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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D531DD it is the complementary color #2ACE22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D531DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D531DD shade: #DA31D8, #EB43EB, #FC55FE, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D531DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D531DD shade: #D531DD, #C41FCA, #B30DB7, #A200A4 and #910091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D531DD shade: #D530DD, #DD30B6, #DD3088, #DD3059 and #DD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D531DD shade: #D530DD, #A630DD, #7830DD, #4930DD and #3030DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D531DD shade matches the following richer shades: #D530DD and #E71DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D531DD shade: #D530DD, #C344CA, #B257B6, #A06BA3 and #8F7E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D531DD shade: #7830DD, #A630DD, #D430DD, #DD30B8 and #DD308A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D531DD shade: #9B1AA1, #BD20C4, #D530DD, #DC54E3 and #E377E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D531DD shade: #D531DD, #DD4A30 and #30DD8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D531DD shade: #D531DD, #DDD430 and #30DDD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D531DD shade: #D531DD, #DD4A30, #39DD30 and #30C3DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D531DD shade: #D531DD, #DD7E30, #39DD30 and #308FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

Complementary color

CMYK 80 / 0 / 83 / 19

HEX #2ACE22

RGB 42 206 34

HSL 117.21, 0.72%, 0.47%

LAB 72.73, -69.45, 66.11

 

CMYK 0 / 78 / 1 / 15

HEX #DA31D8

RGB 218 49 216

HSL 300.71, 0.7%, 0.52%

LAB 54.09, 79.95, -49.26

 

CMYK 0 / 71 / 0 / 8

HEX #EB43EB

RGB 235 67 235

HSL 300, 0.81%, 0.59%

LAB 59.59, 81.16, -51.06

 

CMYK 1 / 67 / 0 / 0

HEX #FC55FE

RGB 252 85 254

HSL 299.29, 0.99%, 0.66%

LAB 65.24, 81.79, -52.49

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

CMYK 3 / 85 / 0 / 21

HEX #C41FCA

RGB 196 31 202

HSL 297.89, 0.73%, 0.46%

LAB 48.23, 77.77, -50.78

 

CMYK 2 / 93 / 0 / 28

HEX #B30DB7

RGB 179 13 183

HSL 298.59, 0.87%, 0.38%

LAB 43.2, 74.66, -47.93

 

CMYK 1 / 100 / 0 / 36

HEX #A200A4

RGB 162 0 164

HSL 299.27, 1%, 0.32%

LAB 38.48, 70.28, -44.34

 

CMYK 0 / 100 / 0 / 43

HEX #910091

RGB 145 0 145

HSL 300, 1%, 0.28%

LAB 34.12, 64.52, -39.95

 

CMYK 4 / 78 / 0 / 13

HEX #D530DD

RGB 213 48 221

HSL 297.23, 0.72%, 0.53%

LAB 53.47, 80.02, -53.13

 

CMYK 0 / 78 / 18 / 13

HEX #DD30B6

RGB 221 48 182

HSL 313.53, 0.72%, 0.53%

LAB 52.8, 76.01, -31.68

 

CMYK 0 / 78 / 38 / 13

HEX #DD3088

RGB 221 48 136

HSL 329.48, 0.72%, 0.53%

LAB 50.99, 70.7, -7.2

 

CMYK 0 / 78 / 60 / 13

HEX #DD3059

RGB 221 48 89

HSL 345.78, 0.72%, 0.53%

LAB 49.75, 66.89, 19.53

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 4 / 78 / 0 / 13

HEX #D530DD

RGB 213 48 221

HSL 297.23, 0.72%, 0.53%

LAB 53.47, 80.02, -53.13

 

CMYK 25 / 78 / 0 / 13

HEX #A630DD

RGB 166 48 221

HSL 280.92, 0.72%, 0.53%

LAB 46.23, 71.56, -65.16

 

CMYK 46 / 78 / 0 / 13

HEX #7830DD

RGB 120 48 221

HSL 264.97, 0.72%, 0.53%

LAB 40.13, 64.39, -75.38

 

CMYK 67 / 78 / 0 / 13

HEX #4930DD

RGB 73 48 221

HSL 248.67, 0.72%, 0.53%

LAB 35.5, 58.93, -83.17

 

CMYK 78 / 78 / 0 / 13

HEX #3030DD

RGB 48 48 221

HSL 240, 0.72%, 0.53%

LAB 33.91, 57.04, -85.86

 

CMYK 4 / 78 / 0 / 13

HEX #D530DD

RGB 213 48 221

HSL 297.23, 0.72%, 0.53%

LAB 53.47, 80.02, -53.13

 

CMYK 4 / 88 / 0 / 6

HEX #E71DF0

RGB 231 29 240

HSL 297.44, 0.88%, 0.53%

LAB 56.25, 89.84, -59.24

 

CMYK 4 / 78 / 0 / 13

HEX #D530DD

RGB 213 48 221

HSL 297.23, 0.72%, 0.53%

LAB 53.47, 80.02, -53.13

 

