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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5A953 it is the complementary color #2A56AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5A953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5A953 shade: #DAA94E, #EBBB61, #FCCD74, #FFDF87 and #FFF19A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5A953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5A953 shade: #D5A953, #C49740, #B3852D, #A2731A and #916107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5A953 shade: #D5A952, #D58552, #D56252 and #D55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5A953 shade: #D5A952, #D5CC52, #BAD552, #97D552 and #74D552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5A953 shade matches the following richer shades: #D5A952, #E6AE41 and #F7B42F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5A953 shade: #D5A952, #C3A363, #B29D75, #A19886 and #8F9297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5A953 shade: #D56152, #D58452, #D5A752, #D5CA52 and #BDD552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5A953 shade: #AB7F29, #CC9831, #D5A952, #DDB973 and #E5CA94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5A953 shade: #D5A953, #66D552 and #7352D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5A953 shade: #D5A953, #52D5A7 and #A752D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5A953 shade: #D5A953, #66D552, #5280D5 and #C152D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5A953 shade: #D5A953, #52D566, #5280D5 and #D552C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

Complementary color

CMYK 76 / 50 / 0 / 33

HEX #2A56AC

RGB 42 86 172

HSL 219.69, 0.61%, 0.42%

LAB 38.07, 15.88, -50.45

 

CMYK 0 / 22 / 64 / 15

HEX #DAA94E

RGB 218 169 78

HSL 39, 0.65%, 0.58%

LAB 72.12, 8.37, 52.63

 

CMYK 0 / 20 / 59 / 8

HEX #EBBB61

RGB 235 187 97

HSL 39.13, 0.78%, 0.65%

LAB 78.5, 7.27, 51.39

 

CMYK 0 / 19 / 54 / 1

HEX #FCCD74

RGB 252 205 116

HSL 39.26, 0.96%, 0.72%

LAB 84.8, 6.32, 50.11

 

CMYK 0 / 13 / 47 / 0

HEX #FFDF87

RGB 255 223 135

HSL 44, 1%, 0.76%

LAB 89.76, -0.06, 46.98

 

CMYK 0 / 5 / 40 / 0

HEX #FFF19A

RGB 255 241 154

HSL 51.68, 1%, 0.8%

LAB 94.53, -7.24, 43.68

 

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

CMYK 0 / 23 / 67 / 23

HEX #C49740

RGB 196 151 64

HSL 39.55, 0.53%, 0.51%

LAB 65.15, 7.76, 50.82

 

CMYK 0 / 26 / 75 / 30

HEX #B3852D

RGB 179 133 45

HSL 39.4, 0.6%, 0.44%

LAB 58.55, 9.15, 51.76

 

CMYK 0 / 29 / 84 / 36

HEX #A2731A

RGB 162 115 26

HSL 39.26, 0.72%, 0.37%

LAB 51.86, 10.82, 52.08

 

CMYK 0 / 33 / 95 / 43

HEX #916107

RGB 145 97 7

HSL 39.13, 0.91%, 0.3%

LAB 45.06, 12.83, 51.02

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 38 / 62 / 16

HEX #D58552

RGB 213 133 82

HSL 23.36, 0.61%, 0.58%

LAB 62.95, 25.92, 39.97

 

CMYK 0 / 54 / 62 / 16

HEX #D56252

RGB 213 98 82

HSL 7.33, 0.61%, 0.58%

LAB 55.57, 44.08, 30.94

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 4 / 62 / 16

HEX #D5CC52

RGB 213 204 82

HSL 55.88, 0.61%, 0.58%

LAB 80.71, -11.72, 60.1

 

CMYK 13 / 0 / 62 / 16

HEX #BAD552

RGB 186 213 82

HSL 72.37, 0.61%, 0.58%

LAB 81.09, -27.17, 59.92

 

CMYK 29 / 0 / 62 / 16

HEX #97D552

RGB 151 213 82

HSL 88.4, 0.61%, 0.58%

LAB 78.91, -40.51, 56.91

 

CMYK 46 / 0 / 62 / 16

HEX #74D552

RGB 116 213 82

HSL 104.43, 0.61%, 0.58%

LAB 77.23, -52.13, 54.57

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 24 / 72 / 10

HEX #E6AE41

RGB 230 174 65

HSL 39.64, 0.77%, 0.58%

LAB 74.49, 10.1, 61.22

 

CMYK 0 / 27 / 81 / 3

HEX #F7B42F

RGB 247 180 47

HSL 39.9, 0.93%, 0.58%

LAB 77.65, 13.47, 71.42

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 16 / 49 / 24

HEX #C3A363

RGB 195 163 99

HSL 40, 0.44%, 0.58%

LAB 68.53, 3.51, 37.46

 

