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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5C38B it is the complementary color #2A3C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5C38B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5C38B shade: #DAC386, #EBD599, #FCE7AC, #FFF9BF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5C38B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5C38B shade: #D5C38B, #C4B178, #B39F65, #A28D52 and #917B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5C38B shade: #D5C38A, #D5AE8A, #D59A8A and #D58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5C38B shade: #D5C38A, #D3D58A, #BFD58A, #ABD58A and #97D58A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5C38B shade matches the following richer shades: #D5C38A, #E1C97E, #EED071 and #FBD664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5C38B shade: #D5C38A, #C8BC97, #BBB5A4, #AEAFB1 and #A1A8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5C38B shade: #D59A8A, #D5AE8A, #D5C28A, #D3D58A and #C0D58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5C38B shade: #BFA34E, #CAB36C, #D5C38A, #E0D2A9 and #EAE2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5C38B shade: #D5C38B, #8ED58A and #A48AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5C38B shade: #D5C38B, #8AD5C2 and #C28AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5C38B shade: #D5C38B, #8ED58A, #8A9DD5 and #D18AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5C38B shade: #D5C38B, #8AD59D, #8A9DD5 and #D58AC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

Complementary color

CMYK 64 / 48 / 0 / 55

HEX #2A3C74

RGB 42 60 116

HSL 225.41, 0.47%, 0.31%

LAB 26.69, 11.96, -34.47

 

CMYK 0 / 11 / 39 / 15

HEX #DAC386

RGB 218 195 134

HSL 43.57, 0.53%, 0.69%

LAB 79.42, -0.44, 33.63

 

CMYK 0 / 9 / 35 / 8

HEX #EBD599

RGB 235 213 153

HSL 43.9, 0.67%, 0.76%

LAB 85.78, -0.91, 32.47

 

CMYK 0 / 8 / 32 / 1

HEX #FCE7AC

RGB 252 231 172

HSL 44.25, 0.93%, 0.83%

LAB 92.05, -1.33, 31.37

 

CMYK 0 / 2 / 25 / 0

HEX #FFF9BF

RGB 255 249 191

HSL 54.38, 1%, 0.87%

LAB 97.14, -6.84, 28.63

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 0 / 10 / 39 / 23

HEX #C4B178

RGB 196 177 120

HSL 45, 0.39%, 0.62%

LAB 72.59, -1.37, 31.66

 

CMYK 0 / 11 / 44 / 30

HEX #B39F65

RGB 179 159 101

HSL 44.62, 0.34%, 0.55%

LAB 66, -0.82, 32.9

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 15 / 57 / 43

HEX #917B3F

RGB 145 123 63

HSL 43.9, 0.39%, 0.41%

LAB 52.45, 0.65, 35.55

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38A

RGB 213 195 138

HSL 45.6, 0.47%, 0.69%

LAB 79.05, -1.95, 30.98

 

CMYK 0 / 18 / 35 / 16

HEX #D5AE8A

RGB 213 174 138

HSL 28.8, 0.47%, 0.69%

LAB 73.71, 9.17, 23.83

 

CMYK 0 / 28 / 35 / 16

HEX #D59A8A

RGB 213 154 138

HSL 12.8, 0.47%, 0.69%

LAB 68.82, 19.97, 17.13

 

CMYK 0 / 35 / 35 / 16

HEX #D58A8A

RGB 213 138 138

HSL 0, 0.47%, 0.69%

LAB 65.09, 28.63, 11.91

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38A

RGB 213 195 138

HSL 45.6, 0.47%, 0.69%

LAB 79.05, -1.95, 30.98

 

CMYK 1 / 0 / 35 / 16

HEX #D3D58A

RGB 211 213 138

HSL 61.6, 0.47%, 0.69%

LAB 83.59, -11.97, 36.89

 

CMYK 10 / 0 / 35 / 16

HEX #BFD58A

RGB 191 213 138

HSL 77.6, 0.47%, 0.69%

LAB 82.11, -19.61, 34.68

 

CMYK 20 / 0 / 35 / 16

HEX #ABD58A

RGB 171 213 138

HSL 93.6, 0.47%, 0.69%

LAB 80.78, -26.97, 32.7

 

CMYK 29 / 0 / 35 / 16

HEX #97D58A

RGB 151 213 138

HSL 109.6, 0.47%, 0.69%

LAB 79.62, -33.9, 30.94

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38A

RGB 213 195 138

HSL 45.6, 0.47%, 0.69%

LAB 79.05, -1.95, 30.98

 

CMYK 0 / 11 / 44 / 12

HEX #E1C97E

RGB 225 201 126

HSL 45.45, 0.62%, 0.69%

LAB 81.45, -1.61, 40.46

 

CMYK 0 / 13 / 53 / 7

HEX #EED071

RGB 238 208 113

HSL 45.6, 0.79%, 0.69%

LAB 84.22, -1.16, 50.54

 

CMYK 0 / 15 / 60 / 2

HEX #FBD664

RGB 251 214 100

HSL 45.3, 0.95%, 0.69%

LAB 86.76, 0.11, 59.83

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38A

RGB 213 195 138

HSL 45.6, 0.47%, 0.69%

LAB 79.05, -1.95, 30.98

 

