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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D591B2 it is the complementary color #2A6E4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D591B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D591B2 shade: #DA91AD, #EBA3C0, #FCB5D3, #FFC7E6 and #FFD9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D591B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D591B2 shade: #D591B2, #C47F9F, #B36D8C, #A25B79 and #914966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D591B2 shade: #D490B1, #D4909E and #D49090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D591B2 shade: #D490B1, #D490C4, #D390D4, #C090D4 and #AE90D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D591B2 shade matches the following richer shades: #D490B1, #E183B1, #ED77B0 and #FA6AB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D591B2 shade: #D490B1, #C89CB1, #BCA8B2, #AFB5B2 and #A3C1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D591B2 shade: #D290D4, #D490C4, #D490B2, #D490A0 and #D49290

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D591B2 shade: #BE5487, #C9729C, #D490B1, #E0ADC6 and #EBCBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D591B2 shade: #D591B2, #D4C090 and #90CED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D591B2 shade: #D591B2, #B2D490 and #90B2D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D591B2 shade: #D591B2, #D4C090, #90D4B2 and #90A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D591B2 shade: #D591B2, #D4D490, #90D4B2 and #9090D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

Complementary color

CMYK 62 / 0 / 30 / 57

HEX #2A6E4D

RGB 42 110 77

HSL 150.88, 0.45%, 0.3%

LAB 41.5, -29.92, 12.16

 

CMYK 0 / 33 / 21 / 15

HEX #DA91AD

RGB 218 145 173

HSL 336.99, 0.5%, 0.71%

LAB 68.15, 31.5, -3.28

 

CMYK 0 / 31 / 18 / 8

HEX #EBA3C0

RGB 235 163 192

HSL 335.83, 0.64%, 0.78%

LAB 74.61, 30.77, -4.08

 

CMYK 0 / 28 / 16 / 1

HEX #FCB5D3

RGB 252 181 211

HSL 334.65, 0.92%, 0.85%

LAB 80.99, 30.08, -4.82

 

CMYK 0 / 22 / 10 / 0

HEX #FFC7E6

RGB 255 199 230

HSL 326.79, 1%, 0.89%

LAB 85.92, 24.68, -7.68

 

CMYK 0 / 15 / 2 / 0

HEX #FFD9F9

RGB 255 217 249

HSL 309.47, 1%, 0.93%

LAB 90.65, 18.49, -10.68

 

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

CMYK 0 / 35 / 19 / 23

HEX #C47F9F

RGB 196 127 159

HSL 332.17, 0.37%, 0.63%

LAB 61.15, 31.27, -5.98

 

CMYK 0 / 39 / 22 / 30

HEX #B36D8C

RGB 179 109 140

HSL 333.43, 0.32%, 0.56%

LAB 54.46, 32.08, -5.12

 

CMYK 0 / 44 / 25 / 36

HEX #A25B79

RGB 162 91 121

HSL 334.65, 0.28%, 0.5%

LAB 47.68, 32.94, -4.12

 

CMYK 0 / 50 / 30 / 43

HEX #914966

RGB 145 73 102

HSL 335.83, 0.33%, 0.43%

LAB 40.81, 33.83, -2.93

 

CMYK 0 / 32 / 17 / 17

HEX #D490B1

RGB 212 144 177

HSL 330.88, 0.44%, 0.7%

LAB 67.37, 30.54, -6.75

 

CMYK 0 / 32 / 25 / 17

HEX #D4909E

RGB 212 144 158

HSL 347.65, 0.44%, 0.7%

LAB 66.83, 27.67, 3.13

 

CMYK 0 / 32 / 32 / 17

HEX #D49090

RGB 212 144 144

HSL 0, 0.44%, 0.7%

LAB 66.49, 25.77, 10.5

 

CMYK 0 / 32 / 17 / 17

HEX #D490B1

RGB 212 144 177

HSL 330.88, 0.44%, 0.7%

LAB 67.37, 30.54, -6.75

 

CMYK 0 / 32 / 8 / 17

HEX #D490C4

RGB 212 144 196

HSL 314.12, 0.44%, 0.7%

LAB 67.97, 33.7, -16.48

 

CMYK 0 / 32 / 0 / 17

HEX #D390D4

RGB 211 144 212

HSL 299.12, 0.44%, 0.7%

LAB 68.42, 36.26, -24.69

 

CMYK 9 / 32 / 0 / 17

HEX #C090D4

RGB 192 144 212

HSL 282.35, 0.44%, 0.7%

LAB 66.45, 30.22, -27.89

 

CMYK 18 / 32 / 0 / 17

HEX #AE90D4

RGB 174 144 212

HSL 266.47, 0.44%, 0.7%

LAB 64.72, 24.59, -30.7

 

CMYK 0 / 32 / 17 / 17

HEX #D490B1

RGB 212 144 177

HSL 330.88, 0.44%, 0.7%

LAB 67.37, 30.54, -6.75

 

CMYK 0 / 42 / 21 / 12

HEX #E183B1

RGB 225 131 177

HSL 330.64, 0.61%, 0.7%

LAB 66.07, 41.93, -8.51

 

CMYK 0 / 50 / 26 / 7

HEX #ED77B0

RGB 237 119 176

HSL 331.02, 0.77%, 0.7%

LAB 65.23, 51.78, -9.04

 

