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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D73C it is the complementary color #2A28C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D73C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D73C shade: #DAD737, #EBE94A, #FCFB5D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D73C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D73C shade: #D5D73C, #C4C529, #B3B316, #A2A103 and #918F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D73C shade: #D5D73C, #D7AF3C, #D7853C, #D75B3C and #D73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D73C shade: #D5D73C, #ABD73C, #81D73C, #57D73C and #3CD74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D73C shade matches the following richer shades: #D5D73C, #E7EA29 and #FAFD16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D73C shade: #D5D73C, #C2C44F, #B0B162, #9D9E75 and #8B8B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D73C shade: #D7843C, #D7AD3C, #D7D73C, #ADD73C and #84D73C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D73C shade: #9EA020, #C0C227, #D5D73C, #DCDE5E and #E3E580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D73C shade: #D5D73C, #3CD75B and #993CD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D73C shade: #D5D73C, #3CD7D7 and #D73CD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D73C shade: #D5D73C, #3CD75B, #3C3CD7 and #D73CB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D73C shade: #D5D73C, #3CD789, #3C3CD7 and #D73C89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

Complementary color

CMYK 78 / 79 / 0 / 24

HEX #2A28C3

RGB 42 40 195

HSL 240.77, 0.66%, 0.46%

LAB 29.29, 52.56, -78.42

 

CMYK 0 / 1 / 75 / 15

HEX #DAD737

RGB 218 215 55

HSL 58.9, 0.69%, 0.54%

LAB 83.85, -16.53, 73.46

 

CMYK 0 / 1 / 69 / 8

HEX #EBE94A

RGB 235 233 74

HSL 59.25, 0.8%, 0.61%

LAB 90.06, -17.47, 73.45

 

CMYK 0 / 0 / 63 / 1

HEX #FCFB5D

RGB 252 251 93

HSL 59.62, 0.96%, 0.68%

LAB 96.2, -18.27, 72.99

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 1 / 0 / 79 / 23

HEX #C4C529

RGB 196 197 41

HSL 60.38, 0.66%, 0.47%

LAB 77.18, -17.4, 70.94

 

CMYK 0 / 0 / 88 / 30

HEX #B3B316

RGB 179 179 22

HSL 60, 0.78%, 0.39%

LAB 70.79, -16.2, 69.49

 

CMYK 0 / 1 / 98 / 36

HEX #A2A103

RGB 162 161 3

HSL 59.62, 0.96%, 0.32%

LAB 64.3, -14.79, 66.68

 

CMYK 0 / 1 / 100 / 43

HEX #918F00

RGB 145 143 0

HSL 59.17, 1%, 0.28%

LAB 57.72, -13.1, 61.62

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 0 / 19 / 72 / 16

HEX #D7AF3C

RGB 215 175 60

HSL 44.52, 0.66%, 0.54%

LAB 73.18, 2.91, 61.41

 

CMYK 0 / 38 / 72 / 16

HEX #D7853C

RGB 215 133 60

HSL 28.26, 0.66%, 0.54%

LAB 62.97, 25.45, 51

 

CMYK 0 / 58 / 72 / 16

HEX #D75B3C

RGB 215 91 60

HSL 12, 0.66%, 0.54%

LAB 54.3, 46.92, 41.64

 

CMYK 0 / 72 / 72 / 16

HEX #D73C3C

RGB 215 60 60

HSL 0, 0.66%, 0.54%

LAB 49.5, 59.81, 36.22

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 20 / 0 / 72 / 16

HEX #ABD73C

RGB 171 215 60

HSL 77.03, 0.66%, 0.54%

LAB 80.51, -35.41, 67.45

 

CMYK 40 / 0 / 72 / 16

HEX #81D73C

RGB 129 215 60

HSL 93.29, 0.66%, 0.54%

LAB 78.22, -50.62, 64.43

 

CMYK 60 / 0 / 72 / 16

HEX #57D73C

RGB 87 215 60

HSL 109.55, 0.66%, 0.54%

LAB 76.65, -62.57, 62.34

 

CMYK 72 / 0 / 66 / 16

HEX #3CD74A

RGB 60 215 74

HSL 125.42, 0.66%, 0.54%

LAB 76.1, -66.7, 56.21

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 1 / 0 / 82 / 8

HEX #E7EA29

RGB 231 234 41

HSL 60.93, 0.82%, 0.54%

LAB 89.86, -20.84, 82.89

 