CMYK 0 / 6 / 25 / 22

HEX #C8BC97

RGB 200 188 151

HSL 45.31, 0.31%, 0.69%

LAB 76.36, -1.64, 20.28

 

CMYK 0 / 3 / 12 / 27

HEX #BBB5A4

RGB 187 181 164

HSL 44.35, 0.14%, 0.69%

LAB 73.74, -0.83, 9.41

 

CMYK 2 / 1 / 0 / 31

HEX #AEAFB1

RGB 174 175 177

HSL 220, 0.02%, 0.69%

LAB 71.44, 0.03, -1.15

 

CMYK 15 / 11 / 0 / 26

HEX #A1A8BD

RGB 161 168 189

HSL 225, 0.18%, 0.69%

LAB 68.94, 1.87, -11.6

 

CMYK 0 / 28 / 35 / 16

HEX #D59A8A

RGB 213 154 138

HSL 12.8, 0.47%, 0.69%

LAB 68.82, 19.97, 17.13

 

CMYK 0 / 18 / 35 / 16

HEX #D5AE8A

RGB 213 174 138

HSL 28.8, 0.47%, 0.69%

LAB 73.71, 9.17, 23.83

 

CMYK 0 / 9 / 35 / 16

HEX #D5C28A

RGB 213 194 138

HSL 44.8, 0.47%, 0.69%

LAB 78.79, -1.43, 30.64

 

CMYK 1 / 0 / 35 / 16

HEX #D3D58A

RGB 211 213 138

HSL 61.6, 0.47%, 0.69%

LAB 83.59, -11.97, 36.89

 

CMYK 10 / 0 / 35 / 16

HEX #C0D58A

RGB 192 213 138

HSL 76.8, 0.47%, 0.69%

LAB 82.18, -19.24, 34.79

 

CMYK 0 / 15 / 59 / 25

HEX #BFA34E

RGB 191 163 78

HSL 45.13, 0.47%, 0.53%

LAB 67.89, 0.04, 47.14

 

CMYK 0 / 11 / 47 / 21

HEX #CAB36C

RGB 202 179 108

HSL 45.32, 0.47%, 0.61%

LAB 73.47, -1.25, 39.13

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38A

RGB 213 195 138

HSL 45.6, 0.47%, 0.69%

LAB 79.05, -1.95, 30.98

 

CMYK 0 / 6 / 25 / 12

HEX #E0D2A9

RGB 224 210 169

HSL 44.73, 0.47%, 0.77%

LAB 84.38, -1.52, 22.1

 

CMYK 0 / 3 / 15 / 8

HEX #EAE2C7

RGB 234 226 199

HSL 46.29, 0.45%, 0.85%

LAB 89.86, -1.71, 14.17

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 33 / 0 / 35 / 16

HEX #8ED58A

RGB 142 213 138

HSL 116.8, 0.47%, 0.69%

LAB 79.14, -36.85, 30.22

 

CMYK 23 / 35 / 0 / 16

HEX #A48AD5

RGB 164 138 213

HSL 260.8, 0.47%, 0.69%

LAB 62.4, 25.19, -34.93

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 35 / 0 / 9 / 16

HEX #8AD5C2

RGB 138 213 194

HSL 164.8, 0.47%, 0.69%

LAB 80.12, -27.46, 2.02

 

CMYK 9 / 35 / 0 / 16

HEX #C28AD5

RGB 194 138 213

HSL 284.8, 0.47%, 0.69%

LAB 65.32, 34.36, -30.17

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 33 / 0 / 35 / 16

HEX #8ED58A

RGB 142 213 138

HSL 116.8, 0.47%, 0.69%

LAB 79.14, -36.85, 30.22

 

CMYK 35 / 26 / 0 / 16

HEX #8A9DD5

RGB 138 157 213

HSL 224.8, 0.47%, 0.69%

LAB 65.22, 6.76, -30.72

 

CMYK 2 / 35 / 0 / 16

HEX #D18AD5

RGB 209 138 213

HSL 296.8, 0.47%, 0.69%

LAB 66.93, 39.04, -27.56

 

CMYK 0 / 8 / 35 / 16

HEX #D5C38B

RGB 213 195 139

HSL 45.41, 0.47%, 0.69%

LAB 79.06, -1.83, 30.48

 

CMYK 35 / 0 / 26 / 16

HEX #8AD59D

RGB 138 213 157

HSL 135.2, 0.47%, 0.69%

LAB 79.29, -34.9, 20.49

 

CMYK 35 / 26 / 0 / 16

HEX #8A9DD5

RGB 138 157 213

HSL 224.8, 0.47%, 0.69%

LAB 65.22, 6.76, -30.72

 

CMYK 0 / 35 / 9 / 16

HEX #D58AC2

RGB 213 138 194

HSL 315.2, 0.47%, 0.69%

LAB 66.69, 36.91, -17.29

 

Description

Color code: HEX #D5C38B | qconv.com Color code: HEX #D5C38B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 195 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 195 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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