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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5BC58 it is the complementary color #2A43A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5BC58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5BC58 shade: #DABC53, #EBCE66, #FCE079, #FFF28C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5BC58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5BC58 shade: #D5BC58, #C4AA45, #B39832, #A2861F and #91740C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5BC58 shade: #D5BC57, #D59A57, #D57857 and #D55757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5BC58 shade: #D5BC57, #CCD557, #AAD557, #88D557 and #66D557

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5BC58 shade matches the following richer shades: #D5BC57, #E6C646 and #F7D035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5BC58 shade: #D5BC57, #C4B168, #B3A779, #A29D8A and #91939B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5BC58 shade: #D57957, #D59A57, #D5BC57, #CCD557 and #ABD557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5BC58 shade: #AE942B, #CCAE36, #D5BC57, #DDC978 and #E5D699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5BC58 shade: #D5BC58, #57D557 and #8957D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5BC58 shade: #D5BC58, #57D5BC and #BC57D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5BC58 shade: #D5BC58, #57D557, #5770D5 and #D557D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5BC58 shade: #D5BC58, #57D57D, #5770D5 and #D557AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

Complementary color

CMYK 75 / 60 / 0 / 35

HEX #2A43A7

RGB 42 67 167

HSL 228, 0.6%, 0.41%

LAB 32.47, 26.61, -56.55

 

CMYK 0 / 14 / 62 / 15

HEX #DABC53

RGB 218 188 83

HSL 46.67, 0.65%, 0.59%

LAB 76.98, -1.34, 55.72

 

CMYK 0 / 12 / 57 / 8

HEX #EBCE66

RGB 235 206 102

HSL 46.92, 0.77%, 0.66%

LAB 83.32, -2.22, 54.61

 

CMYK 0 / 11 / 52 / 1

HEX #FCE079

RGB 252 224 121

HSL 47.18, 0.96%, 0.73%

LAB 89.57, -2.99, 53.44

 

CMYK 0 / 5 / 45 / 0

HEX #FFF28C

RGB 255 242 140

HSL 53.22, 1%, 0.77%

LAB 94.59, -9.12, 50.56

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 0 / 15 / 72 / 30

HEX #B39832

RGB 179 152 50

HSL 47.44, 0.56%, 0.45%

LAB 63.57, -1.04, 54.68

 

CMYK 0 / 17 / 81 / 36

HEX #A2861F

RGB 162 134 31

HSL 47.18, 0.68%, 0.38%

LAB 56.91, 0.32, 54.85

 

CMYK 0 / 20 / 92 / 43

HEX #91740C

RGB 145 116 12

HSL 46.92, 0.85%, 0.31%

LAB 50.14, 1.98, 53.78

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 0 / 28 / 59 / 16

HEX #D59A57

RGB 213 154 87

HSL 31.9, 0.6%, 0.59%

LAB 67.98, 14.93, 43.38

 

CMYK 0 / 44 / 59 / 16

HEX #D57857

RGB 213 120 87

HSL 15.71, 0.6%, 0.59%

LAB 60.13, 33.21, 33.84

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 20 / 0 / 59 / 16

HEX #AAD557

RGB 170 213 87

HSL 80.48, 0.6%, 0.59%

LAB 80.08, -33.02, 56.37

 

CMYK 36 / 0 / 59 / 16

HEX #88D557

RGB 136 213 87

HSL 96.67, 0.6%, 0.59%

LAB 78.18, -45.28, 53.7

 

CMYK 52 / 0 / 59 / 16

HEX #66D557

RGB 102 213 87

HSL 112.86, 0.6%, 0.59%

LAB 76.74, -55.59, 51.68

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 0 / 14 / 70 / 10

HEX #E6C646

RGB 230 198 70

HSL 48, 0.76%, 0.59%

LAB 80.55, -2.2, 65.32

 

CMYK 0 / 16 / 79 / 3

HEX #F7D035

RGB 247 208 53

HSL 47.94, 0.92%, 0.59%

LAB 84.56, -0.84, 75.66

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 0 / 10 / 47 / 23

HEX #C4B168

RGB 196 177 104

HSL 47.61, 0.44%, 0.59%

LAB 72.35, -3.06, 39.66

 

