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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D576A0 it is the complementary color #2A895F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D576A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D576A0 shade: #DA769B, #EB88AE, #FC9AC1, #FFACD4 and #FFBEE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D576A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D576A0 shade: #D576A0, #C4648D, #B3527A, #A24067 and #912E54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D576A0 shade: #D576A0, #D57686 and #D57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D576A0 shade: #D576A0, #D576B9, #D576D3, #BD76D5 and #A376D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D576A0 shade matches the following richer shades: #D576A0, #E3689E and #F1599C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D576A0 shade: #D576A0, #C684A1, #B893A3, #A9A1A5 and #9BB0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D576A0 shade: #D576D3, #D576BA, #D576A1, #D57687 and #D57E76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D576A0 shade: #BE3A74, #CB568A, #D576A0, #DE96B6 and #E8B5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D576A0 shade: #D576A0, #D5BD76 and #76C6D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D576A0 shade: #D576A0, #A1D576 and #76A1D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D576A0 shade: #D576A0, #D5BD76, #76D5AA and #768ED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D576A0 shade: #D576A0, #D0D576, #76D5AA and #7B76D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

Complementary color

CMYK 69 / 0 / 31 / 46

HEX #2A895F

RGB 42 137 95

HSL 153.47, 0.53%, 0.35%

LAB 50.93, -37.9, 14.69

 

CMYK 0 / 46 / 29 / 15

HEX #DA769B

RGB 218 118 155

HSL 337.8, 0.57%, 0.66%

LAB 61.85, 43.17, -2.34

 

CMYK 0 / 42 / 26 / 8

HEX #EB88AE

RGB 235 136 174

HSL 336.97, 0.71%, 0.73%

LAB 68.26, 42.32, -3.44

 

CMYK 0 / 39 / 23 / 1

HEX #FC9AC1

RGB 252 154 193

HSL 336.12, 0.94%, 0.8%

LAB 74.61, 41.5, -4.42

 

CMYK 0 / 33 / 17 / 0

HEX #FFACD4

RGB 255 172 212

HSL 331.08, 1%, 0.84%

LAB 79.34, 35.98, -7.76

 

CMYK 0 / 25 / 9 / 0

HEX #FFBEE7

RGB 255 190 231

HSL 322.15, 1%, 0.87%

LAB 83.89, 29.57, -11.22

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 49 / 28 / 23

HEX #C4648D

RGB 196 100 141

HSL 334.38, 0.45%, 0.58%

LAB 54.84, 42.97, -4.9

 

CMYK 0 / 54 / 32 / 30

HEX #B3527A

RGB 179 82 122

HSL 335.26, 0.39%, 0.51%

LAB 48.29, 43.76, -3.55

 

CMYK 0 / 60 / 36 / 36

HEX #A24067

RGB 162 64 103

HSL 336.12, 0.43%, 0.44%

LAB 41.73, 44.44, -1.89

 

CMYK 0 / 68 / 42 / 43

HEX #912E54

RGB 145 46 84

HSL 336.97, 0.52%, 0.37%

LAB 35.23, 44.83, 0.25

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 45 / 37 / 16

HEX #D57686

RGB 213 118 134

HSL 349.89, 0.53%, 0.65%

LAB 60.63, 38.77, 7.87

 

CMYK 0 / 45 / 45 / 16

HEX #D57676

RGB 213 118 118

HSL 0, 0.53%, 0.65%

LAB 60.26, 37, 16.55

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 45 / 13 / 16

HEX #D576B9

RGB 213 118 185

HSL 317.68, 0.53%, 0.65%

LAB 62.17, 45.92, -19.06

 

CMYK 0 / 45 / 1 / 16

HEX #D576D3

RGB 213 118 211

HSL 301.26, 0.53%, 0.65%

LAB 63.18, 50.34, -32.19

 

CMYK 11 / 45 / 0 / 16

HEX #BD76D5

RGB 189 118 213

HSL 284.84, 0.53%, 0.65%

LAB 60.41, 43.7, -37.85

 

CMYK 23 / 45 / 0 / 16

HEX #A376D5

RGB 163 118 213

HSL 268.42, 0.53%, 0.65%

LAB 57.61, 36.25, -42.45

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 54 / 30 / 11

HEX #E3689E

RGB 227 104 158

HSL 333.66, 0.69%, 0.65%

LAB 60.52, 53.43, -5.9

 