CMYK 1 / 0 / 91 / 1

HEX #FAFD16

RGB 250 253 22

HSL 60.78, 0.98%, 0.54%

LAB 96.26, -22.46, 91.85

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 1 / 0 / 60 / 23

HEX #C2C44F

RGB 194 196 79

HSL 61.03, 0.5%, 0.54%

LAB 76.99, -15.79, 56.91

 

CMYK 1 / 0 / 45 / 31

HEX #B0B162

RGB 176 177 98

HSL 60.76, 0.34%, 0.54%

LAB 70.56, -11.92, 40.12

 

CMYK 1 / 0 / 26 / 38

HEX #9D9E75

RGB 157 158 117

HSL 61.46, 0.17%, 0.54%

LAB 64.08, -7.27, 21.37

 

CMYK 0 / 0 / 2 / 45

HEX #8B8B88

RGB 139 139 136

HSL 60, 0.01%, 0.54%

LAB 57.78, -0.58, 1.59

 

CMYK 0 / 39 / 72 / 16

HEX #D7843C

RGB 215 132 60

HSL 27.87, 0.66%, 0.54%

LAB 62.74, 25.99, 50.76

 

CMYK 0 / 20 / 72 / 16

HEX #D7AD3C

RGB 215 173 60

HSL 43.74, 0.66%, 0.54%

LAB 72.67, 3.97, 60.91

 

CMYK 0 / 0 / 72 / 16

HEX #D7D73C

RGB 215 215 60

HSL 60, 0.66%, 0.54%

LAB 83.64, -17.57, 71.56

 

CMYK 20 / 0 / 72 / 16

HEX #ADD73C

RGB 173 215 60

HSL 76.26, 0.66%, 0.54%

LAB 80.63, -34.63, 67.62

 

CMYK 39 / 0 / 72 / 16

HEX #84D73C

RGB 132 215 60

HSL 92.13, 0.66%, 0.54%

LAB 78.36, -49.62, 64.62

 

CMYK 1 / 0 / 80 / 37

HEX #9EA020

RGB 158 160 32

HSL 60.94, 0.67%, 0.38%

LAB 63.77, -15.41, 60.49

 

CMYK 1 / 0 / 80 / 24

HEX #C0C227

RGB 192 194 39

HSL 60.77, 0.67%, 0.46%

LAB 76.03, -17.68, 70.35

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 1 / 0 / 58 / 13

HEX #DCDE5E

RGB 220 222 94

HSL 60.94, 0.66%, 0.62%

LAB 86.14, -17, 61.05

 

CMYK 1 / 0 / 44 / 10

HEX #E3E580

RGB 227 229 128

HSL 61.19, 0.66%, 0.7%

LAB 88.89, -14.79, 48.79

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 72 / 0 / 58 / 16

HEX #3CD75B

RGB 60 215 91

HSL 132, 0.66%, 0.54%

LAB 76.26, -64.79, 49.04

 

CMYK 29 / 72 / 0 / 16

HEX #993CD7

RGB 153 60 215

HSL 276, 0.66%, 0.54%

LAB 45.51, 63.62, -62.99

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 72 / 0 / 0 / 16

HEX #3CD7D7

RGB 60 215 215

HSL 180, 0.66%, 0.54%

LAB 78.73, -38.61, -11.53

 

CMYK 0 / 72 / 0 / 16

HEX #D73CD7

RGB 215 60 215

HSL 300, 0.66%, 0.54%

LAB 54.64, 76.06, -47.84

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 72 / 0 / 58 / 16

HEX #3CD75B

RGB 60 215 91

HSL 132, 0.66%, 0.54%

LAB 76.26, -64.79, 49.04

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 0 / 72 / 14 / 16

HEX #D73CB8

RGB 215 60 184

HSL 312, 0.66%, 0.54%

LAB 53.1, 71.43, -32.45

 

CMYK 1 / 0 / 72 / 16

HEX #D5D73C

RGB 213 215 60

HSL 60.77, 0.66%, 0.54%

LAB 83.48, -18.4, 71.35

 

CMYK 72 / 0 / 36 / 16

HEX #3CD789

RGB 60 215 137

HSL 149.81, 0.66%, 0.54%

LAB 76.9, -57.45, 27.25

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 0 / 72 / 36 / 16

HEX #D73C89

RGB 215 60 137

HSL 330.19, 0.66%, 0.54%

LAB 51.25, 65.61, -7.54

 

Description

Color code: HEX #D5D73C | qconv.com Color code: HEX #D5D73C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 215 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 215 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 72 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 72% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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