CMYK 0 / 7 / 32 / 30

HEX #B3A779

RGB 179 167 121

HSL 47.59, 0.28%, 0.59%

LAB 68.46, -2.76, 25.4

 

CMYK 0 / 3 / 15 / 36

HEX #A29D8A

RGB 162 157 138

HSL 47.5, 0.11%, 0.59%

LAB 64.67, -1.53, 10.59

 

CMYK 6 / 5 / 0 / 39

HEX #91939B

RGB 145 147 155

HSL 228, 0.05%, 0.59%

LAB 61, 0.88, -4.47

 

CMYK 0 / 43 / 59 / 16

HEX #D57957

RGB 213 121 87

HSL 16.19, 0.6%, 0.59%

LAB 60.35, 32.68, 34.11

 

CMYK 0 / 28 / 59 / 16

HEX #D59A57

RGB 213 154 87

HSL 31.9, 0.6%, 0.59%

LAB 67.98, 14.93, 43.38

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 20 / 0 / 59 / 16

HEX #ABD557

RGB 171 213 87

HSL 80, 0.6%, 0.59%

LAB 80.14, -32.64, 56.45

 

CMYK 0 / 15 / 75 / 32

HEX #AE942B

RGB 174 148 43

HSL 48.09, 0.6%, 0.43%

LAB 61.96, -1.43, 55.67

 

CMYK 0 / 15 / 74 / 20

HEX #CCAE36

RGB 204 174 54

HSL 48, 0.6%, 0.51%

LAB 71.81, -1.61, 62.02

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC57

RGB 213 188 87

HSL 48.1, 0.6%, 0.59%

LAB 76.56, -3.17, 53.31

 

CMYK 0 / 9 / 46 / 13

HEX #DDC978

RGB 221 201 120

HSL 48.12, 0.6%, 0.67%

LAB 81.02, -3.82, 42.86

 

CMYK 0 / 7 / 33 / 10

HEX #E5D699

RGB 229 214 153

HSL 48.16, 0.59%, 0.75%

LAB 85.53, -3.74, 32.04

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

CMYK 59 / 0 / 59 / 16

HEX #57D557

RGB 87 213 87

HSL 120, 0.6%, 0.59%

LAB 76.25, -59.33, 51

 

CMYK 36 / 59 / 0 / 16

HEX #8957D5

RGB 137 87 213

HSL 263.81, 0.6%, 0.59%

LAB 48.18, 46.82, -57.62

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

CMYK 59 / 0 / 12 / 16

HEX #57D5BC

RGB 87 213 188

HSL 168.1, 0.6%, 0.59%

LAB 78.02, -40.83, 1.94

 

CMYK 12 / 59 / 0 / 16

HEX #BC57D5

RGB 188 87 213

HSL 288.1, 0.6%, 0.59%

LAB 54.36, 59.03, -47.4

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

CMYK 59 / 0 / 59 / 16

HEX #57D557

RGB 87 213 87

HSL 120, 0.6%, 0.59%

LAB 76.25, -59.33, 51

 

CMYK 59 / 47 / 0 / 16

HEX #5770D5

RGB 87 112 213

HSL 228.1, 0.6%, 0.59%

LAB 50, 21.27, -54.92

 

CMYK 0 / 59 / 0 / 16

HEX #D557D5

RGB 213 87 213

HSL 300, 0.6%, 0.59%

LAB 57.81, 65.25, -41.71

 

CMYK 0 / 12 / 59 / 16

HEX #D5BC58

RGB 213 188 88

HSL 48, 0.6%, 0.59%

LAB 76.57, -3.09, 52.86

 

CMYK 59 / 0 / 41 / 16

HEX #57D57D

RGB 87 213 125

HSL 138.1, 0.6%, 0.59%

LAB 76.74, -53.98, 33.3

 

CMYK 59 / 47 / 0 / 16

HEX #5770D5

RGB 87 112 213

HSL 228.1, 0.6%, 0.59%

LAB 50, 21.27, -54.92

 

CMYK 0 / 59 / 18 / 16

HEX #D557AF

RGB 213 87 175

HSL 318.1, 0.6%, 0.59%

LAB 56.15, 59.26, -22.54

 

Description

Color code: HEX #D5BC58 | qconv.com Color code: HEX #D5BC58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 188 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 188 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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