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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D56BA2 it is the complementary color #2A945D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D56BA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D56BA2 shade: #DA6B9D, #EB7DB0, #FC8FC3, #FFA1D6 and #FFB3E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D56BA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D56BA2 shade: #D56BA2, #C4598F, #B3477C, #A23569 and #912356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D56BA2 shade: #D56BA2, #D56B86 and #D56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D56BA2 shade: #D56BA2, #D56BBF, #CF6BD5, #B26BD5 and #966BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D56BA2 shade matches the following richer shades: #D56BA2, #E45CA3 and #F44DA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D56BA2 shade: #D56BA2, #C67BA2, #B68AA1, #A799A0 and #98A8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D56BA2 shade: #CE6BD5, #D56BC0, #D56BA4, #D56B87 and #D56B6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D56BA2 shade: #BA3479, #CC4B8E, #D56BA2, #DE8BB6 and #E7ACCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D56BA2 shade: #D56BA2, #D5B26B and #6BCED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D56BA2 shade: #D56BA2, #A4D56B and #6BA4D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D56BA2 shade: #D56BA2, #D5B26B, #6BD59D and #6B8FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D56BA2 shade: #D56BA2, #D5D16B, #6BD59D and #6B6FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

Complementary color

CMYK 72 / 0 / 37 / 42

HEX #2A945D

RGB 42 148 93

HSL 148.87, 0.56%, 0.37%

LAB 54.51, -42.93, 20.68

 

CMYK 0 / 51 / 28 / 15

HEX #DA6B9D

RGB 218 107 157

HSL 332.97, 0.6%, 0.64%

LAB 59.76, 48.95, -6.59

 

CMYK 0 / 47 / 25 / 8

HEX #EB7DB0

RGB 235 125 176

HSL 332.18, 0.73%, 0.71%

LAB 66.11, 48.18, -7.76

 

CMYK 0 / 43 / 23 / 1

HEX #FC8FC3

RGB 252 143 195

HSL 331.38, 0.95%, 0.77%

LAB 72.42, 47.38, -8.77

 

CMYK 0 / 37 / 16 / 0

HEX #FFA1D6

RGB 255 161 214

HSL 326.17, 1%, 0.82%

LAB 77.04, 41.99, -12.27

 

CMYK 0 / 30 / 9 / 0

HEX #FFB3E9

RGB 255 179 233

HSL 317.37, 1%, 0.85%

LAB 81.5, 35.67, -15.87

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 55 / 27 / 23

HEX #C4598F

RGB 196 89 143

HSL 329.72, 0.48%, 0.56%

LAB 52.8, 48.71, -9.11

 

CMYK 0 / 60 / 31 / 30

HEX #B3477C

RGB 179 71 124

HSL 330.56, 0.43%, 0.49%

LAB 46.37, 49.28, -7.61

 

CMYK 0 / 67 / 35 / 36

HEX #A23569

RGB 162 53 105

HSL 331.38, 0.51%, 0.42%

LAB 39.99, 49.57, -5.71

 

CMYK 0 / 76 / 41 / 43

HEX #912356

RGB 145 35 86

HSL 332.18, 0.61%, 0.35%

LAB 33.76, 49.31, -3.2

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 50 / 37 / 16

HEX #D56B86

RGB 213 107 134

HSL 344.72, 0.56%, 0.63%

LAB 58.4, 44.4, 4.68

 

CMYK 0 / 50 / 50 / 16

HEX #D56B6B

RGB 213 107 107

HSL 0, 0.56%, 0.63%

LAB 57.77, 41.59, 19.48

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 50 / 10 / 16

HEX #D56BBF

RGB 213 107 191

HSL 312.45, 0.56%, 0.63%

LAB 60.27, 52.4, -25.39

 

CMYK 3 / 50 / 0 / 16

HEX #CF6BD5

RGB 207 107 213

HSL 296.6, 0.56%, 0.63%

LAB 60.41, 54.47, -37.69

 

CMYK 16 / 50 / 0 / 16

HEX #B26BD5

RGB 178 107 213

HSL 280.19, 0.56%, 0.63%

LAB 56.86, 46.44, -43.51

 

CMYK 30 / 50 / 0 / 16

HEX #966BD5

RGB 150 107 213

HSL 264.34, 0.56%, 0.63%

LAB 53.82, 38.91, -48.53

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 60 / 29 / 11

HEX #E45CA3

RGB 228 92 163

HSL 328.68, 0.72%, 0.63%

LAB 58.78, 59.81, -11.36

 

CMYK 0 / 68 / 33 / 4

HEX #F44DA3

RGB 244 77 163

HSL 329.1, 0.88%, 0.63%

LAB 59.15, 70.28, -10.56

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 38 / 18 / 22

HEX #C67BA2

RGB 198 123 162

HSL 328.8, 0.4%, 0.63%

LAB 60.59, 34.61, -8.51

 

