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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D59C66 it is the complementary color #2A6399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D59C66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D59C66 shade: #DA9C61, #EBAE74, #FCC087, #FFD29A and #FFE4AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D59C66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D59C66 shade: #D59C66, #C48A53, #B37840, #A2662D and #91541A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D59C66 shade: #D59C66, #D57E66 and #D56666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D59C66 shade: #D59C66, #D5BA66, #D2D566, #B4D566 and #96D566

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D59C66 shade matches the following richer shades: #D59C66, #E59C57 and #F49B47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D59C66 shade: #D59C66, #C59D76, #B59D86, #A69D95 and #969EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D59C66 shade: #D5666C, #D57E66, #D59C66, #D5B966 and #D3D566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D59C66 shade: #B77332, #CC8746, #D59C66, #DEB187 and #E7C6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D59C66 shade: #D59C66, #89D566 and #7066D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D59C66 shade: #D59C66, #66D59C and #9C66D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D59C66 shade: #D59C66, #89D566, #669FD5 and #B266D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D59C66 shade: #D59C66, #68D566, #669FD5 and #D366D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

Complementary color

CMYK 73 / 35 / 0 / 40

HEX #2A6399

RGB 42 99 153

HSL 209.19, 0.57%, 0.38%

LAB 40.76, 0.23, -34.84

 

CMYK 0 / 28 / 56 / 15

HEX #DA9C61

RGB 218 156 97

HSL 29.26, 0.62%, 0.62%

LAB 69.14, 16.71, 39.79

 

CMYK 0 / 26 / 51 / 8

HEX #EBAE74

RGB 235 174 116

HSL 29.24, 0.75%, 0.69%

LAB 75.57, 15.66, 38.34

 

CMYK 0 / 24 / 46 / 1

HEX #FCC087

RGB 252 192 135

HSL 29.23, 0.95%, 0.76%

LAB 81.92, 14.74, 36.98

 

CMYK 0 / 18 / 40 / 0

HEX #FFD29A

RGB 255 210 154

HSL 33.27, 1%, 0.8%

LAB 86.84, 8.5, 33.69

 

CMYK 0 / 11 / 32 / 0

HEX #FFE4AD

RGB 255 228 173

HSL 40.24, 1%, 0.84%

LAB 91.58, 1.45, 30.26

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 30 / 58 / 23

HEX #C48A53

RGB 196 138 83

HSL 29.2, 0.49%, 0.55%

LAB 62.12, 16.19, 37.96

 

CMYK 0 / 33 / 64 / 30

HEX #B37840

RGB 179 120 64

HSL 29.22, 0.47%, 0.48%

LAB 55.47, 17.48, 39.52

 

CMYK 0 / 37 / 72 / 36

HEX #A2662D

RGB 162 102 45

HSL 29.23, 0.57%, 0.41%

LAB 48.73, 19.02, 41.07

 

CMYK 0 / 42 / 82 / 43

HEX #91541A

RGB 145 84 26

HSL 29.24, 0.7%, 0.34%

LAB 41.9, 20.84, 42.34

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 41 / 52 / 16

HEX #D57E66

RGB 213 126 102

HSL 12.97, 0.57%, 0.62%

LAB 61.68, 31.25, 27.51

 

CMYK 0 / 52 / 52 / 16

HEX #D56666

RGB 213 102 102

HSL 0, 0.57%, 0.62%

LAB 56.69, 43.65, 20.91

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 13 / 52 / 16

HEX #D5BA66

RGB 213 186 102

HSL 45.41, 0.57%, 0.62%

LAB 76.21, -0.94, 45.73

 

CMYK 1 / 0 / 52 / 16

HEX #D2D566

RGB 210 213 102

HSL 61.62, 0.57%, 0.62%

LAB 83.05, -15.97, 53.76

 

CMYK 15 / 0 / 52 / 16

HEX #B4D566

RGB 180 213 102

HSL 77.84, 0.57%, 0.62%

LAB 80.88, -27.84, 50.67

 

CMYK 30 / 0 / 52 / 16

HEX #96D566

RGB 150 213 102

HSL 94.05, 0.57%, 0.62%

LAB 79.06, -38.93, 48.07

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 32 / 62 / 10

HEX #E59C57

RGB 229 156 87

HSL 29.15, 0.73%, 0.62%

LAB 70.26, 20.52, 46.51

 

CMYK 0 / 36 / 71 / 4

HEX #F49B47

RGB 244 155 71

HSL 29.13, 0.89%, 0.62%

LAB 71.64, 26.3, 56.18

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 20 / 40 / 23

HEX #C59D76

RGB 197 157 118

HSL 29.62, 0.41%, 0.62%

LAB 67.5, 9.58, 26.04

 

