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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5D400 it is the complementary color #2A2BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5D400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5D400 shade: #DAD400, #EBE60E, #FCF821, #FFFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5D400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5D400 shade: #D5D400, #C4C200, #B3B000, #A29E00 and #918C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5D400 shade: #D6D500, #D69B00, #D66100, #D62700 and #D60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5D400 shade: #D6D500, #9DD600, #63D600, #29D600 and #00D60F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5D400 shade matches the following richer shades: #D6D500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5D400 shade: #D6D500, #C4C411, #B3B222, #A2A133 and #909045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5D400 shade: #D66000, #D69900, #D6D200, #A0D600 and #67D600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5D400 shade: #838300, #ACAC00, #D6D500, #FFFD00 and #FFFE29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5D400 shade: #D5D400, #00D627 and #7C00D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5D400 shade: #D5D400, #00D6D2 and #D200D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5D400 shade: #D5D400, #00D627, #0003D6 and #D600AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5D400 shade: #D5D400, #00D667, #0003D6 and #D6006E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

Complementary color

CMYK 84 / 83 / 0 / 0

HEX #2A2BFF

RGB 42 43 255

HSL 239.72, 1%, 0.58%

LAB 36.82, 69.08, -100.3

 

CMYK 0 / 3 / 100 / 15

HEX #DAD400

RGB 218 212 0

HSL 58.35, 1%, 0.43%

LAB 82.91, -16.2, 82.77

 

CMYK 0 / 2 / 94 / 8

HEX #EBE60E

RGB 235 230 14

HSL 58.64, 0.89%, 0.49%

LAB 89.06, -17.73, 86.72

 

CMYK 0 / 2 / 87 / 1

HEX #FCF821

RGB 252 248 33

HSL 58.9, 0.97%, 0.56%

LAB 95.14, -19.09, 89.45

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

CMYK 0 / 1 / 100 / 23

HEX #C4C200

RGB 196 194 0

HSL 59.39, 1%, 0.38%

LAB 76.26, -16.68, 77.11

 

CMYK 0 / 2 / 100 / 30

HEX #B3B000

RGB 179 176 0

HSL 58.99, 1%, 0.35%

LAB 69.92, -15, 71.84

 

CMYK 0 / 2 / 100 / 36

HEX #A29E00

RGB 162 158 0

HSL 58.52, 1%, 0.32%

LAB 63.45, -13.28, 66.47

 

CMYK 0 / 3 / 100 / 43

HEX #918C00

RGB 145 140 0

HSL 57.93, 1%, 0.28%

LAB 56.86, -11.5, 60.99

 

CMYK 0 / 0 / 100 / 16

HEX #D6D500

RGB 214 213 0

HSL 59.72, 1%, 0.42%

LAB 82.85, -18.39, 82.58

 

CMYK 0 / 28 / 100 / 16

HEX #D69B00

RGB 214 155 0

HSL 43.46, 1%, 0.42%

LAB 67.83, 11.65, 71.95

 

CMYK 0 / 55 / 100 / 16

HEX #D66100

RGB 214 97 0

HSL 27.2, 1%, 0.42%

LAB 54.91, 42.2, 63.78

 

CMYK 0 / 82 / 100 / 16

HEX #D62700

RGB 214 39 0

HSL 10.93, 1%, 0.42%

LAB 46.64, 64.49, 59.64

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 0 / 100 / 16

HEX #D6D500

RGB 214 213 0

HSL 59.72, 1%, 0.42%

LAB 82.85, -18.39, 82.58

 

CMYK 27 / 0 / 100 / 16

HEX #9DD600

RGB 157 214 0

HSL 75.98, 1%, 0.42%

LAB 79.19, -42.12, 78.09

 

CMYK 54 / 0 / 100 / 16

HEX #63D600

RGB 99 214 0

HSL 92.24, 1%, 0.42%

LAB 76.52, -61.46, 74.87

 

CMYK 81 / 0 / 100 / 16

HEX #29D600

RGB 41 214 0

HSL 108.5, 1%, 0.42%

LAB 75.18, -72.82, 73.24

 

CMYK 100 / 0 / 93 / 16

HEX #00D60F

RGB 0 214 15

HSL 124.21, 1%, 0.42%

LAB 74.91, -75.22, 71.36

 

CMYK 0 / 0 / 100 / 16

HEX #D6D500

RGB 214 213 0

HSL 59.72, 1%, 0.42%

LAB 82.85, -18.39, 82.58

 

CMYK 0 / 0 / 100 / 16

HEX #D6D500

RGB 214 213 0

HSL 59.72, 1%, 0.42%

LAB 82.85, -18.39, 82.58

 