CMYK 0 / 24 / 12 / 29

HEX #B68AA1

RGB 182 138 161

HSL 328.64, 0.23%, 0.63%

LAB 62.25, 20.46, -5.66

 

CMYK 0 / 8 / 4 / 35

HEX #A799A0

RGB 167 153 160

HSL 330, 0.07%, 0.63%

LAB 64.59, 6.41, -1.8

 

CMYK 10 / 0 / 5 / 34

HEX #98A8A0

RGB 152 168 160

HSL 150, 0.08%, 0.63%

LAB 67.44, -7.19, 2.21

 

CMYK 3 / 50 / 0 / 16

HEX #CE6BD5

RGB 206 107 213

HSL 296.04, 0.56%, 0.63%

LAB 60.29, 54.19, -37.9

 

CMYK 0 / 50 / 10 / 16

HEX #D56BC0

RGB 213 107 192

HSL 311.89, 0.56%, 0.63%

LAB 60.31, 52.56, -25.9

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA4

RGB 213 107 164

HSL 327.74, 0.56%, 0.63%

LAB 59.29, 48.29, -11.4

 

CMYK 0 / 50 / 37 / 16

HEX #D56B87

RGB 213 107 135

HSL 344.15, 0.56%, 0.63%

LAB 58.42, 44.52, 4.13

 

CMYK 0 / 50 / 50 / 16

HEX #D56B6B

RGB 213 107 107

HSL 0, 0.56%, 0.63%

LAB 57.77, 41.59, 19.48

 

CMYK 0 / 72 / 35 / 27

HEX #BA3479

RGB 186 52 121

HSL 329.1, 0.56%, 0.47%

LAB 44.63, 58.74, -8.27

 

CMYK 0 / 63 / 30 / 20

HEX #CC4B8E

RGB 204 75 142

HSL 328.84, 0.56%, 0.55%

LAB 51.64, 57.39, -10.14

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 37 / 18 / 13

HEX #DE8BB6

RGB 222 139 182

HSL 328.92, 0.56%, 0.71%

LAB 67.56, 37.47, -9.15

 

CMYK 0 / 26 / 12 / 9

HEX #E7ACCB

RGB 231 172 203

HSL 328.47, 0.55%, 0.79%

LAB 76.56, 26.31, -7.27

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 16 / 50 / 16

HEX #D5B26B

RGB 213 178 107

HSL 40.19, 0.56%, 0.63%

LAB 74.22, 3.72, 40.8

 

CMYK 50 / 3 / 0 / 16

HEX #6BCED5

RGB 107 206 213

HSL 183.96, 0.56%, 0.63%

LAB 77.32, -27.11, -12.44

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 23 / 0 / 50 / 16

HEX #A4D56B

RGB 164 213 107

HSL 87.74, 0.56%, 0.63%

LAB 79.92, -33.35, 46.93

 

CMYK 50 / 23 / 0 / 16

HEX #6BA4D5

RGB 107 164 213

HSL 207.74, 0.56%, 0.63%

LAB 65.34, -5.15, -30.67

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 16 / 50 / 16

HEX #D5B26B

RGB 213 178 107

HSL 40.19, 0.56%, 0.63%

LAB 74.22, 3.72, 40.8

 

CMYK 50 / 0 / 26 / 16

HEX #6BD59D

RGB 107 213 157

HSL 148.3, 0.56%, 0.63%

LAB 77.96, -43.44, 18.45

 

CMYK 50 / 33 / 0 / 16

HEX #6B8FD5

RGB 107 143 213

HSL 219.62, 0.56%, 0.63%

LAB 59.5, 6.84, -39.77

 

CMYK 0 / 50 / 24 / 16

HEX #D56BA2

RGB 213 107 162

HSL 328.87, 0.56%, 0.63%

LAB 59.22, 48, -10.34

 

CMYK 0 / 2 / 50 / 16

HEX #D5D16B

RGB 213 209 107

HSL 57.74, 0.56%, 0.63%

LAB 82.28, -12.33, 50.57

 

CMYK 50 / 0 / 26 / 16

HEX #6BD59D

RGB 107 213 157

HSL 148.3, 0.56%, 0.63%

LAB 77.96, -43.44, 18.45

 

CMYK 50 / 48 / 0 / 16

HEX #6B6FD5

RGB 107 111 213

HSL 237.74, 0.56%, 0.63%

LAB 51.03, 26.02, -53.19

 

Description

Color code: HEX #D56BA2 | qconv.com Color code: HEX #D56BA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 107 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 107 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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