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Color name
HEX #D5AB51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5AB51 it is the complementary color #2A54AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5AB51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5AB51 shade: #DAAB4C, #EBBD5F, #FCCF72, #FFE185 and #FFF398

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5AB51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5AB51 shade: #D5AB51, #C4993E, #B3872B, #A27518 and #916305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5AB51 shade: #D5AB52, #D58852, #D56552 and #D55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5AB51 shade: #D5AB52, #D5CE52, #B8D552, #95D552 and #71D552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5AB51 shade matches the following richer shades: #D5AB52, #E6B141 and #F7B82F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5AB51 shade: #D5AB52, #C3A563, #B29F75, #A19886 and #8F9297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5AB51 shade: #D56352, #D58652, #D5A952, #D5CC52 and #BBD552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5AB51 shade: #AB8229, #CC9B31, #D5AB52, #DDBB73 and #E5CB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5AB51 shade: #D5AB51, #63D552 and #7552D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5AB51 shade: #D5AB51, #52D5A9 and #A952D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5AB51 shade: #D5AB51, #63D552, #527ED5 and #C352D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5AB51 shade: #D5AB51, #52D568, #527ED5 and #D552BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

Complementary color

CMYK 76 / 52 / 0 / 32

HEX #2A54AE

RGB 42 84 174

HSL 220.91, 0.61%, 0.42%

LAB 37.64, 17.97, -52.33

 

CMYK 0 / 22 / 65 / 15

HEX #DAAB4C

RGB 218 171 76

HSL 40.14, 0.66%, 0.58%

LAB 72.6, 7.18, 54.08

 

CMYK 0 / 20 / 60 / 8

HEX #EBBD5F

RGB 235 189 95

HSL 40.29, 0.78%, 0.65%

LAB 78.97, 6.08, 52.88

 

CMYK 0 / 18 / 55 / 1

HEX #FCCF72

RGB 252 207 114

HSL 40.43, 0.96%, 0.72%

LAB 85.27, 5.13, 51.63

 

CMYK 0 / 12 / 48 / 0

HEX #FFE185

RGB 255 225 133

HSL 45.25, 1%, 0.76%

LAB 90.23, -1.26, 48.54

 

CMYK 0 / 5 / 40 / 0

HEX #FFF398

RGB 255 243 152

HSL 53.01, 1%, 0.8%

LAB 95, -8.44, 45.27

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

CMYK 0 / 22 / 68 / 23

HEX #C4993E

RGB 196 153 62

HSL 40.75, 0.53%, 0.51%

LAB 65.64, 6.56, 52.24

 

CMYK 0 / 25 / 76 / 30

HEX #B3872B

RGB 179 135 43

HSL 40.59, 0.61%, 0.44%

LAB 59.05, 7.95, 53.07

 

CMYK 0 / 28 / 85 / 36

HEX #A27518

RGB 162 117 24

HSL 40.43, 0.74%, 0.36%

LAB 52.36, 9.63, 53.17

 

CMYK 0 / 32 / 97 / 43

HEX #916305

RGB 145 99 5

HSL 40.29, 0.93%, 0.29%

LAB 45.57, 11.64, 51.87

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 0 / 36 / 62 / 16

HEX #D58852

RGB 213 136 82

HSL 24.73, 0.61%, 0.58%

LAB 63.64, 24.3, 40.79

 

CMYK 0 / 53 / 62 / 16

HEX #D56552

RGB 213 101 82

HSL 8.7, 0.61%, 0.58%

LAB 56.15, 42.61, 31.66

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 0 / 3 / 62 / 16

HEX #D5CE52

RGB 213 206 82

HSL 56.79, 0.61%, 0.58%

LAB 81.24, -12.73, 60.67

 

CMYK 14 / 0 / 62 / 16

HEX #B8D552

RGB 184 213 82

HSL 73.28, 0.61%, 0.58%

LAB 80.95, -27.96, 59.73

 

CMYK 30 / 0 / 62 / 16

HEX #95D552

RGB 149 213 82

HSL 89.31, 0.61%, 0.58%

LAB 78.8, -41.22, 56.76

 

CMYK 47 / 0 / 62 / 16

HEX #71D552

RGB 113 213 82

HSL 105.8, 0.61%, 0.58%

LAB 77.11, -53.02, 54.4

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 0 / 23 / 72 / 10

HEX #E6B141

RGB 230 177 65

HSL 40.73, 0.77%, 0.58%

LAB 75.23, 8.52, 61.96

 

