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Color name
HEX #D5D925

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D925 it is the complementary color #2A26DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D925 shade: #DAD920, #EBEB33, #FCFD46, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D925 shade: #D5D925, #C4C712, #B3B500, #A2A300 and #919100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D925 shade: #D6DA24, #DAAD24, #DA7C24, #DA4B24 and #DA2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D925 shade: #D6DA24, #A5DA24, #74DA24, #43DA24 and #24DA37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D925 shade matches the following richer shades: #D6DA24 and #E9EE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D925 shade: #D6DA24, #C2C539, #AEB04E, #9A9C62 and #878777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D925 shade: #DA7C24, #DAAC24, #D7DA24, #A6DA24 and #76DA24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D925 shade: #909319, #B3B61E, #D6DA24, #DCE048 and #E3E56B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D925 shade: #D5D925, #24DA4C and #9424DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D925 shade: #D5D925, #24D7DA and #DA24D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D925 shade: #D5D925, #24DA4C, #2724DA and #DA24B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D925 shade: #D5D925, #24DA82, #2724DA and #DA247C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

Complementary color

CMYK 81 / 83 / 0 / 15

HEX #2A26DA

RGB 42 38 218

HSL 241.33, 0.71%, 0.5%

LAB 31.67, 60.47, -87.85

 

CMYK 0 / 0 / 85 / 15

HEX #DAD920

RGB 218 217 32

HSL 59.68, 0.74%, 0.49%

LAB 84.3, -18.23, 79.78

 

CMYK 0 / 0 / 78 / 8

HEX #EBEB33

RGB 235 235 51

HSL 60, 0.82%, 0.56%

LAB 90.47, -19.38, 81.07

 

CMYK 0 / 0 / 72 / 1

HEX #FCFD46

RGB 252 253 70

HSL 60.33, 0.98%, 0.63%

LAB 96.57, -20.37, 81.53

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

CMYK 2 / 0 / 91 / 22

HEX #C4C712

RGB 196 199 18

HSL 60.99, 0.83%, 0.43%

LAB 77.65, -18.96, 76.17

 

CMYK 1 / 0 / 100 / 29

HEX #B3B500

RGB 179 181 0

HSL 60.66, 1%, 0.35%

LAB 71.3, -17.54, 72.85

 

CMYK 1 / 0 / 100 / 36

HEX #A2A300

RGB 162 163 0

HSL 60.37, 1%, 0.32%

LAB 64.86, -15.87, 67.5

 

CMYK 0 / 0 / 100 / 43

HEX #919100

RGB 145 145 0

HSL 60, 1%, 0.28%

LAB 58.29, -14.15, 62.04

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 0 / 21 / 83 / 15

HEX #DAAD24

RGB 218 173 36

HSL 45.16, 0.72%, 0.5%

LAB 72.84, 4.38, 69.36

 

CMYK 0 / 43 / 83 / 15

HEX #DA7C24

RGB 218 124 36

HSL 29.01, 0.72%, 0.5%

LAB 61.18, 30.58, 59.43

 

CMYK 0 / 66 / 83 / 15

HEX #DA4B24

RGB 218 75 36

HSL 12.86, 0.72%, 0.5%

LAB 51.91, 54.2, 51.34

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 24 / 0 / 83 / 15

HEX #A5DA24

RGB 165 218 36

HSL 77.47, 0.72%, 0.5%

LAB 80.89, -40.12, 74.58

 

CMYK 47 / 0 / 83 / 15

HEX #74DA24

RGB 116 218 36

HSL 93.63, 0.72%, 0.5%

LAB 78.45, -57.15, 71.51

 

CMYK 69 / 0 / 83 / 15

HEX #43DA24

RGB 67 218 36

HSL 109.78, 0.72%, 0.5%

LAB 76.96, -69.17, 69.61

 

CMYK 83 / 0 / 75 / 15

HEX #24DA37

RGB 36 218 55

HSL 126.26, 0.72%, 0.5%

LAB 76.55, -72.34, 63.63

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 2 / 0 / 93 / 7

HEX #E9EE10

RGB 233 238 16

HSL 61.35, 0.87%, 0.5%

LAB 91.01, -22.39, 87.94

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 2 / 0 / 71 / 23

HEX #C2C539

RGB 194 197 57

HSL 61.29, 0.55%, 0.5%

LAB 77.1, -17.59, 65.74

 

CMYK 1 / 0 / 56 / 31

HEX #AEB04E

RGB 174 176 78

HSL 61.22, 0.39%, 0.5%

LAB 69.89, -14.06, 49.03

 