CMYK 0 / 13 / 26 / 29

HEX #B59D86

RGB 181 157 134

HSL 29.36, 0.24%, 0.62%

LAB 66.26, 5.23, 15.3

 

CMYK 0 / 5 / 10 / 35

HEX #A69D95

RGB 166 157 149

HSL 28.24, 0.09%, 0.62%

LAB 65.27, 1.85, 5.35

 

CMYK 9 / 4 / 0 / 35

HEX #969EA5

RGB 150 158 165

HSL 208, 0.08%, 0.62%

LAB 64.69, -1.42, -4.63

 

CMYK 0 / 52 / 49 / 16

HEX #D5666C

RGB 213 102 108

HSL 356.76, 0.57%, 0.62%

LAB 56.81, 44.19, 17.59

 

CMYK 0 / 41 / 52 / 16

HEX #D57E66

RGB 213 126 102

HSL 12.97, 0.57%, 0.62%

LAB 61.68, 31.25, 27.51

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 13 / 52 / 16

HEX #D5B966

RGB 213 185 102

HSL 44.86, 0.57%, 0.62%

LAB 75.95, -0.42, 45.42

 

CMYK 1 / 0 / 52 / 16

HEX #D3D566

RGB 211 213 102

HSL 61.08, 0.57%, 0.62%

LAB 83.12, -15.57, 53.87

 

CMYK 0 / 37 / 73 / 28

HEX #B77332

RGB 183 115 50

HSL 29.32, 0.57%, 0.46%

LAB 54.62, 21.17, 45.69

 

CMYK 0 / 34 / 66 / 20

HEX #CC8746

RGB 204 135 70

HSL 29.1, 0.57%, 0.54%

LAB 62.17, 20.3, 44.93

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 0 / 20 / 39 / 13

HEX #DEB187

RGB 222 177 135

HSL 28.97, 0.57%, 0.7%

LAB 75.28, 10.77, 27.7

 

CMYK 0 / 14 / 28 / 9

HEX #E7C6A7

RGB 231 198 167

HSL 29.06, 0.57%, 0.78%

LAB 81.93, 7.11, 19.86

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 36 / 0 / 52 / 16

HEX #89D566

RGB 137 213 102

HSL 101.08, 0.57%, 0.62%

LAB 78.38, -43.37, 47.1

 

CMYK 47 / 52 / 0 / 16

HEX #7066D5

RGB 112 102 213

HSL 245.41, 0.57%, 0.62%

LAB 49.19, 32.56, -56.12

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 52 / 0 / 27 / 16

HEX #66D59C

RGB 102 213 156

HSL 149.19, 0.57%, 0.62%

LAB 77.76, -44.84, 18.68

 

CMYK 27 / 52 / 0 / 16

HEX #9C66D5

RGB 156 102 213

HSL 269.19, 0.57%, 0.62%

LAB 53.36, 43.25, -49.23

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 36 / 0 / 52 / 16

HEX #89D566

RGB 137 213 102

HSL 101.08, 0.57%, 0.62%

LAB 78.38, -43.37, 47.1

 

CMYK 52 / 25 / 0 / 16

HEX #669FD5

RGB 102 159 213

HSL 209.19, 0.57%, 0.62%

LAB 63.69, -3.5, -33.25

 

CMYK 16 / 52 / 0 / 16

HEX #B266D5

RGB 178 102 213

HSL 281.08, 0.57%, 0.62%

LAB 55.86, 49.06, -45.1

 

CMYK 0 / 27 / 52 / 16

HEX #D59C66

RGB 213 156 102

HSL 29.19, 0.57%, 0.62%

LAB 68.67, 15.07, 36.46

 

CMYK 51 / 0 / 52 / 16

HEX #68D566

RGB 104 213 102

HSL 118.92, 0.57%, 0.62%

LAB 76.98, -53.28, 45.07

 

CMYK 52 / 25 / 0 / 16

HEX #669FD5

RGB 102 159 213

HSL 209.19, 0.57%, 0.62%

LAB 63.69, -3.5, -33.25

 

CMYK 1 / 52 / 0 / 16

HEX #D366D5

RGB 211 102 213

HSL 298.92, 0.57%, 0.62%

LAB 60.03, 57.98, -38.25

 

Description

Color code: HEX #D59C66 | qconv.com Color code: HEX #D59C66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 156 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 156 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 52% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Valentía Cigars - Ha...
Link: http://valentiacigars.com

16% - 幼稚園/福岡/春日市&#...
Link: http://www.s-mominoki.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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