CMYK 0 / 26 / 81 / 3

HEX #F7B82F

RGB 247 184 47

HSL 41.1, 0.93%, 0.58%

LAB 78.61, 11.38, 72.26

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 0 / 15 / 49 / 24

HEX #C3A563

RGB 195 165 99

HSL 41.25, 0.44%, 0.58%

LAB 69.05, 2.44, 38.11

 

CMYK 0 / 11 / 34 / 30

HEX #B29F75

RGB 178 159 117

HSL 41.31, 0.28%, 0.58%

LAB 66.17, 0.64, 24.49

 

CMYK 0 / 6 / 17 / 37

HEX #A19886

RGB 161 152 134

HSL 40, 0.13%, 0.58%

LAB 63.14, 0.18, 10.66

 

CMYK 5 / 3 / 0 / 41

HEX #8F9297

RGB 143 146 151

HSL 217.5, 0.04%, 0.58%

LAB 60.46, -0.09, -3.03

 

CMYK 0 / 54 / 62 / 16

HEX #D56352

RGB 213 99 82

HSL 7.79, 0.61%, 0.58%

LAB 55.76, 43.59, 31.18

 

CMYK 0 / 37 / 62 / 16

HEX #D58652

RGB 213 134 82

HSL 23.82, 0.61%, 0.58%

LAB 63.18, 25.38, 40.24

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 4 / 62 / 16

HEX #D5CC52

RGB 213 204 82

HSL 55.88, 0.61%, 0.58%

LAB 80.71, -11.72, 60.1

 

CMYK 12 / 0 / 62 / 16

HEX #BBD552

RGB 187 213 82

HSL 71.91, 0.61%, 0.58%

LAB 81.16, -26.77, 60.01

 

CMYK 0 / 24 / 76 / 33

HEX #AB8229

RGB 171 130 41

HSL 41.08, 0.61%, 0.42%

LAB 56.86, 7.05, 51.45

 

CMYK 0 / 24 / 76 / 20

HEX #CC9B31

RGB 204 155 49

HSL 41.03, 0.61%, 0.5%

LAB 66.9, 8.33, 59.2

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 0 / 15 / 48 / 13

HEX #DDBB73

RGB 221 187 115

HSL 40.75, 0.61%, 0.66%

LAB 77.37, 3, 40.82

 

CMYK 0 / 11 / 35 / 10

HEX #E5CB94

RGB 229 203 148

HSL 40.74, 0.61%, 0.74%

LAB 82.65, 1.34, 30.8

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

CMYK 54 / 0 / 62 / 16

HEX #63D552

RGB 99 213 82

HSL 112.21, 0.61%, 0.58%

LAB 76.59, -56.91, 53.67

 

CMYK 45 / 62 / 0 / 16

HEX #7552D5

RGB 117 82 213

HSL 256.03, 0.61%, 0.58%

LAB 45.11, 45.27, -62.69

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

CMYK 62 / 0 / 21 / 16

HEX #52D5A9

RGB 82 213 169

HSL 159.85, 0.61%, 0.58%

LAB 77.43, -46.26, 11.22

 

CMYK 21 / 62 / 0 / 16

HEX #A952D5

RGB 169 82 213

HSL 279.85, 0.61%, 0.58%

LAB 51.01, 56.79, -52.89

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

CMYK 54 / 0 / 62 / 16

HEX #63D552

RGB 99 213 82

HSL 112.21, 0.61%, 0.58%

LAB 76.59, -56.91, 53.67

 

CMYK 62 / 41 / 0 / 16

HEX #527ED5

RGB 82 126 213

HSL 219.85, 0.61%, 0.58%

LAB 53.51, 11.73, -49.32

 

CMYK 8 / 62 / 0 / 16

HEX #C352D5

RGB 195 82 213

HSL 291.76, 0.61%, 0.58%

LAB 54.49, 62.98, -47.13

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB51

RGB 213 171 81

HSL 40.91, 0.61%, 0.58%

LAB 72.14, 5.38, 51.12

 

CMYK 62 / 0 / 51 / 16

HEX #52D568

RGB 82 213 104

HSL 130.08, 0.61%, 0.58%

LAB 76.3, -58.29, 43.13

 

CMYK 62 / 41 / 0 / 16

HEX #527ED5

RGB 82 126 213

HSL 219.85, 0.61%, 0.58%

LAB 53.51, 11.73, -49.32

 

CMYK 0 / 62 / 10 / 16

HEX #D552BF

RGB 213 82 191

HSL 310.08, 0.61%, 0.58%

LAB 56.03, 63.79, -31.95

 

Description

Color code: HEX #D5AB51 | qconv.com Color code: HEX #D5AB51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 171 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 171 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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