CMYK 0 / 12 / 34 / 30

HEX #B29D75

RGB 178 157 117

HSL 39.34, 0.28%, 0.58%

LAB 65.64, 1.73, 23.78

 

CMYK 0 / 6 / 17 / 37

HEX #A19886

RGB 161 152 134

HSL 40, 0.13%, 0.58%

LAB 63.14, 0.18, 10.66

 

CMYK 5 / 3 / 0 / 41

HEX #8F9297

RGB 143 146 151

HSL 217.5, 0.04%, 0.58%

LAB 60.46, -0.09, -3.03

 

CMYK 0 / 54 / 62 / 16

HEX #D56152

RGB 213 97 82

HSL 6.87, 0.61%, 0.58%

LAB 55.38, 44.57, 30.7

 

CMYK 0 / 38 / 62 / 16

HEX #D58452

RGB 213 132 82

HSL 22.9, 0.61%, 0.58%

LAB 62.72, 26.46, 39.7

 

CMYK 0 / 22 / 62 / 16

HEX #D5A752

RGB 213 167 82

HSL 38.93, 0.61%, 0.58%

LAB 71.14, 7.58, 49.51

 

CMYK 0 / 5 / 62 / 16

HEX #D5CA52

RGB 213 202 82

HSL 54.96, 0.61%, 0.58%

LAB 80.18, -10.71, 59.53

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 0 / 26 / 76 / 33

HEX #AB7F29

RGB 171 127 41

HSL 39.69, 0.61%, 0.42%

LAB 56.08, 8.73, 50.7

 

CMYK 0 / 25 / 76 / 20

HEX #CC9831

RGB 204 152 49

HSL 39.87, 0.61%, 0.5%

LAB 66.15, 9.96, 58.47

 

CMYK 0 / 21 / 62 / 16

HEX #D5A952

RGB 213 169 82

HSL 39.85, 0.61%, 0.58%

LAB 71.64, 6.51, 50.08

 

CMYK 0 / 16 / 48 / 13

HEX #DDB973

RGB 221 185 115

HSL 39.62, 0.61%, 0.66%

LAB 76.87, 4.05, 40.19

 

CMYK 0 / 12 / 35 / 10

HEX #E5CA94

RGB 229 202 148

HSL 40, 0.61%, 0.74%

LAB 82.4, 1.86, 30.47

 

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

CMYK 52 / 0 / 62 / 16

HEX #66D552

RGB 102 213 82

HSL 110.84, 0.61%, 0.58%

LAB 76.69, -56.12, 53.82

 

CMYK 46 / 62 / 0 / 16

HEX #7352D5

RGB 115 82 213

HSL 255.11, 0.61%, 0.58%

LAB 44.92, 44.87, -63.01

 

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

CMYK 62 / 0 / 22 / 16

HEX #52D5A7

RGB 82 213 167

HSL 158.93, 0.61%, 0.58%

LAB 77.38, -46.72, 12.23

 

CMYK 22 / 62 / 0 / 16

HEX #A752D5

RGB 167 82 213

HSL 278.93, 0.61%, 0.58%

LAB 50.75, 56.32, -53.31

 

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

CMYK 52 / 0 / 62 / 16

HEX #66D552

RGB 102 213 82

HSL 110.84, 0.61%, 0.58%

LAB 76.69, -56.12, 53.82

 

CMYK 62 / 40 / 0 / 16

HEX #5280D5

RGB 82 128 213

HSL 218.93, 0.61%, 0.58%

LAB 54.07, 10.51, -48.44

 

CMYK 9 / 62 / 0 / 16

HEX #C152D5

RGB 193 82 213

HSL 290.84, 0.61%, 0.58%

LAB 54.21, 62.5, -47.59

 

CMYK 0 / 21 / 61 / 16

HEX #D5A953

RGB 213 169 83

HSL 39.69, 0.61%, 0.58%

LAB 71.65, 6.58, 49.62

 

CMYK 62 / 0 / 52 / 16

HEX #52D566

RGB 82 213 102

HSL 129.16, 0.61%, 0.58%

LAB 76.28, -58.56, 44.06

 

CMYK 62 / 40 / 0 / 16

HEX #5280D5

RGB 82 128 213

HSL 218.93, 0.61%, 0.58%

LAB 54.07, 10.51, -48.44

 

CMYK 0 / 62 / 9 / 16

HEX #D552C1

RGB 213 82 193

HSL 309.16, 0.61%, 0.58%

LAB 56.12, 64.1, -32.96

 

Description

Color code: HEX #D5A953 | qconv.com Color code: HEX #D5A953 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 169 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 169 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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