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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D557A7 it is the complementary color #2AA858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D557A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D557A7 shade: #DA57A2, #EB69B5, #FC7BC8, #FF8DDB and #FF9FEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D557A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D557A7 shade: #D557A7, #C44594, #B33381, #A2216E and #910F5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D557A7 shade: #D557A7, #D55785, #D55763 and #D55757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D557A7 shade: #D557A7, #D557C9, #BF57D5, #9D57D5 and #7B57D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D557A7 shade matches the following richer shades: #D557A7, #E646AB and #F735B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D557A7 shade: #D557A7, #C468A2, #B3799E, #A28A99 and #919B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D557A7 shade: #BE57D5, #D557CA, #D557A9, #D55787 and #D55766

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D557A7 shade: #AE2B7E, #CC3696, #D557A7, #DD78B8 and #E599C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D557A7 shade: #D557A7, #D59C57 and #57D5CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D557A7 shade: #D557A7, #A9D557 and #57A9D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D557A7 shade: #D557A7, #D59C57, #57D583 and #5790D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D557A7 shade: #D557A7, #D5C257, #57D583 and #576AD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

Complementary color

CMYK 75 / 0 / 48 / 34

HEX #2AA858

RGB 42 168 88

HSL 141.9, 0.6%, 0.41%

LAB 60.96, -51.57, 31.77

 

CMYK 0 / 60 / 26 / 15

HEX #DA57A2

RGB 218 87 162

HSL 325.65, 0.64%, 0.6%

LAB 56.42, 58.9, -14.5

 

CMYK 0 / 55 / 23 / 8

HEX #EB69B5

RGB 235 105 181

HSL 324.92, 0.76%, 0.67%

LAB 62.59, 58.45, -15.87

 

CMYK 0 / 51 / 21 / 1

HEX #FC7BC8

RGB 252 123 200

HSL 324.19, 0.96%, 0.74%

LAB 68.77, 57.85, -17.02

 

CMYK 0 / 45 / 14 / 0

HEX #FF8DDB

RGB 255 141 219

HSL 318.95, 1%, 0.78%

LAB 73.17, 52.86, -20.85

 

CMYK 0 / 38 / 7 / 0

HEX #FF9FEE

RGB 255 159 238

HSL 310.63, 1%, 0.81%

LAB 77.42, 46.86, -24.76

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 65 / 24 / 23

HEX #C44594

RGB 196 69 148

HSL 322.68, 0.52%, 0.52%

LAB 49.65, 58.34, -16.83

 

CMYK 0 / 72 / 28 / 30

HEX #B33381

RGB 179 51 129

HSL 323.44, 0.56%, 0.45%

LAB 43.56, 58.14, -14.9

 

CMYK 0 / 80 / 32 / 36

HEX #A2216E

RGB 162 33 110

HSL 324.19, 0.66%, 0.38%

LAB 37.65, 57.24, -12.37

 

CMYK 0 / 90 / 37 / 43

HEX #910F5B

RGB 145 15 91

HSL 324.92, 0.81%, 0.31%

LAB 32.07, 55.19, -8.97

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 59 / 38 / 16

HEX #D55785

RGB 213 87 133

HSL 338.1, 0.6%, 0.59%

LAB 54.72, 53.85, -0.08

 

CMYK 0 / 59 / 54 / 16

HEX #D55763

RGB 213 87 99

HSL 354.29, 0.6%, 0.59%

LAB 53.88, 50.57, 18.87

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 59 / 6 / 16

HEX #D557C9

RGB 213 87 201

HSL 305.71, 0.6%, 0.59%

LAB 57.25, 63.26, -35.77

 

CMYK 10 / 59 / 0 / 16

HEX #BF57D5

RGB 191 87 213

HSL 289.52, 0.6%, 0.59%

LAB 54.76, 59.77, -46.74

 

CMYK 26 / 59 / 0 / 16

HEX #9D57D5

RGB 157 87 213

HSL 273.33, 0.6%, 0.59%

LAB 50.44, 51.48, -53.88

 

CMYK 42 / 59 / 0 / 16

HEX #7B57D5

RGB 123 87 213

HSL 257.14, 0.6%, 0.59%

LAB 46.75, 43.72, -60

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 70 / 26 / 10

HEX #E646AB

RGB 230 70 171

HSL 322.13, 0.76%, 0.59%

LAB 56.23, 70.02, -19.85

 

CMYK 0 / 79 / 29 / 3

HEX #F735B0

RGB 247 53 176

HSL 321.96, 0.92%, 0.59%

LAB 57.52, 79.81, -20.53

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 47 / 17 / 23

HEX #C468A2

RGB 196 104 162

HSL 322.17, 0.44%, 0.59%

LAB 56.33, 43.98, -14.93

 

