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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D499 it is the complementary color #2A2B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D499 shade: #DAD494, #EBE6A7, #FCF8BA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D499 shade: #D5D499, #C4C286, #B3B073, #A29E60 and #918C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D499 shade: #D5D499, #D5C499, #D5B499, #D5A499 and #D59999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D499 shade: #D5D499, #C6D599, #B6D599, #A6D599 and #99D59D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D499 shade matches the following richer shades: #D5D499, #E1DF8E, #ECEA82 and #F8F676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D499 shade: #D5D499, #CAC9A5, #BEBEB0, #B2B3BC and #A7A7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D499 shade: #D5B499, #D5C499, #D5D499, #C6D599 and #B6D599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D499 shade: #BDBC5F, #C9C87C, #D5D499, #E1E0B6 and #EDEDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D499 shade: #D5D499, #99D5A4 and #BC99D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D499 shade: #D5D499, #99D5D4 and #D499D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D499 shade: #D5D499, #99D5A4, #999AD5 and #D599CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D499 shade: #D5D499, #99D5B6, #999AD5 and #D599B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

Complementary color

CMYK 59 / 58 / 0 / 60

HEX #2A2B66

RGB 42 43 102

HSL 239, 0.42%, 0.28%

LAB 20.75, 18.61, -35.03

 

CMYK 0 / 3 / 32 / 15

HEX #DAD494

RGB 218 212 148

HSL 54.86, 0.49%, 0.72%

LAB 84.03, -7.56, 32.47

 

CMYK 0 / 2 / 29 / 8

HEX #EBE6A7

RGB 235 230 167

HSL 55.59, 0.63%, 0.79%

LAB 90.34, -7.85, 31.38

 

CMYK 0 / 2 / 26 / 1

HEX #FCF8BA

RGB 252 248 186

HSL 56.36, 0.92%, 0.86%

LAB 96.56, -8.09, 30.35

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 0 / 1 / 32 / 23

HEX #C4C286

RGB 196 194 134

HSL 58.06, 0.34%, 0.65%

LAB 77.31, -8.59, 30.5

 

CMYK 0 / 2 / 36 / 30

HEX #B3B073

RGB 179 176 115

HSL 57.19, 0.3%, 0.58%

LAB 70.78, -8.29, 31.66

 

CMYK 0 / 2 / 41 / 36

HEX #A29E60

RGB 162 158 96

HSL 56.36, 0.26%, 0.51%

LAB 64.14, -7.92, 32.88

 

CMYK 0 / 3 / 47 / 43

HEX #918C4D

RGB 145 140 77

HSL 55.59, 0.31%, 0.44%

LAB 57.38, -7.46, 34.14

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 0 / 8 / 28 / 16

HEX #D5C499

RGB 213 196 153

HSL 43, 0.42%, 0.72%

LAB 79.57, -0.58, 23.79

 

CMYK 0 / 15 / 28 / 16

HEX #D5B499

RGB 213 180 153

HSL 27, 0.42%, 0.72%

LAB 75.51, 7.88, 18.2

 

CMYK 0 / 23 / 28 / 16

HEX #D5A499

RGB 213 164 153

HSL 11, 0.42%, 0.72%

LAB 71.55, 16.5, 12.67

 

CMYK 0 / 28 / 28 / 16

HEX #D59999

RGB 213 153 153

HSL 0, 0.42%, 0.72%

LAB 68.92, 22.47, 8.94

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 7 / 0 / 28 / 16

HEX #C6D599

RGB 198 213 153

HSL 75, 0.42%, 0.72%

LAB 82.86, -15, 28.05

 

CMYK 15 / 0 / 28 / 16

HEX #B6D599

RGB 182 213 153

HSL 91, 0.42%, 0.72%

LAB 81.75, -20.86, 26.36

 

CMYK 22 / 0 / 28 / 16

HEX #A6D599

RGB 166 213 153

HSL 107, 0.42%, 0.72%

LAB 80.74, -26.49, 24.82

 

CMYK 28 / 0 / 26 / 16

HEX #99D59D

RGB 153 213 157

HSL 124, 0.42%, 0.72%

LAB 80.06, -30.18, 21.68

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 0 / 1 / 37 / 12

HEX #E1DF8E

RGB 225 223 142

HSL 58.55, 0.58%, 0.72%

LAB 87.36, -11.12, 39.96

 

CMYK 0 / 1 / 45 / 7

HEX #ECEA82

RGB 236 234 130

HSL 58.87, 0.74%, 0.72%

LAB 90.91, -13.54, 50.47

 

