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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D553B4 it is the complementary color #2AAC4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D553B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D553B4 shade: #DA53AF, #EB65C2, #FC77D5, #FF89E8 and #FF9BFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D553B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D553B4 shade: #D553B4, #C441A1, #B32F8E, #A21D7B and #910B68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D553B4 shade: #D552B4, #D55290, #D5526D and #D55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D553B4 shade: #D552B4, #D352D5, #AF52D5, #8C52D5 and #6952D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D553B4 shade matches the following richer shades: #D552B4, #E641BC and #F72FC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D553B4 shade: #D552B4, #C363AB, #B275A3, #A1869A and #8F9791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D553B4 shade: #B052D5, #D352D5, #D552B4, #D55291 and #D5526E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D553B4 shade: #AB298A, #CC31A5, #D552B4, #DD73C2 and #E594D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D553B4 shade: #D553B4, #D58D52 and #52D5C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D553B4 shade: #D553B4, #B4D552 and #52B4D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D553B4 shade: #D553B4, #D58D52, #52D573 and #529AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D553B4 shade: #D553B4, #D5B452, #52D573 and #5273D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

Complementary color

CMYK 76 / 0 / 56 / 33

HEX #2AAC4B

RGB 42 172 75

HSL 135.23, 0.61%, 0.42%

LAB 62.09, -55, 39.69

 

CMYK 0 / 62 / 20 / 15

HEX #DA53AF

RGB 218 83 175

HSL 319.11, 0.65%, 0.59%

LAB 56.27, 62.37, -22.27

 

CMYK 0 / 57 / 17 / 8

HEX #EB65C2

RGB 235 101 194

HSL 318.36, 0.77%, 0.66%

LAB 62.39, 62.07, -23.57

 

CMYK 0 / 53 / 15 / 1

HEX #FC77D5

RGB 252 119 213

HSL 317.59, 0.96%, 0.73%

LAB 68.53, 61.58, -24.65

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E8

RGB 255 137 232

HSL 311.69, 1%, 0.77%

LAB 72.88, 56.86, -28.44

 

CMYK 0 / 39 / 2 / 0

HEX #FF9BFB

RGB 255 155 251

HSL 302.4, 1%, 0.8%

LAB 77.08, 51.12, -32.31

 

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

CMYK 0 / 67 / 18 / 23

HEX #C441A1

RGB 196 65 161

HSL 316.03, 0.53%, 0.51%

LAB 49.6, 61.72, -24.63

 

CMYK 0 / 74 / 21 / 30

HEX #B32F8E

RGB 179 47 142

HSL 316.82, 0.58%, 0.44%

LAB 43.61, 61.23, -22.75

 

CMYK 0 / 82 / 24 / 36

HEX #A21D7B

RGB 162 29 123

HSL 317.59, 0.7%, 0.37%

LAB 37.82, 59.91, -20.26

 

CMYK 0 / 92 / 28 / 43

HEX #910B68

RGB 145 11 104

HSL 318.36, 0.86%, 0.31%

LAB 32.39, 57.33, -16.9

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 0 / 62 / 32 / 16

HEX #D55290

RGB 213 82 144

HSL 331.6, 0.61%, 0.58%

LAB 54.23, 57.33, -7.29

 

CMYK 0 / 62 / 49 / 16

HEX #D5526D

RGB 213 82 109

HSL 347.63, 0.61%, 0.58%

LAB 53.26, 53.66, 12.09

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 1 / 62 / 0 / 16

HEX #D352D5

RGB 211 82 213

HSL 299.08, 0.61%, 0.58%

LAB 56.77, 66.85, -43.37

 

CMYK 18 / 62 / 0 / 16

HEX #AF52D5

RGB 175 82 213

HSL 282.6, 0.61%, 0.58%

LAB 51.78, 58.21, -51.6

 

CMYK 34 / 62 / 0 / 16

HEX #8C52D5

RGB 140 82 213

HSL 266.56, 0.61%, 0.58%

LAB 47.51, 50.16, -58.69

 

CMYK 51 / 62 / 0 / 16

HEX #6952D5

RGB 105 82 213

HSL 250.53, 0.61%, 0.58%

LAB 44.01, 42.92, -64.53

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 0 / 72 / 18 / 10

HEX #E641BC

RGB 230 65 188

HSL 315.27, 0.77%, 0.58%

LAB 56.32, 73.88, -29.56

 

CMYK 0 / 81 / 20 / 3

HEX #F72FC5

RGB 247 47 197

HSL 315, 0.93%, 0.58%

LAB 57.88, 83.69, -32.09

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 0 / 49 / 12 / 24

HEX #C363AB

RGB 195 99 171

HSL 315, 0.44%, 0.58%

LAB 55.55, 47.64, -21.35

 

