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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5954C it is the complementary color #2A6AB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5954C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5954C shade: #DA9547, #EBA75A, #FCB96D, #FFCB80 and #FFDD93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5954C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5954C shade: #D5954C, #C48339, #B37126, #A25F13 and #914D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5954C shade: #D5954D, #D5714D and #D54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5954C shade: #D5954D, #D5BA4D, #CBD54D, #A6D54D and #82D54D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5954C shade matches the following richer shades: #D5954D, #E7963B and #F89829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5954C shade: #D5954D, #C3945F, #B19370, #A09282 and #8E9194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5954C shade: #D54D4F, #D56F4D, #D5934D, #D5B74D and #CED54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5954C shade: #A86C27, #CA812F, #D5954D, #DDA96E and #E5BD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5954C shade: #D5954C, #73D54D and #5D4DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5954C shade: #D5954C, #4DD593 and #934DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5954C shade: #D5954C, #73D54D, #4D8FD5 and #AE4DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5954C shade: #D5954C, #4DD54F, #4D8FD5 and #D54DD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

Complementary color

CMYK 77 / 41 / 0 / 30

HEX #2A6AB3

RGB 42 106 179

HSL 211.97, 0.62%, 0.43%

LAB 44.31, 5.63, -44.56

 

CMYK 0 / 32 / 67 / 15

HEX #DA9547

RGB 218 149 71

HSL 31.84, 0.67%, 0.57%

LAB 67.17, 18.69, 50.46

 

CMYK 0 / 29 / 62 / 8

HEX #EBA75A

RGB 235 167 90

HSL 31.86, 0.78%, 0.64%

LAB 73.57, 17.35, 49.05

 

CMYK 0 / 27 / 57 / 1

HEX #FCB96D

RGB 252 185 109

HSL 31.89, 0.96%, 0.71%

LAB 79.9, 16.18, 47.63

 

CMYK 0 / 20 / 50 / 0

HEX #FFCB80

RGB 255 203 128

HSL 35.43, 1%, 0.75%

LAB 84.76, 9.57, 44.21

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD93

RGB 255 221 147

HSL 41.11, 1%, 0.79%

LAB 89.43, 2.12, 40.62

 

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

CMYK 0 / 33 / 71 / 23

HEX #C48339

RGB 196 131 57

HSL 31.94, 0.55%, 0.5%

LAB 60.13, 18.32, 48.69

 

CMYK 0 / 37 / 79 / 30

HEX #B37126

RGB 179 113 38

HSL 31.91, 0.65%, 0.43%

LAB 53.53, 20, 49.82

 

CMYK 0 / 41 / 88 / 36

HEX #A25F13

RGB 162 95 19

HSL 31.89, 0.79%, 0.35%

LAB 46.86, 21.97, 50.2

 

CMYK 0 / 47 / 100 / 43

HEX #914D00

RGB 145 77 0

HSL 31.86, 1%, 0.28%

LAB 40.13, 24.2, 49.57

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 47 / 64 / 16

HEX #D5714D

RGB 213 113 77

HSL 15.88, 0.62%, 0.57%

LAB 58.5, 36.18, 37.3

 

CMYK 0 / 64 / 64 / 16

HEX #D54D4D

RGB 213 77 77

HSL 0, 0.62%, 0.57%

LAB 51.83, 53.42, 29.11

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 13 / 64 / 16

HEX #D5BA4D

RGB 213 186 77

HSL 48.09, 0.62%, 0.57%

LAB 75.95, -2.79, 57.13

 

CMYK 5 / 0 / 64 / 16

HEX #CBD54D

RGB 203 213 77

HSL 64.41, 0.62%, 0.57%

LAB 82.28, -20.64, 63.61

 

CMYK 22 / 0 / 64 / 16

HEX #A6D54D

RGB 166 213 77

HSL 80.74, 0.62%, 0.57%

LAB 79.75, -35.34, 60.15

 

CMYK 39 / 0 / 64 / 16

HEX #82D54D

RGB 130 213 77

HSL 96.62, 0.62%, 0.57%

LAB 77.8, -48.19, 57.48

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 35 / 74 / 9

HEX #E7963B

RGB 231 150 59

HSL 31.74, 0.78%, 0.57%

LAB 68.84, 23.01, 58.08

 

CMYK 0 / 39 / 83 / 3

HEX #F89829

RGB 248 152 41

HSL 32.17, 0.94%, 0.57%

LAB 71.26, 28.4, 67.89

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 24 / 51 / 24

HEX #C3945F

RGB 195 148 95

HSL 31.8, 0.45%, 0.57%

LAB 64.65, 11.3, 34.71

 

