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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5B7B0 it is the complementary color #2A484F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5B7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5B7B0 shade: #DAB7AB, #EBC9BE, #FCDBD1, #FFEDE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5B7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5B7B0 shade: #D5B7B0, #C4A59D, #B3938A, #A28177 and #916F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5B7B0 shade: #D4B6AE and #D4AEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5B7B0 shade: #D4B6AE, #D4C0AE, #D4CAAE, #D4D4AE and #CAD4AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5B7B0 shade matches the following richer shades: #D4B6AE, #DEAFA4, #E8A99B, #F2A391 and #FC9D87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5B7B0 shade: #D4B6AE, #CABCB8, #C0C2C2, #B7C8CC and #ADCED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5B7B0 shade: #D4AEBC, #D4AEB1, #D4B5AE, #D4BFAE and #D4CAAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5B7B0 shade: #B88478, #C69D93, #D4B6AE, #E3CEC9 and #F1E7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5B7B0 shade: #D5B7B0, #C6D4AE and #AEB7D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5B7B0 shade: #D5B7B0, #AED4B5 and #B5AED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5B7B0 shade: #D5B7B0, #C6D4AE, #AECDD4 and #BDAED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5B7B0 shade: #D5B7B0, #BAD4AE, #AECDD4 and #C8AED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

Complementary color

CMYK 47 / 9 / 0 / 69

HEX #2A484F

RGB 42 72 79

HSL 191.35, 0.31%, 0.24%

LAB 28.62, -9.02, -7.7

 

CMYK 0 / 16 / 22 / 15

HEX #DAB7AB

RGB 218 183 171

HSL 15.32, 0.39%, 0.76%

LAB 77.11, 10.72, 10.78

 

CMYK 0 / 14 / 19 / 8

HEX #EBC9BE

RGB 235 201 190

HSL 14.67, 0.53%, 0.83%

LAB 83.52, 10.27, 9.92

 

CMYK 0 / 13 / 17 / 1

HEX #FCDBD1

RGB 252 219 209

HSL 13.95, 0.88%, 0.9%

LAB 89.84, 9.86, 9.11

 

CMYK 0 / 7 / 11 / 0

HEX #FFEDE4

RGB 255 237 228

HSL 20, 1%, 0.95%

LAB 94.92, 4.61, 6.54

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

CMYK 0 / 16 / 20 / 23

HEX #C4A59D

RGB 196 165 157

HSL 12.31, 0.25%, 0.69%

LAB 70.23, 10.07, 8.36

 

CMYK 0 / 18 / 23 / 30

HEX #B3938A

RGB 179 147 138

HSL 13.17, 0.21%, 0.62%

LAB 63.58, 10.57, 9.26

 

CMYK 0 / 20 / 27 / 36

HEX #A28177

RGB 162 129 119

HSL 13.95, 0.19%, 0.55%

LAB 56.8, 11.14, 10.23

 

CMYK 0 / 23 / 31 / 43

HEX #916F64

RGB 145 111 100

HSL 14.67, 0.18%, 0.48%

LAB 49.87, 11.79, 11.31

 

CMYK 0 / 14 / 18 / 17

HEX #D4B6AE

RGB 212 182 174

HSL 12.63, 0.31%, 0.76%

LAB 76.38, 9.48, 8.04

 

CMYK 0 / 18 / 18 / 17

HEX #D4AEAE

RGB 212 174 174

HSL 0, 0.31%, 0.76%

LAB 74.4, 13.79, 5.19

 

CMYK 0 / 14 / 18 / 17

HEX #D4B6AE

RGB 212 182 174

HSL 12.63, 0.31%, 0.76%

LAB 76.38, 9.48, 8.04

 

CMYK 0 / 9 / 18 / 17

HEX #D4C0AE

RGB 212 192 174

HSL 28.42, 0.31%, 0.76%

LAB 78.9, 4.15, 11.63

 

CMYK 0 / 5 / 18 / 17

HEX #D4CAAE

RGB 212 202 174

HSL 44.21, 0.31%, 0.76%

LAB 81.45, -1.11, 15.24

 

CMYK 0 / 0 / 18 / 17

HEX #D4D4AE

RGB 212 212 174

HSL 60, 0.31%, 0.76%

LAB 84.04, -6.29, 18.85

 

CMYK 5 / 0 / 18 / 17

HEX #CAD4AE

RGB 202 212 174

HSL 75.79, 0.31%, 0.76%

LAB 83.28, -9.93, 17.69

 

CMYK 0 / 14 / 18 / 17

HEX #D4B6AE

RGB 212 182 174

HSL 12.63, 0.31%, 0.76%

LAB 76.38, 9.48, 8.04

 

CMYK 0 / 21 / 26 / 13

HEX #DEAFA4

RGB 222 175 164

HSL 11.38, 0.47%, 0.76%

LAB 75.37, 15.51, 12.17

 

CMYK 0 / 27 / 33 / 9

HEX #E8A99B

RGB 232 169 155

HSL 10.91, 0.63%, 0.76%

LAB 74.76, 21.32, 16.37

 

CMYK 0 / 33 / 40 / 5

HEX #F2A391

RGB 242 163 145

HSL 11.13, 0.79%, 0.76%

LAB 74.26, 27.15, 21.29

 

CMYK 0 / 38 / 46 / 1

HEX #FC9D87

RGB 252 157 135

HSL 11.28, 0.95%, 0.76%

LAB 73.91, 33.07, 26.44

 

