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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52EC9 it is the complementary color #2AD136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52EC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52EC9 shade: #DA2EC4, #EB40D7, #FC52EA, #FF64FD and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52EC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52EC9 shade: #D52EC9, #C41CB6, #B30AA3, #A20090 and #91007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52EC9 shade: #D52EC9, #D52E9C, #D52E6F, #D52E42 and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52EC9 shade: #D52EC9, #B42ED5, #872ED5, #5A2ED5 and #2E2ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52EC9 shade matches the following richer shades: #D52EC9, #E91ADB and #FE05EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52EC9 shade: #D52EC9, #C142B8, #AD56A7, #996A95 and #847F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52EC9 shade: #872ED5, #B42ED5, #D52ECA, #D52E9D and #D52E71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52EC9 shade: #941D8B, #B624AC, #D52EC9, #DC50D2 and #E373DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52EC9 shade: #D52EC9, #D55A2E and #2ED59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52EC9 shade: #D52EC9, #CAD52E and #2ECAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52EC9 shade: #D52EC9, #D55A2E, #2ED539 and #2EA9D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52EC9 shade: #D52EC9, #D58D2E, #2ED539 and #2E76D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

Complementary color

CMYK 80 / 0 / 74 / 18

HEX #2AD136

RGB 42 209 54

HSL 124.31, 0.67%, 0.49%

LAB 73.78, -69.11, 61.22

 

CMYK 0 / 79 / 10 / 15

HEX #DA2EC4

RGB 218 46 196

HSL 307.67, 0.7%, 0.52%

LAB 52.78, 77.78, -39.87

 

CMYK 0 / 73 / 9 / 8

HEX #EB40D7

RGB 235 64 215

HSL 307.02, 0.81%, 0.59%

LAB 58.26, 79.08, -41.91

 

CMYK 0 / 67 / 7 / 1

HEX #FC52EA

RGB 252 82 234

HSL 306.35, 0.97%, 0.65%

LAB 63.89, 79.76, -43.54

 

CMYK 0 / 61 / 1 / 0

HEX #FF64FD

RGB 255 100 253

HSL 300.77, 1%, 0.7%

LAB 67.63, 76.71, -48.14

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 86 / 7 / 23

HEX #C41CB6

RGB 196 28 182

HSL 305, 0.75%, 0.44%

LAB 46.9, 75.34, -41.26

 

CMYK 0 / 94 / 9 / 30

HEX #B30AA3

RGB 179 10 163

HSL 305.68, 0.89%, 0.37%

LAB 41.92, 72.04, -38.08

 

CMYK 0 / 100 / 11 / 36

HEX #A20090

RGB 162 0 144

HSL 306.67, 1%, 0.32%

LAB 37.29, 67.37, -34.09

 

CMYK 0 / 100 / 14 / 43

HEX #91007D

RGB 145 0 125

HSL 308.28, 1%, 0.28%

LAB 32.92, 61.59, -29.42

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 78 / 27 / 16

HEX #D52E9C

RGB 213 46 156

HSL 320.48, 0.67%, 0.51%

LAB 50.1, 71.48, -20.67

 

CMYK 0 / 78 / 48 / 16

HEX #D52E6F

RGB 213 46 111

HSL 336.65, 0.67%, 0.51%

LAB 48.57, 66.91, 4.23

 

CMYK 0 / 78 / 69 / 16

HEX #D52E42

RGB 213 46 66

HSL 352.81, 0.67%, 0.51%

LAB 47.62, 63.95, 30.38

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 15 / 78 / 0 / 16

HEX #B42ED5

RGB 180 46 213

HSL 288.14, 0.67%, 0.51%

LAB 47.57, 73.12, -58.32

 

CMYK 37 / 78 / 0 / 16

HEX #872ED5

RGB 135 46 213

HSL 271.98, 0.67%, 0.51%

LAB 41.07, 65.49, -69.17

 

CMYK 58 / 78 / 0 / 16

HEX #5A2ED5

RGB 90 46 213

HSL 255.81, 0.67%, 0.51%

LAB 35.85, 59.33, -77.93

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 89 / 6 / 9

HEX #E91ADB

RGB 233 26 219

HSL 304.06, 0.82%, 0.51%

LAB 55.25, 87.58, -48.96

 

CMYK 0 / 98 / 7 / 0

HEX #FE05EC

RGB 254 5 236

HSL 304.34, 0.99%, 0.51%

LAB 59.19, 95.23, -52.07

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 66 / 5 / 24

HEX #C142B8

RGB 193 66 184

HSL 304.25, 0.51%, 0.51%

LAB 50.33, 64.07, -37.05

 