CMYK 0 / 0 / 91 / 23

HEX #C4C411

RGB 196 196 17

HSL 60, 0.84%, 0.42%

LAB 76.83, -17.48, 75.67

 

CMYK 0 / 1 / 81 / 30

HEX #B3B222

RGB 179 178 34

HSL 59.59, 0.68%, 0.42%

LAB 70.55, -15.37, 66.53

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 0 / 52 / 44

HEX #909045

RGB 144 144 69

HSL 60, 0.35%, 0.42%

LAB 58.33, -10.84, 39.38

 

CMYK 0 / 55 / 100 / 16

HEX #D66000

RGB 214 96 0

HSL 26.92, 1%, 0.42%

LAB 54.72, 42.69, 63.67

 

CMYK 0 / 29 / 100 / 16

HEX #D69900

RGB 214 153 0

HSL 42.9, 1%, 0.42%

LAB 67.34, 12.73, 71.61

 

CMYK 0 / 2 / 100 / 16

HEX #D6D200

RGB 214 210 0

HSL 58.88, 1%, 0.42%

LAB 82.05, -16.92, 81.99

 

CMYK 25 / 0 / 100 / 16

HEX #A0D600

RGB 160 214 0

HSL 75.14, 1%, 0.42%

LAB 79.37, -40.97, 78.3

 

CMYK 52 / 0 / 100 / 16

HEX #67D600

RGB 103 214 0

HSL 91.12, 1%, 0.42%

LAB 76.66, -60.35, 75.04

 

CMYK 0 / 0 / 100 / 49

HEX #838300

RGB 131 131 0

HSL 60, 1%, 0.26%

LAB 53.01, -13.15, 57.63

 

CMYK 0 / 0 / 100 / 33

HEX #ACAC00

RGB 172 172 0

HSL 60, 1%, 0.34%

LAB 68.22, -16.05, 70.34

 

CMYK 0 / 0 / 100 / 16

HEX #D6D500

RGB 214 213 0

HSL 59.72, 1%, 0.42%

LAB 82.85, -18.39, 82.58

 

CMYK 0 / 1 / 100 / 0

HEX #FFFD00

RGB 255 253 0

HSL 59.53, 1%, 0.5%

LAB 96.62, -20.61, 94.1

 

CMYK 0 / 0 / 84 / 0

HEX #FFFE29

RGB 255 254 41

HSL 59.72, 1%, 0.58%

LAB 96.94, -20.55, 89.52

 

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

CMYK 100 / 0 / 82 / 16

HEX #00D627

RGB 0 214 39

HSL 130.93, 1%, 0.42%

LAB 74.98, -74.31, 66.79

 

CMYK 42 / 100 / 0 / 16

HEX #7C00D6

RGB 124 0 214

HSL 274.77, 1%, 0.42%

LAB 36.25, 74.38, -77.71

 

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

CMYK 100 / 0 / 2 / 16

HEX #00D6D2

RGB 0 214 210

HSL 178.88, 1%, 0.42%

LAB 77.72, -43.3, -10.42

 

CMYK 2 / 100 / 0 / 16

HEX #D200D6

RGB 210 0 214

HSL 298.88, 1%, 0.42%

LAB 50.16, 85.45, -54.46

 

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

CMYK 100 / 0 / 82 / 16

HEX #00D627

RGB 0 214 39

HSL 130.93, 1%, 0.42%

LAB 74.98, -74.31, 66.79

 

CMYK 100 / 99 / 0 / 16

HEX #0003D6

RGB 0 3 214

HSL 239.16, 1%, 0.42%

LAB 26.51, 68.8, -94.18

 

CMYK 0 / 100 / 19 / 16

HEX #D600AE

RGB 214 0 174

HSL 311.21, 1%, 0.42%

LAB 48.7, 80.76, -33.49

 

CMYK 0 / 0 / 100 / 16

HEX #D5D400

RGB 213 212 0

HSL 59.72, 1%, 0.42%

LAB 82.5, -18.33, 82.29

 

CMYK 100 / 0 / 52 / 16

HEX #00D667

RGB 0 214 103

HSL 148.88, 1%, 0.42%

LAB 75.5, -67.76, 42.37

 

CMYK 100 / 99 / 0 / 16

HEX #0003D6

RGB 0 3 214

HSL 239.16, 1%, 0.42%

LAB 26.51, 68.8, -94.18

 

CMYK 0 / 100 / 49 / 16

HEX #D6006E

RGB 214 0 110

HSL 329.16, 1%, 0.42%

LAB 46.21, 74.35, 1.45

 

Description

Color code: HEX #D5D400 | qconv.com Color code: HEX #D5D400 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 212 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 212 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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