

HSL 58.82, 0.22%, 0.45%

LAB 56.84, -7.68, 26.91

 

CMYK 0 / 51 / 93 / 16

HEX #D6680E

RGB 214 104 14

HSL 27, 0.88%, 0.45%

LAB 56.32, 38.87, 61.92

 

CMYK 0 / 26 / 93 / 16

HEX #D69E0E

RGB 214 158 14

HSL 43.2, 0.88%, 0.45%

LAB 68.59, 10.19, 70.64

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 23 / 0 / 93 / 16

HEX #A4D60E

RGB 164 214 14

HSL 75, 0.88%, 0.45%

LAB 79.62, -39.25, 77.27

 

CMYK 48 / 0 / 93 / 16

HEX #6FD60E

RGB 111 214 14

HSL 90.9, 0.88%, 0.45%

LAB 76.98, -57.8, 74.04

 

CMYK 0 / 1 / 93 / 46

HEX #898709

RGB 137 135 9

HSL 59.06, 0.88%, 0.29%

LAB 54.73, -12.35, 57.57

 

CMYK 0 / 2 / 93 / 31

HEX #B0AD0C

RGB 176 173 12

HSL 58.9, 0.87%, 0.37%

LAB 68.86, -14.64, 69.49

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 0 / 1 / 87 / 6

HEX #EFEC1F

RGB 239 236 31

HSL 59.13, 0.87%, 0.53%

LAB 90.98, -18.72, 86.05

 

CMYK 0 / 1 / 71 / 5

HEX #F2EF45

RGB 242 239 69

HSL 58.96, 0.87%, 0.61%

LAB 92.15, -17.75, 77.4

 

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

CMYK 93 / 0 / 76 / 16

HEX #0ED633

RGB 14 214 51

HSL 131.1, 0.88%, 0.45%

LAB 75.09, -73.03, 63.43

 

CMYK 39 / 93 / 0 / 16

HEX #830ED6

RGB 131 14 214

HSL 275.1, 0.88%, 0.45%

LAB 37.83, 73.34, -75.07

 

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

CMYK 93 / 0 / 1 / 16

HEX #0ED6D3

RGB 14 214 211

HSL 179.1, 0.88%, 0.45%

LAB 77.81, -42.64, -10.82

 

CMYK 1 / 93 / 0 / 16

HEX #D30ED6

RGB 211 14 214

HSL 299.1, 0.88%, 0.45%

LAB 50.71, 84.51, -53.58

 

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

CMYK 93 / 0 / 76 / 16

HEX #0ED633

RGB 14 214 51

HSL 131.1, 0.88%, 0.45%

LAB 75.09, -73.03, 63.43

 

CMYK 93 / 92 / 0 / 16

HEX #0E12D6

RGB 14 18 214

HSL 238.8, 0.88%, 0.45%

LAB 27.79, 65.74, -92.02

 

CMYK 0 / 93 / 17 / 16

HEX #D60EB1

RGB 214 14 177

HSL 311.1, 0.88%, 0.45%

LAB 49.23, 79.99, -34.42

 

CMYK 0 / 1 / 93 / 16

HEX #D5D20F

RGB 213 210 15

HSL 59.09, 0.87%, 0.45%

LAB 81.99, -17.19, 80.49

 

CMYK 93 / 0 / 48 / 16

HEX #0ED66F

RGB 14 214 111

HSL 149.1, 0.88%, 0.45%

LAB 75.66, -66, 38.69

 

CMYK 93 / 92 / 0 / 16

HEX #0E12D6

RGB 14 18 214

HSL 238.8, 0.88%, 0.45%

LAB 27.79, 65.74, -92.02

 

CMYK 0 / 93 / 45 / 16

HEX #D60E76

RGB 214 14 118

HSL 328.8, 0.88%, 0.45%

LAB 46.87, 73.78, -2.52

 

Description

Color code: HEX #D5D20F | qconv.com Color code: HEX #D5D20F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 210 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 210 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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