CMYK 0 / 63 / 35 / 5

HEX #F1599C

RGB 241 89 156

HSL 333.55, 0.84%, 0.65%

LAB 60.11, 64.07, -5.11

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 33 / 19 / 22

HEX #C684A1

RGB 198 132 161

HSL 333.64, 0.37%, 0.65%

LAB 62.58, 29.56, -4.98

 

CMYK 0 / 20 / 11 / 28

HEX #B893A3

RGB 184 147 163

HSL 334.05, 0.21%, 0.65%

LAB 64.73, 16.51, -3.12

 

CMYK 0 / 5 / 2 / 34

HEX #A9A1A5

RGB 169 161 165

HSL 330, 0.04%, 0.65%

LAB 67.01, 3.63, -1.05

 

CMYK 12 / 0 / 6 / 31

HEX #9BB0A6

RGB 155 176 166

HSL 151.43, 0.12%, 0.65%

LAB 70.02, -9.24, 2.65

 

CMYK 0 / 45 / 1 / 16

HEX #D576D3

RGB 213 118 211

HSL 301.26, 0.53%, 0.65%

LAB 63.18, 50.34, -32.19

 

CMYK 0 / 45 / 13 / 16

HEX #D576BA

RGB 213 118 186

HSL 317.05, 0.53%, 0.65%

LAB 62.21, 46.08, -19.57

 

CMYK 0 / 45 / 24 / 16

HEX #D576A1

RGB 213 118 161

HSL 332.84, 0.53%, 0.65%

LAB 61.37, 42.28, -6.56

 

CMYK 0 / 45 / 37 / 16

HEX #D57687

RGB 213 118 135

HSL 349.26, 0.53%, 0.65%

LAB 60.65, 38.89, 7.33

 

CMYK 0 / 41 / 45 / 16

HEX #D57E76

RGB 213 126 118

HSL 5.05, 0.53%, 0.65%

LAB 61.98, 32.79, 18.91

 

CMYK 0 / 69 / 39 / 25

HEX #BE3A74

RGB 190 58 116

HSL 333.64, 0.53%, 0.49%

LAB 45.95, 57.12, -3.15

 

CMYK 0 / 58 / 32 / 20

HEX #CB568A

RGB 203 86 138

HSL 333.33, 0.53%, 0.57%

LAB 53.15, 51.72, -5.51

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 32 / 18 / 13

HEX #DE96B6

RGB 222 150 182

HSL 333.33, 0.52%, 0.73%

LAB 69.98, 31.61, -5.55

 

CMYK 0 / 22 / 12 / 9

HEX #E8B5CC

RGB 232 181 204

HSL 332.94, 0.53%, 0.81%

LAB 78.79, 22.01, -4.5

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 11 / 45 / 16

HEX #D5BD76

RGB 213 189 118

HSL 44.84, 0.53%, 0.65%

LAB 77.19, -1.02, 38.91

 

CMYK 45 / 7 / 0 / 16

HEX #76C6D5

RGB 118 198 213

HSL 189.47, 0.53%, 0.65%

LAB 75.48, -20.63, -15.16

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 24 / 0 / 45 / 16

HEX #A1D576

RGB 161 213 118

HSL 92.84, 0.53%, 0.65%

LAB 79.88, -33.17, 41.49

 

CMYK 45 / 24 / 0 / 16

HEX #76A1D5

RGB 118 161 213

HSL 212.84, 0.53%, 0.65%

LAB 65.08, -0.82, -31.03

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 0 / 11 / 45 / 16

HEX #D5BD76

RGB 213 189 118

HSL 44.84, 0.53%, 0.65%

LAB 77.19, -1.02, 38.91

 

CMYK 45 / 0 / 20 / 16

HEX #76D5AA

RGB 118 213 170

HSL 152.84, 0.53%, 0.65%

LAB 78.66, -38, 12.61

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 0 / 45 / 25 / 16

HEX #D576A0

RGB 213 118 160

HSL 333.47, 0.53%, 0.65%

LAB 61.34, 42.14, -6.03

 

CMYK 2 / 0 / 45 / 16

HEX #D0D576

RGB 208 213 118

HSL 63.16, 0.53%, 0.65%

LAB 83.08, -15.31, 46.16

 

CMYK 45 / 0 / 20 / 16

HEX #76D5AA

RGB 118 213 170

HSL 152.84, 0.53%, 0.65%

LAB 78.66, -38, 12.61

 

CMYK 42 / 45 / 0 / 16

HEX #7B76D5

RGB 123 118 213

HSL 243.16, 0.53%, 0.65%

LAB 54, 25.57, -48.39

 

Description

Color code: HEX #D576A0 | qconv.com Color code: HEX #D576A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 118 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 118 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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