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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D59EB6 it is the complementary color #2A6149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D59EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D59EB6 shade: #DA9EB1, #EBB0C4, #FCC2D7, #FFD4EA and #FFE6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D59EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D59EB6 shade: #D59EB6, #C48CA3, #B37A90, #A2687D and #91566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D59EB6 shade: #D59EB6, #D59EA7 and #D59E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D59EB6 shade: #D59EB6, #D59EC5, #D59ED4, #C89ED5 and #B99ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D59EB6 shade matches the following richer shades: #D59EB6, #E093B5, #EB88B3 and #F77DB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D59EB6 shade: #D59EB6, #CAA9B8, #BFB4B9, #B4C0BA and #A9CBBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D59EB6 shade: #D59ED4, #D59EC6, #D59EB7, #D59EA8 and #D5A39E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D59EB6 shade: #BC648B, #C981A0, #D59EB6, #E2BBCC and #EED8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D59EB6 shade: #D59EB6, #D5C79E and #9ECDD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D59EB6 shade: #D59EB6, #B7D59E and #9EB7D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D59EB6 shade: #D59EB6, #D5C79E, #9ED5BC and #9EACD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D59EB6 shade: #D59EB6, #D2D59E, #9ED5BC and #A19ED5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

Complementary color

CMYK 57 / 0 / 25 / 62

HEX #2A6149

RGB 42 97 73

HSL 153.82, 0.4%, 0.27%

LAB 36.97, -24.57, 8.26

 

CMYK 0 / 28 / 19 / 15

HEX #DA9EB1

RGB 218 158 177

HSL 341, 0.45%, 0.74%

LAB 71.24, 25.1, -0.97

 

CMYK 0 / 25 / 17 / 8

HEX #EBB0C4

RGB 235 176 196

HSL 339.66, 0.6%, 0.81%

LAB 77.7, 24.46, -1.73

 

CMYK 0 / 23 / 15 / 1

HEX #FCC2D7

RGB 252 194 215

HSL 338.28, 0.91%, 0.87%

LAB 84.06, 23.86, -2.44

 

CMYK 0 / 17 / 8 / 0

HEX #FFD4EA

RGB 255 212 234

HSL 329.3, 1%, 0.92%

LAB 89.06, 18.53, -5.15

 

CMYK 0 / 10 / 1 / 0

HEX #FFE6FD

RGB 255 230 253

HSL 304.8, 1%, 0.95%

LAB 93.86, 12.43, -8.01

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 29 / 17 / 23

HEX #C48CA3

RGB 196 140 163

HSL 335.36, 0.32%, 0.66%

LAB 64.27, 24.77, -3.64

 

CMYK 0 / 32 / 20 / 30

HEX #B37A90

RGB 179 122 144

HSL 336.84, 0.27%, 0.59%

LAB 57.58, 25.49, -2.85

 

CMYK 0 / 36 / 23 / 36

HEX #A2687D

RGB 162 104 125

HSL 338.28, 0.24%, 0.52%

LAB 50.76, 26.29, -1.97

 

CMYK 0 / 41 / 27 / 43

HEX #91566A

RGB 145 86 106

HSL 339.66, 0.26%, 0.45%

LAB 43.82, 27.17, -0.96

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 26 / 22 / 16

HEX #D59EA7

RGB 213 158 167

HSL 350.18, 0.4%, 0.73%

LAB 70.45, 21.76, 3.36

 

CMYK 0 / 26 / 26 / 16

HEX #D59E9E

RGB 213 158 158

HSL 0, 0.4%, 0.73%

LAB 70.22, 20.45, 8.03

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 26 / 8 / 16

HEX #D59EC5

RGB 213 158 197

HSL 317.45, 0.4%, 0.73%

LAB 71.3, 26.63, -12

 

CMYK 0 / 26 / 0 / 16

HEX #D59ED4

RGB 213 158 212

HSL 301.09, 0.4%, 0.73%

LAB 71.79, 29.34, -19.53

 

CMYK 6 / 26 / 0 / 16

HEX #C89ED5

RGB 200 158 213

HSL 285.82, 0.4%, 0.73%

LAB 70.55, 25.27, -22.09

 

CMYK 13 / 26 / 0 / 16

HEX #B99ED5

RGB 185 158 213

HSL 269.45, 0.4%, 0.73%

LAB 69.16, 20.42, -24.34

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 34 / 19 / 12

HEX #E093B5

RGB 224 147 181

HSL 333.51, 0.55%, 0.73%

LAB 69.51, 33.76, -5.67

 

CMYK 0 / 42 / 24 / 8

HEX #EB88B3

RGB 235 136 179

HSL 333.94, 0.71%, 0.73%

LAB 68.41, 43.02, -6.03

 