CMYK 0 / 34 / 8 / 30

HEX #B275A3

RGB 178 117 163

HSL 314.75, 0.28%, 0.58%

LAB 56.91, 31.13, -14.84

 

CMYK 0 / 17 / 4 / 37

HEX #A1869A

RGB 161 134 154

HSL 315.56, 0.13%, 0.58%

LAB 58.94, 13.82, -6.81

 

CMYK 5 / 0 / 4 / 41

HEX #8F9791

RGB 143 151 145

HSL 135, 0.04%, 0.58%

LAB 61.67, -4.06, 2.15

 

CMYK 17 / 62 / 0 / 16

HEX #B052D5

RGB 176 82 213

HSL 283.05, 0.61%, 0.58%

LAB 51.91, 58.44, -51.38

 

CMYK 1 / 62 / 0 / 16

HEX #D352D5

RGB 211 82 213

HSL 299.08, 0.61%, 0.58%

LAB 56.77, 66.85, -43.37

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 0 / 62 / 32 / 16

HEX #D55291

RGB 213 82 145

HSL 331.15, 0.61%, 0.58%

LAB 54.26, 57.45, -7.83

 

CMYK 0 / 62 / 48 / 16

HEX #D5526E

RGB 213 82 110

HSL 347.18, 0.61%, 0.58%

LAB 53.28, 53.75, 11.53

 

CMYK 0 / 76 / 19 / 33

HEX #AB298A

RGB 171 41 138

HSL 315.23, 0.61%, 0.42%

LAB 41.34, 60.65, -23.94

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A5

RGB 204 49 165

HSL 315.1, 0.61%, 0.5%

LAB 49.19, 69.68, -27.54

 

CMYK 0 / 62 / 15 / 16

HEX #D552B4

RGB 213 82 180

HSL 315.11, 0.61%, 0.58%

LAB 55.56, 62.13, -26.33

 

CMYK 0 / 48 / 12 / 13

HEX #DD73C2

RGB 221 115 194

HSL 315.28, 0.61%, 0.66%

LAB 62.95, 51.36, -22.88

 

CMYK 0 / 35 / 9 / 10

HEX #E594D0

RGB 229 148 208

HSL 315.56, 0.61%, 0.74%

LAB 71.14, 39.25, -18.16

 

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

CMYK 0 / 34 / 62 / 16

HEX #D58D52

RGB 213 141 82

HSL 27.02, 0.61%, 0.58%

LAB 64.81, 21.61, 42.17

 

CMYK 62 / 0 / 9 / 16

HEX #52D5C1

RGB 82 213 193

HSL 170.84, 0.61%, 0.58%

LAB 78.01, -40.47, -0.76

 

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

CMYK 15 / 0 / 62 / 16

HEX #B4D552

RGB 180 213 82

HSL 75.11, 0.61%, 0.58%

LAB 80.68, -29.54, 59.36

 

CMYK 62 / 15 / 0 / 16

HEX #52B4D5

RGB 82 180 213

HSL 195.11, 0.61%, 0.58%

LAB 68.93, -18.91, -25.24

 

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

CMYK 0 / 34 / 62 / 16

HEX #D58D52

RGB 213 141 82

HSL 27.02, 0.61%, 0.58%

LAB 64.81, 21.61, 42.17

 

CMYK 62 / 0 / 46 / 16

HEX #52D573

RGB 82 213 115

HSL 135.11, 0.61%, 0.58%

LAB 76.45, -56.66, 37.93

 

CMYK 62 / 28 / 0 / 16

HEX #529AD5

RGB 82 154 213

HSL 207.02, 0.61%, 0.58%

LAB 61.4, -4.76, -36.88

 

CMYK 0 / 61 / 15 / 16

HEX #D553B4

RGB 213 83 180

HSL 315.23, 0.61%, 0.58%

LAB 55.71, 61.71, -26.1

 

CMYK 0 / 15 / 62 / 16

HEX #D5B452

RGB 213 180 82

HSL 44.89, 0.61%, 0.58%

LAB 74.44, 0.68, 53.23

 

CMYK 62 / 0 / 46 / 16

HEX #52D573

RGB 82 213 115

HSL 135.11, 0.61%, 0.58%

LAB 76.45, -56.66, 37.93

 

CMYK 62 / 46 / 0 / 16

HEX #5273D5

RGB 82 115 213

HSL 224.89, 0.61%, 0.58%

LAB 50.52, 18.49, -54.1

 

Description

Color code: HEX #D553B4 | qconv.com Color code: HEX #D553B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 83 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 83 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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