CMYK 3 / 66 / 0 / 21

HEX #C344CA

RGB 195 68 202

HSL 296.87, 0.56%, 0.53%

LAB 51.84, 66.77, -45.05

 

CMYK 2 / 52 / 0 / 29

HEX #B257B6

RGB 178 87 182

HSL 297.47, 0.39%, 0.53%

LAB 51.45, 50.5, -34.28

 

CMYK 2 / 34 / 0 / 36

HEX #A06BA3

RGB 160 107 163

HSL 296.79, 0.23%, 0.53%

LAB 52.55, 30.63, -21.69

 

CMYK 0 / 12 / 0 / 44

HEX #8F7E8F

RGB 143 126 143

HSL 300, 0.07%, 0.53%

LAB 54.81, 9.7, -6.78

 

CMYK 46 / 78 / 0 / 13

HEX #7830DD

RGB 120 48 221

HSL 264.97, 0.72%, 0.53%

LAB 40.13, 64.39, -75.38

 

CMYK 25 / 78 / 0 / 13

HEX #A630DD

RGB 166 48 221

HSL 280.92, 0.72%, 0.53%

LAB 46.23, 71.56, -65.16

 

CMYK 4 / 78 / 0 / 13

HEX #D430DD

RGB 212 48 221

HSL 296.88, 0.72%, 0.53%

LAB 53.31, 79.84, -53.4

 

CMYK 0 / 78 / 17 / 13

HEX #DD30B8

RGB 221 48 184

HSL 312.83, 0.72%, 0.53%

LAB 52.89, 76.27, -32.7

 

CMYK 0 / 78 / 38 / 13

HEX #DD308A

RGB 221 48 138

HSL 328.79, 0.72%, 0.53%

LAB 51.06, 70.9, -8.31

 

CMYK 4 / 84 / 0 / 37

HEX #9B1AA1

RGB 155 26 161

HSL 297.33, 0.72%, 0.37%

LAB 38.34, 64.74, -42.83

 

CMYK 4 / 84 / 0 / 23

HEX #BD20C4

RGB 189 32 196

HSL 297.44, 0.72%, 0.45%

LAB 46.76, 75.37, -49.73

 

CMYK 4 / 78 / 0 / 13

HEX #D530DD

RGB 213 48 221

HSL 297.23, 0.72%, 0.53%

LAB 53.47, 80.02, -53.13

 

CMYK 3 / 63 / 0 / 11

HEX #DC54E3

RGB 220 84 227

HSL 297.06, 0.72%, 0.61%

LAB 59.07, 70.55, -47.55

 

CMYK 2 / 49 / 0 / 9

HEX #E377E8

RGB 227 119 232

HSL 297.35, 0.71%, 0.69%

LAB 66.02, 57.59, -39.34

 

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

CMYK 0 / 67 / 78 / 13

HEX #DD4A30

RGB 221 74 48

HSL 9.02, 0.72%, 0.53%

LAB 52.38, 55.98, 46.17

 

CMYK 78 / 0 / 35 / 13

HEX #30DD8F

RGB 48 221 143

HSL 152.95, 0.72%, 0.53%

LAB 78.65, -60.02, 26.47

 

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

CMYK 0 / 4 / 78 / 13

HEX #DDD430

RGB 221 212 48

HSL 56.88, 0.72%, 0.53%

LAB 83.27, -14.04, 75.13

 

CMYK 78 / 0 / 4 / 13

HEX #30DDD4

RGB 48 221 212

HSL 176.88, 0.72%, 0.53%

LAB 80.23, -43.38, -7.72

 

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

CMYK 0 / 67 / 78 / 13

HEX #DD4A30

RGB 221 74 48

HSL 9.02, 0.72%, 0.53%

LAB 52.38, 55.98, 46.17

 

CMYK 74 / 0 / 78 / 13

HEX #39DD30

RGB 57 221 48

HSL 116.88, 0.72%, 0.53%

LAB 77.75, -71.12, 67.09

 

CMYK 78 / 12 / 0 / 13

HEX #30C3DD

RGB 48 195 221

HSL 189.02, 0.72%, 0.53%

LAB 72.81, -28.62, -23.73

 

CMYK 4 / 78 / 0 / 13

HEX #D531DD

RGB 213 49 221

HSL 297.21, 0.72%, 0.53%

LAB 53.56, 79.77, -52.99

 

CMYK 0 / 43 / 78 / 13

HEX #DD7E30

RGB 221 126 48

HSL 27.05, 0.72%, 0.53%

LAB 62.09, 31.15, 55.71

 

CMYK 74 / 0 / 78 / 13

HEX #39DD30

RGB 57 221 48

HSL 116.88, 0.72%, 0.53%

LAB 77.75, -71.12, 67.09

 

CMYK 78 / 35 / 0 / 13

HEX #308FDD

RGB 48 143 221

HSL 207.05, 0.72%, 0.53%

LAB 57.55, -0.61, -47.47

 

Description

Color code: HEX #D531DD | qconv.com Color code: HEX #D531DD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 49 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 49 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 78 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 78% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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