CMYK 0 / 58 / 30 / 2

HEX #FA6AB0

RGB 250 106 176

HSL 330.83, 0.94%, 0.7%

LAB 64.78, 61.85, -9.52

 

CMYK 0 / 32 / 17 / 17

HEX #D490B1

RGB 212 144 177

HSL 330.88, 0.44%, 0.7%

LAB 67.37, 30.54, -6.75

 

CMYK 0 / 22 / 12 / 22

HEX #C89CB1

RGB 200 156 177

HSL 331.36, 0.29%, 0.7%

LAB 68.92, 19.72, -4.6

 

CMYK 0 / 11 / 5 / 26

HEX #BCA8B2

RGB 188 168 178

HSL 330, 0.13%, 0.7%

LAB 70.81, 8.99, -2.5

 

CMYK 3 / 0 / 2 / 29

HEX #AFB5B2

RGB 175 181 178

HSL 150, 0.04%, 0.7%

LAB 73.14, -2.66, 0.79

 

CMYK 16 / 0 / 8 / 24

HEX #A3C1B2

RGB 163 193 178

HSL 150, 0.19%, 0.7%

LAB 75.54, -13.09, 4.17

 

CMYK 1 / 32 / 0 / 17

HEX #D290D4

RGB 210 144 212

HSL 298.24, 0.44%, 0.7%

LAB 68.32, 35.94, -24.86

 

CMYK 0 / 32 / 8 / 17

HEX #D490C4

RGB 212 144 196

HSL 314.12, 0.44%, 0.7%

LAB 67.97, 33.7, -16.48

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212 144 178

HSL 330, 0.44%, 0.7%

LAB 67.4, 30.7, -7.27

 

CMYK 0 / 32 / 25 / 17

HEX #D490A0

RGB 212 144 160

HSL 345.88, 0.44%, 0.7%

LAB 66.89, 27.96, 2.09

 

CMYK 0 / 31 / 32 / 17

HEX #D49290

RGB 212 146 144

HSL 1.76, 0.44%, 0.7%

LAB 66.95, 24.68, 11.16

 

CMYK 0 / 56 / 29 / 25

HEX #BE5487

RGB 190 84 135

HSL 331.13, 0.45%, 0.54%

LAB 50.73, 48.12, -7.55

 

CMYK 0 / 43 / 22 / 21

HEX #C9729C

RGB 201 114 156

HSL 331.03, 0.45%, 0.62%

LAB 58.84, 39.54, -7.62

 

CMYK 0 / 32 / 17 / 17

HEX #D490B1

RGB 212 144 177

HSL 330.88, 0.44%, 0.7%

LAB 67.37, 30.54, -6.75

 

CMYK 0 / 23 / 12 / 12

HEX #E0ADC6

RGB 224 173 198

HSL 330.59, 0.45%, 0.78%

LAB 75.95, 22.51, -5.52

 

CMYK 0 / 14 / 7 / 8

HEX #EBCBDB

RGB 235 203 219

HSL 330, 0.44%, 0.86%

LAB 84.73, 13.87, -3.77

 

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

CMYK 0 / 9 / 32 / 17

HEX #D4C090

RGB 212 192 144

HSL 42.35, 0.44%, 0.7%

LAB 78.29, -0.04, 26.8

 

CMYK 32 / 3 / 0 / 17

HEX #90CED4

RGB 144 206 212

HSL 185.29, 0.44%, 0.7%

LAB 78.94, -18.22, -9.31

 

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

CMYK 16 / 0 / 32 / 17

HEX #B2D490

RGB 178 212 144

HSL 90, 0.44%, 0.7%

LAB 81.05, -23.12, 30.05

 

CMYK 32 / 16 / 0 / 17

HEX #90B2D4

RGB 144 178 212

HSL 210, 0.44%, 0.7%

LAB 71.23, -3.48, -20.91

 

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

CMYK 0 / 9 / 32 / 17

HEX #D4C090

RGB 212 192 144

HSL 42.35, 0.44%, 0.7%

LAB 78.29, -0.04, 26.8

 

CMYK 32 / 0 / 16 / 17

HEX #90D4B2

RGB 144 212 178

HSL 150, 0.44%, 0.7%

LAB 79.74, -28.62, 10.06

 

CMYK 32 / 23 / 0 / 17

HEX #90A4D4

RGB 144 164 212

HSL 222.35, 0.44%, 0.7%

LAB 67.45, 4.26, -26.69

 

CMYK 0 / 32 / 16 / 16

HEX #D591B2

RGB 213 145 178

HSL 330.88, 0.45%, 0.7%

LAB 67.73, 30.51, -6.76

 

CMYK 0 / 0 / 32 / 17

HEX #D4D490

RGB 212 212 144

HSL 60, 0.44%, 0.7%

LAB 83.49, -10.36, 33.72

 

CMYK 32 / 0 / 16 / 17

HEX #90D4B2

RGB 144 212 178

HSL 150, 0.44%, 0.7%

LAB 79.74, -28.62, 10.06

 

CMYK 32 / 32 / 0 / 17

HEX #9090D4

RGB 144 144 212

HSL 240, 0.44%, 0.7%

LAB 62.19, 15.65, -34.82

 

Description

Color code: HEX #D591B2 | qconv.com Color code: HEX #D591B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 145 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 145 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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