CMYK 0 / 50 / 3 / 32

HEX #AD56A7

RGB 173 86 167

HSL 304.14, 0.35%, 0.51%

LAB 49.89, 46.82, -27.99

 

CMYK 0 / 31 / 3 / 40

HEX #996A95

RGB 153 106 149

HSL 305.11, 0.19%, 0.51%

LAB 50.98, 26.08, -15.95

 

CMYK 0 / 4 / 0 / 48

HEX #847F84

RGB 132 127 132

HSL 300, 0.02%, 0.51%

LAB 53.76, 2.87, -2.04

 

CMYK 37 / 78 / 0 / 16

HEX #872ED5

RGB 135 46 213

HSL 271.98, 0.67%, 0.51%

LAB 41.07, 65.49, -69.17

 

CMYK 15 / 78 / 0 / 16

HEX #B42ED5

RGB 180 46 213

HSL 288.14, 0.67%, 0.51%

LAB 47.57, 73.12, -58.32

 

CMYK 0 / 78 / 5 / 16

HEX #D52ECA

RGB 213 46 202

HSL 303.95, 0.67%, 0.51%

LAB 52.25, 77.63, -44.22

 

CMYK 0 / 78 / 26 / 16

HEX #D52E9D

RGB 213 46 157

HSL 320.12, 0.67%, 0.51%

LAB 50.14, 71.6, -21.2

 

CMYK 0 / 78 / 47 / 16

HEX #D52E71

RGB 213 46 113

HSL 335.93, 0.67%, 0.51%

LAB 48.63, 67.08, 3.09

 

CMYK 0 / 80 / 6 / 42

HEX #941D8B

RGB 148 29 139

HSL 304.54, 0.67%, 0.35%

LAB 36.06, 59.04, -33.13

 

CMYK 0 / 80 / 5 / 29

HEX #B624AC

RGB 182 36 172

HSL 304.11, 0.67%, 0.43%

LAB 44.5, 69.41, -39.32

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 64 / 5 / 14

HEX #DC50D2

RGB 220 80 210

HSL 304.29, 0.67%, 0.59%

LAB 57.66, 69.33, -40.18

 

CMYK 0 / 49 / 4 / 11

HEX #E373DB

RGB 227 115 219

HSL 304.29, 0.67%, 0.67%

LAB 64.73, 57.25, -34.13

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 58 / 78 / 16

HEX #D55A2E

RGB 213 90 46

HSL 15.81, 0.67%, 0.51%

LAB 53.66, 46.09, 48.01

 

CMYK 78 / 0 / 26 / 16

HEX #2ED59D

RGB 46 213 157

HSL 159.88, 0.67%, 0.51%

LAB 76.44, -54.24, 16.1

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 5 / 0 / 78 / 16

HEX #CAD52E

RGB 202 213 46

HSL 63.95, 0.67%, 0.51%

LAB 82.02, -22.57, 74.01

 

CMYK 78 / 5 / 0 / 16

HEX #2ECAD5

RGB 46 202 213

HSL 183.95, 0.67%, 0.51%

LAB 74.59, -34.64, -16.7

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 58 / 78 / 16

HEX #D55A2E

RGB 213 90 46

HSL 15.81, 0.67%, 0.51%

LAB 53.66, 46.09, 48.01

 

CMYK 78 / 0 / 73 / 16

HEX #2ED539

RGB 46 213 57

HSL 123.95, 0.67%, 0.51%

LAB 75.12, -69.59, 61.55

 

CMYK 78 / 21 / 0 / 16

HEX #2EA9D5

RGB 46 169 213

HSL 195.81, 0.67%, 0.51%

LAB 64.77, -18.16, -31.71

 

CMYK 0 / 78 / 6 / 16

HEX #D52EC9

RGB 213 46 201

HSL 304.31, 0.67%, 0.51%

LAB 52.19, 77.48, -43.73

 

CMYK 0 / 34 / 78 / 16

HEX #D58D2E

RGB 213 141 46

HSL 34.13, 0.67%, 0.51%

LAB 64.48, 19.7, 58.42

 

CMYK 78 / 0 / 73 / 16

HEX #2ED539

RGB 46 213 57

HSL 123.95, 0.67%, 0.51%

LAB 75.12, -69.59, 61.55

 

CMYK 78 / 45 / 0 / 16

HEX #2E76D5

RGB 46 118 213

HSL 214.13, 0.67%, 0.51%

LAB 49.91, 11.39, -55.16

 

Description

Color code: HEX #D52EC9 | qconv.com Color code: HEX #D52EC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 46 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 46 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 6 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 6% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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