CMYK 0 / 32 / 12 / 30

HEX #B3799E

RGB 179 121 158

HSL 321.72, 0.28%, 0.59%

LAB 57.78, 28.37, -10.64

 

CMYK 0 / 15 / 6 / 36

HEX #A28A99

RGB 162 138 153

HSL 322.5, 0.11%, 0.59%

LAB 60.03, 11.72, -4.6

 

CMYK 6 / 0 / 4 / 39

HEX #919B95

RGB 145 155 149

HSL 144, 0.05%, 0.59%

LAB 63.04, -4.76, 1.9

 

CMYK 11 / 59 / 0 / 16

HEX #BE57D5

RGB 190 87 213

HSL 289.05, 0.6%, 0.59%

LAB 54.62, 59.53, -46.96

 

CMYK 0 / 59 / 5 / 16

HEX #D557CA

RGB 213 87 202

HSL 305.24, 0.6%, 0.59%

LAB 57.3, 63.42, -36.27

 

CMYK 0 / 59 / 21 / 16

HEX #D557A9

RGB 213 87 169

HSL 320.95, 0.6%, 0.59%

LAB 55.91, 58.4, -19.41

 

CMYK 0 / 59 / 37 / 16

HEX #D55787

RGB 213 87 135

HSL 337.14, 0.6%, 0.59%

LAB 54.77, 54.08, -1.17

 

CMYK 0 / 59 / 52 / 16

HEX #D55766

RGB 213 87 102

HSL 352.86, 0.6%, 0.59%

LAB 53.94, 50.81, 17.19

 

CMYK 0 / 75 / 28 / 32

HEX #AE2B7E

RGB 174 43 126

HSL 321.98, 0.6%, 0.43%

LAB 41.58, 59.19, -16.15

 

CMYK 0 / 74 / 26 / 20

HEX #CC3696

RGB 204 54 150

HSL 321.6, 0.6%, 0.51%

LAB 49.1, 66.22, -18.75

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 46 / 17 / 13

HEX #DD78B8

RGB 221 120 184

HSL 321.98, 0.6%, 0.67%

LAB 63.56, 47.3, -16.29

 

CMYK 0 / 33 / 12 / 10

HEX #E599C9

RGB 229 153 201

HSL 322.11, 0.59%, 0.75%

LAB 72, 35.44, -13

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 27 / 59 / 16

HEX #D59C57

RGB 213 156 87

HSL 32.86, 0.6%, 0.59%

LAB 68.47, 13.85, 43.96

 

CMYK 59 / 0 / 3 / 16

HEX #57D5CE

RGB 87 213 206

HSL 176.67, 0.6%, 0.59%

LAB 78.5, -36.22, -6.99

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 21 / 0 / 59 / 16

HEX #A9D557

RGB 169 213 87

HSL 80.95, 0.6%, 0.59%

LAB 80.02, -33.4, 56.28

 

CMYK 59 / 21 / 0 / 16

HEX #57A9D5

RGB 87 169 213

HSL 200.95, 0.6%, 0.59%

LAB 65.91, -12.14, -29.86

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 27 / 59 / 16

HEX #D59C57

RGB 213 156 87

HSL 32.86, 0.6%, 0.59%

LAB 68.47, 13.85, 43.96

 

CMYK 59 / 0 / 38 / 16

HEX #57D583

RGB 87 213 131

HSL 140.95, 0.6%, 0.59%

LAB 76.83, -52.95, 30.37

 

CMYK 59 / 32 / 0 / 16

HEX #5790D5

RGB 87 144 213

HSL 212.86, 0.6%, 0.59%

LAB 58.77, 1.94, -40.99

 

CMYK 0 / 59 / 22 / 16

HEX #D557A7

RGB 213 87 167

HSL 321.9, 0.6%, 0.59%

LAB 55.84, 58.12, -18.36

 

CMYK 0 / 9 / 59 / 16

HEX #D5C257

RGB 213 194 87

HSL 50.95, 0.6%, 0.59%

LAB 78.12, -6.27, 55.06

 

CMYK 59 / 0 / 38 / 16

HEX #57D583

RGB 87 213 131

HSL 140.95, 0.6%, 0.59%

LAB 76.83, -52.95, 30.37

 

CMYK 59 / 50 / 0 / 16

HEX #576AD5

RGB 87 106 213

HSL 230.95, 0.6%, 0.59%

LAB 48.43, 24.99, -57.44

 

Description

Color code: HEX #D557A7 | qconv.com Color code: HEX #D557A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 87 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 87 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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