CMYK 0 / 17 / 37 / 31

HEX #B19370

RGB 177 147 112

HSL 32.31, 0.29%, 0.57%

LAB 62.83, 6.19, 22.74

 

CMYK 0 / 9 / 19 / 37

HEX #A09282

RGB 160 146 130

HSL 32, 0.14%, 0.57%

LAB 61.35, 2.47, 10.36

 

CMYK 4 / 2 / 0 / 42

HEX #8E9194

RGB 142 145 148

HSL 210, 0.03%, 0.57%

LAB 60.01, -0.49, -1.97

 

CMYK 0 / 64 / 63 / 16

HEX #D54D4F

RGB 213 77 79

HSL 359.12, 0.62%, 0.57%

LAB 51.86, 53.54, 27.98

 

CMYK 0 / 48 / 64 / 16

HEX #D56F4D

RGB 213 111 77

HSL 15, 0.62%, 0.57%

LAB 58.09, 37.21, 36.8

 

CMYK 0 / 31 / 64 / 16

HEX #D5934D

RGB 213 147 77

HSL 30.88, 0.62%, 0.57%

LAB 66.17, 18.02, 46.28

 

CMYK 0 / 14 / 64 / 16

HEX #D5B74D

RGB 213 183 77

HSL 46.76, 0.62%, 0.57%

LAB 75.17, -1.23, 56.29

 

CMYK 3 / 0 / 64 / 16

HEX #CED54D

RGB 206 213 77

HSL 63.09, 0.62%, 0.57%

LAB 82.51, -19.41, 63.92

 

CMYK 0 / 36 / 77 / 34

HEX #A86C27

RGB 168 108 39

HSL 32.09, 0.62%, 0.41%

LAB 50.92, 17.99, 46.37

 

CMYK 0 / 36 / 77 / 21

HEX #CA812F

RGB 202 129 47

HSL 31.74, 0.62%, 0.49%

LAB 60.3, 21.53, 53.56

 

CMYK 0 / 30 / 64 / 16

HEX #D5954D

RGB 213 149 77

HSL 31.76, 0.62%, 0.57%

LAB 66.65, 16.94, 46.83

 

CMYK 0 / 24 / 50 / 13

HEX #DDA96E

RGB 221 169 110

HSL 31.89, 0.62%, 0.65%

LAB 72.81, 12.09, 37.66

 

CMYK 0 / 17 / 37 / 10

HEX #E5BD90

RGB 229 189 144

HSL 31.76, 0.62%, 0.73%

LAB 79.08, 8.2, 28.13

 

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

CMYK 46 / 0 / 64 / 16

HEX #73D54D

RGB 115 213 77

HSL 103.24, 0.62%, 0.57%

LAB 77.14, -52.9, 56.58

 

CMYK 56 / 64 / 0 / 16

HEX #5D4DD5

RGB 93 77 213

HSL 247.06, 0.62%, 0.57%

LAB 41.91, 43.67, -67.99

 

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

CMYK 64 / 0 / 31 / 16

HEX #4DD593

RGB 77 213 147

HSL 150.88, 0.62%, 0.57%

LAB 76.84, -51.92, 22.03

 

CMYK 31 / 64 / 0 / 16

HEX #934DD5

RGB 147 77 213

HSL 270.88, 0.62%, 0.57%

LAB 47.38, 54.24, -58.85

 

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

CMYK 46 / 0 / 64 / 16

HEX #73D54D

RGB 115 213 77

HSL 103.24, 0.62%, 0.57%

LAB 77.14, -52.9, 56.58

 

CMYK 64 / 33 / 0 / 16

HEX #4D8FD5

RGB 77 143 213

HSL 210.88, 0.62%, 0.57%

LAB 58.06, 0.67, -42.13

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 0 / 30 / 64 / 16

HEX #D5954C

RGB 213 149 76

HSL 31.97, 0.62%, 0.57%

LAB 66.64, 16.88, 47.31

 

CMYK 64 / 0 / 63 / 16

HEX #4DD54F

RGB 77 213 79

HSL 120.88, 0.62%, 0.57%

LAB 75.9, -62.39, 54.01

 

CMYK 64 / 33 / 0 / 16

HEX #4D8FD5

RGB 77 143 213

HSL 210.88, 0.62%, 0.57%

LAB 58.06, 0.67, -42.13

 

CMYK 0 / 64 / 1 / 16

HEX #D54DD3

RGB 213 77 211

HSL 300.88, 0.62%, 0.57%

LAB 56.24, 68.99, -43.05

 

Description

Color code: HEX #D5954C | qconv.com Color code: HEX #D5954C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 149 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 149 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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