CMYK 0 / 1 / 52 / 3

HEX #F8F676

RGB 248 246 118

HSL 59.08, 0.9%, 0.72%

LAB 94.81, -15.73, 60.89

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 0 / 0 / 18 / 21

HEX #CAC9A5

RGB 202 201 165

HSL 58.38, 0.26%, 0.72%

LAB 80.21, -5.65, 18.16

 

CMYK 0 / 0 / 7 / 25

HEX #BEBEB0

RGB 190 190 176

HSL 60, 0.1%, 0.72%

LAB 76.62, -2.5, 7.06

 

CMYK 5 / 5 / 0 / 26

HEX #B2B3BC

RGB 178 179 188

HSL 234, 0.07%, 0.72%

LAB 73.11, 1.38, -4.7

 

CMYK 16 / 16 / 0 / 22

HEX #A7A7C7

RGB 167 167 199

HSL 240, 0.22%, 0.72%

LAB 69.45, 6.56, -16.31

 

CMYK 0 / 15 / 28 / 16

HEX #D5B499

RGB 213 180 153

HSL 27, 0.42%, 0.72%

LAB 75.51, 7.88, 18.2

 

CMYK 0 / 8 / 28 / 16

HEX #D5C499

RGB 213 196 153

HSL 43, 0.42%, 0.72%

LAB 79.57, -0.58, 23.79

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 7 / 0 / 28 / 16

HEX #C6D599

RGB 198 213 153

HSL 75, 0.42%, 0.72%

LAB 82.86, -15, 28.05

 

CMYK 15 / 0 / 28 / 16

HEX #B6D599

RGB 182 213 153

HSL 91, 0.42%, 0.72%

LAB 81.75, -20.86, 26.36

 

CMYK 0 / 1 / 50 / 26

HEX #BDBC5F

RGB 189 188 95

HSL 59.36, 0.42%, 0.56%

LAB 74.58, -12.53, 46.7

 

CMYK 0 / 0 / 38 / 21

HEX #C9C87C

RGB 201 200 124

HSL 59.22, 0.42%, 0.64%

LAB 79.15, -10.89, 38.13

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 0 / 0 / 19 / 12

HEX #E1E0B6

RGB 225 224 182

HSL 58.6, 0.42%, 0.8%

LAB 88.3, -6.48, 20.74

 

CMYK 0 / 0 / 11 / 7

HEX #EDEDD4

RGB 237 237 212

HSL 60, 0.41%, 0.88%

LAB 93.16, -4.21, 12.12

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 28 / 0 / 23 / 16

HEX #99D5A4

RGB 153 213 164

HSL 131, 0.42%, 0.72%

LAB 80.2, -28.96, 18.19

 

CMYK 12 / 28 / 0 / 16

HEX #BC99D5

RGB 188 153 213

HSL 275, 0.42%, 0.72%

LAB 68.22, 24.16, -25.75

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 28 / 0 / 0 / 16

HEX #99D5D4

RGB 153 213 212

HSL 179, 0.42%, 0.72%

LAB 81.35, -19.22, -5.68

 

CMYK 0 / 28 / 0 / 16

HEX #D499D5

RGB 212 153 213

HSL 299, 0.42%, 0.72%

LAB 70.58, 31.91, -21.94

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 28 / 0 / 23 / 16

HEX #99D5A4

RGB 153 213 164

HSL 131, 0.42%, 0.72%

LAB 80.2, -28.96, 18.19

 

CMYK 28 / 28 / 0 / 16

HEX #999AD5

RGB 153 154 213

HSL 239, 0.42%, 0.72%

LAB 65.5, 12.79, -30.19

 

CMYK 0 / 28 / 5 / 16

HEX #D599CA

RGB 213 153 202

HSL 311, 0.42%, 0.72%

LAB 70.31, 30.23, -16.26

 

CMYK 0 / 0 / 28 / 16

HEX #D5D499

RGB 213 212 153

HSL 59, 0.42%, 0.72%

LAB 83.72, -8.85, 29.4

 

CMYK 28 / 0 / 15 / 16

HEX #99D5B6

RGB 153 213 182

HSL 149, 0.42%, 0.72%

LAB 80.59, -25.57, 9.2

 

CMYK 28 / 28 / 0 / 16

HEX #999AD5

RGB 153 154 213

HSL 239, 0.42%, 0.72%

LAB 65.5, 12.79, -30.19

 

CMYK 0 / 28 / 14 / 16

HEX #D599B8

RGB 213 153 184

HSL 329, 0.42%, 0.72%

LAB 69.75, 27.14, -7.12

 

Description

Color code: HEX #D5D499 | qconv.com Color code: HEX #D5D499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 212 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 212 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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