CMYK 1 / 0 / 37 / 39

HEX #9A9C62

RGB 154 156 98

HSL 62.07, 0.23%, 0.5%

LAB 62.95, -9.93, 30.15

 

CMYK 0 / 0 / 12 / 47

HEX #878777

RGB 135 135 119

HSL 60, 0.06%, 0.5%

LAB 55.9, -2.98, 8.61

 

CMYK 0 / 43 / 83 / 15

HEX #DA7C24

RGB 218 124 36

HSL 29.01, 0.72%, 0.5%

LAB 61.18, 30.58, 59.43

 

CMYK 0 / 21 / 83 / 15

HEX #DAAC24

RGB 218 172 36

HSL 44.84, 0.72%, 0.5%

LAB 72.59, 4.91, 69.15

 

CMYK 1 / 0 / 83 / 15

HEX #D7DA24

RGB 215 218 36

HSL 60.99, 0.72%, 0.5%

LAB 84.34, -19.88, 78.88

 

CMYK 24 / 0 / 83 / 15

HEX #A6DA24

RGB 166 218 36

HSL 77.14, 0.72%, 0.5%

LAB 80.95, -39.73, 74.66

 

CMYK 46 / 0 / 83 / 15

HEX #76DA24

RGB 118 218 36

HSL 92.97, 0.72%, 0.5%

LAB 78.53, -56.54, 71.61

 

CMYK 2 / 0 / 83 / 42

HEX #909319

RGB 144 147 25

HSL 61.48, 0.71%, 0.34%

LAB 58.85, -15.12, 57.72

 

CMYK 2 / 0 / 84 / 29

HEX #B3B61E

RGB 179 182 30

HSL 61.18, 0.72%, 0.42%

LAB 71.65, -17.52, 68.48

 

CMYK 2 / 0 / 83 / 15

HEX #D6DA24

RGB 214 218 36

HSL 61.32, 0.72%, 0.5%

LAB 84.26, -20.3, 78.79

 

CMYK 2 / 0 / 68 / 12

HEX #DCE048

RGB 220 224 72

HSL 61.58, 0.71%, 0.58%

LAB 86.5, -19.33, 70.26

 

CMYK 1 / 0 / 53 / 10

HEX #E3E56B

RGB 227 229 107

HSL 60.98, 0.7%, 0.66%

LAB 88.65, -16.64, 58.3

 

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

CMYK 83 / 0 / 65 / 15

HEX #24DA4C

RGB 36 218 76

HSL 133.19, 0.72%, 0.5%

LAB 76.7, -70.48, 55.94

 

CMYK 32 / 83 / 0 / 15

HEX #9424DA

RGB 148 36 218

HSL 276.92, 0.72%, 0.5%

LAB 42.18, 71.68, -70.15

 

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

CMYK 83 / 1 / 0 / 15

HEX #24D7DA

RGB 36 215 218

HSL 180.99, 0.72%, 0.5%

LAB 78.48, -39.94, -13.55

 

CMYK 0 / 83 / 1 / 15

HEX #DA24D7

RGB 218 36 215

HSL 300.99, 0.72%, 0.5%

LAB 53.03, 82.72, -50.38

 

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

CMYK 83 / 0 / 65 / 15

HEX #24DA4C

RGB 36 218 76

HSL 133.19, 0.72%, 0.5%

LAB 76.7, -70.48, 55.94

 

CMYK 82 / 83 / 0 / 15

HEX #2724DA

RGB 39 36 218

HSL 240.99, 0.72%, 0.5%

LAB 31.24, 61.19, -88.57

 

CMYK 0 / 83 / 18 / 15

HEX #DA24B2

RGB 218 36 178

HSL 313.19, 0.72%, 0.5%

LAB 51.13, 77.62, -31.99

 

CMYK 2 / 0 / 83 / 15

HEX #D5D925

RGB 213 217 37

HSL 61.33, 0.71%, 0.5%

LAB 83.92, -20.2, 78.24

 

CMYK 83 / 0 / 40 / 15

HEX #24DA82

RGB 36 218 130

HSL 150.99, 0.72%, 0.5%

LAB 77.36, -62.62, 31.39

 

CMYK 82 / 83 / 0 / 15

HEX #2724DA

RGB 39 36 218

HSL 240.99, 0.72%, 0.5%

LAB 31.24, 61.19, -88.57

 

CMYK 0 / 83 / 43 / 15

HEX #DA247C

RGB 218 36 124

HSL 330.99, 0.72%, 0.5%

LAB 49.03, 71.75, -2.91

 

Description

Color code: HEX #D5D925 | qconv.com Color code: HEX #D5D925 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 217 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 217 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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