CMYK 0 / 14 / 18 / 17

HEX #D4B6AE

RGB 212 182 174

HSL 12.63, 0.31%, 0.76%

LAB 76.38, 9.48, 8.04

 

CMYK 0 / 7 / 9 / 21

HEX #CABCB8

RGB 202 188 184

HSL 13.33, 0.15%, 0.76%

LAB 77.27, 4.25, 3.79

 

CMYK 1 / 0 / 0 / 24

HEX #C0C2C2

RGB 192 194 194

HSL 180, 0.02%, 0.76%

LAB 78.28, -0.69, -0.25

 

CMYK 10 / 2 / 0 / 20

HEX #B7C8CC

RGB 183 200 204

HSL 191.43, 0.17%, 0.76%

LAB 79.46, -4.96, -3.98

 

CMYK 19 / 4 / 0 / 16

HEX #ADCED6

RGB 173 206 214

HSL 191.71, 0.33%, 0.76%

LAB 80.67, -9.22, -7.63

 

CMYK 0 / 18 / 11 / 17

HEX #D4AEBC

RGB 212 174 188

HSL 337.89, 0.31%, 0.76%

LAB 74.76, 16.05, -1.94

 

CMYK 0 / 18 / 17 / 17

HEX #D4AEB1

RGB 212 174 177

HSL 355.26, 0.31%, 0.76%

LAB 74.47, 14.26, 3.66

 

CMYK 0 / 15 / 18 / 17

HEX #D4B5AE

RGB 212 181 174

HSL 11.05, 0.31%, 0.76%

LAB 76.13, 10.02, 7.69

 

CMYK 0 / 10 / 18 / 17

HEX #D4BFAE

RGB 212 191 174

HSL 26.84, 0.31%, 0.76%

LAB 78.64, 4.68, 11.27

 

CMYK 0 / 5 / 18 / 17

HEX #D4CAAE

RGB 212 202 174

HSL 44.21, 0.31%, 0.76%

LAB 81.45, -1.11, 15.24

 

CMYK 0 / 28 / 35 / 28

HEX #B88478

RGB 184 132 120

HSL 11.25, 0.31%, 0.6%

LAB 59.93, 18.38, 14.41

 

CMYK 0 / 21 / 26 / 22

HEX #C69D93

RGB 198 157 147

HSL 11.76, 0.31%, 0.68%

LAB 68.19, 13.72, 11.02

 

CMYK 0 / 14 / 18 / 17

HEX #D4B6AE

RGB 212 182 174

HSL 12.63, 0.31%, 0.76%

LAB 76.38, 9.48, 8.04

 

CMYK 0 / 9 / 11 / 11

HEX #E3CEC9

RGB 227 206 201

HSL 11.54, 0.32%, 0.84%

LAB 84.32, 6.48, 5.13

 

CMYK 0 / 4 / 5 / 5

HEX #F1E7E4

RGB 241 231 228

HSL 13.85, 0.32%, 0.92%

LAB 92.33, 2.87, 2.65

 

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

CMYK 7 / 0 / 18 / 17

HEX #C6D4AE

RGB 198 212 174

HSL 82.11, 0.31%, 0.76%

LAB 82.99, -11.37, 17.24

 

CMYK 18 / 14 / 0 / 17

HEX #AEB7D4

RGB 174 183 212

HSL 225.79, 0.31%, 0.76%

LAB 74.58, 2.89, -15.64

 

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

CMYK 18 / 0 / 15 / 17

HEX #AED4B5

RGB 174 212 181

HSL 131.05, 0.31%, 0.76%

LAB 81.52, -18.52, 11.23

 

CMYK 15 / 18 / 0 / 17

HEX #B5AED4

RGB 181 174 212

HSL 251.05, 0.31%, 0.76%

LAB 72.79, 10.05, -18.29

 

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

CMYK 7 / 0 / 18 / 17

HEX #C6D4AE

RGB 198 212 174

HSL 82.11, 0.31%, 0.76%

LAB 82.99, -11.37, 17.24

 

CMYK 18 / 3 / 0 / 17

HEX #AECDD4

RGB 174 205 212

HSL 191.05, 0.31%, 0.76%

LAB 80.41, -8.82, -6.94

 

CMYK 11 / 18 / 0 / 17

HEX #BDAED4

RGB 189 174 212

HSL 263.68, 0.31%, 0.76%

LAB 73.44, 12.65, -17.25

 

CMYK 0 / 14 / 17 / 16

HEX #D5B7B0

RGB 213 183 176

HSL 11.35, 0.31%, 0.76%

LAB 76.77, 9.63, 7.52

 

CMYK 12 / 0 / 18 / 17

HEX #BAD4AE

RGB 186 212 174

HSL 101.05, 0.31%, 0.76%

LAB 82.15, -15.63, 15.94

 

CMYK 18 / 3 / 0 / 17

HEX #AECDD4

RGB 174 205 212

HSL 191.05, 0.31%, 0.76%

LAB 80.41, -8.82, -6.94

 

CMYK 6 / 18 / 0 / 17

HEX #C8AED4

RGB 200 174 212

HSL 281.05, 0.31%, 0.76%

LAB 74.38, 16.28, -15.74

 

Description

Color code: HEX #D5B7B0 | qconv.com Color code: HEX #D5B7B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 183 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 183 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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