CMYK 0 / 49 / 28 / 3

HEX #F77DB2

RGB 247 125 178

HSL 333.93, 0.88%, 0.73%

LAB 67.77, 52.36, -6.25

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 16 / 9 / 21

HEX #CAA9B8

RGB 202 169 184

HSL 332.73, 0.24%, 0.73%

LAB 72.49, 14.51, -3.19

 

CMYK 0 / 6 / 3 / 25

HEX #BFB4B9

RGB 191 180 185

HSL 332.73, 0.08%, 0.73%

LAB 74.33, 4.8, -1.15

 

CMYK 6 / 0 / 3 / 25

HEX #B4C0BA

RGB 180 192 186

HSL 150, 0.09%, 0.73%

LAB 76.65, -5.26, 1.59

 

CMYK 17 / 0 / 7 / 20

HEX #A9CBBC

RGB 169 203 188

HSL 153.53, 0.25%, 0.73%

LAB 78.91, -14.3, 3.7

 

CMYK 0 / 26 / 0 / 16

HEX #D59ED4

RGB 213 158 212

HSL 301.09, 0.4%, 0.73%

LAB 71.79, 29.34, -19.53

 

CMYK 0 / 26 / 7 / 16

HEX #D59EC6

RGB 213 158 198

HSL 316.36, 0.4%, 0.73%

LAB 71.34, 26.81, -12.51

 

CMYK 0 / 26 / 14 / 16

HEX #D59EB7

RGB 213 158 183

HSL 332.73, 0.4%, 0.73%

LAB 70.88, 24.27, -4.88

 

CMYK 0 / 26 / 21 / 16

HEX #D59EA8

RGB 213 158 168

HSL 349.09, 0.4%, 0.73%

LAB 70.47, 21.91, 2.84

 

CMYK 0 / 23 / 26 / 16

HEX #D5A39E

RGB 213 163 158

HSL 5.45, 0.4%, 0.73%

LAB 71.43, 17.74, 9.74

 

CMYK 0 / 47 / 26 / 26

HEX #BC648B

RGB 188 100 139

HSL 333.41, 0.4%, 0.56%

LAB 53.67, 39.94, -5.57

 

CMYK 0 / 36 / 20 / 21

HEX #C981A0

RGB 201 129 160

HSL 334.17, 0.4%, 0.65%

LAB 62.22, 32.12, -4.91

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 17 / 10 / 11

HEX #E2BBCC

RGB 226 187 204

HSL 333.85, 0.4%, 0.81%

LAB 79.65, 16.7, -3.3

 

CMYK 0 / 9 / 5 / 7

HEX #EED8E2

RGB 238 216 226

HSL 332.73, 0.39%, 0.89%

LAB 88.34, 9.27, -2.15

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 7 / 26 / 16

HEX #D5C79E

RGB 213 199 158

HSL 44.73, 0.4%, 0.73%

LAB 80.44, -1.48, 22.33

 

CMYK 26 / 4 / 0 / 16

HEX #9ECDD5

RGB 158 205 213

HSL 188.73, 0.4%, 0.73%

LAB 79.46, -13.47, -8.99

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 14 / 0 / 26 / 16

HEX #B7D59E

RGB 183 213 158

HSL 92.73, 0.4%, 0.73%

LAB 81.91, -19.75, 23.98

 

CMYK 26 / 14 / 0 / 16

HEX #9EB7D5

RGB 158 183 213

HSL 212.73, 0.4%, 0.73%

LAB 73.51, -1.84, -17.92

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 0 / 7 / 26 / 16

HEX #D5C79E

RGB 213 199 158

HSL 44.73, 0.4%, 0.73%

LAB 80.44, -1.48, 22.33

 

CMYK 26 / 0 / 12 / 16

HEX #9ED5BC

RGB 158 213 188

HSL 152.73, 0.4%, 0.73%

LAB 81.01, -22.84, 6.65

 

CMYK 26 / 19 / 0 / 16

HEX #9EACD5

RGB 158 172 213

HSL 224.73, 0.4%, 0.73%

LAB 70.58, 4.18, -22.37

 

CMYK 0 / 26 / 15 / 16

HEX #D59EB6

RGB 213 158 182

HSL 333.82, 0.4%, 0.73%

LAB 70.86, 24.1, -4.37

 

CMYK 1 / 0 / 26 / 16

HEX #D2D59E

RGB 210 213 158

HSL 63.27, 0.4%, 0.73%

LAB 83.84, -9.83, 26.93

 

CMYK 26 / 0 / 12 / 16

HEX #9ED5BC

RGB 158 213 188

HSL 152.73, 0.4%, 0.73%

LAB 81.01, -22.84, 6.65

 

CMYK 24 / 26 / 0 / 16

HEX #A19ED5

RGB 161 158 213

HSL 243.27, 0.4%, 0.73%

LAB 67.15, 12.92, -27.59

 

Description

Color code: HEX #D59EB6 | qconv.com Color code: HEX #D59EB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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