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Color name
HEX #D52DDD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D52DDD it is the complementary color #2AD222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D52DDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D52DDD shade: #DA2DD8, #EB3FEB, #FC51FE, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D52DDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D52DDD shade: #D52DDD, #C41BCA, #B309B7, #A200A4 and #910091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D52DDD shade: #D42CDC, #DC2CB5, #DC2C85, #DC2C56 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D52DDD shade: #D42CDC, #A52CDC, #752CDC, #462CDC and #2C2CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D52DDD shade matches the following richer shades: #D42CDC and #E618F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D52DDD shade: #D42CDC, #C240C8, #B054B5, #9E67A1 and #8C7B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D52DDD shade: #752CDC, #A42CDC, #D32CDC, #DC2CB6 and #DC2C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D52DDD shade: #97199D, #B91FC0, #D42CDC, #DB4FE2 and #E273E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D52DDD shade: #D52DDD, #DC462C and #2CDC8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D52DDD shade: #D52DDD, #DCD32C and #2CDCD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D52DDD shade: #D52DDD, #DC462C, #35DC2C and #2CC2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D52DDD shade: #D52DDD, #DC7B2C, #35DC2C and #2C8DDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

Complementary color

CMYK 80 / 0 / 84 / 18

HEX #2AD222

RGB 42 210 34

HSL 117.27, 0.72%, 0.48%

LAB 74, -70.62, 67.26

 

CMYK 0 / 79 / 1 / 15

HEX #DA2DD8

RGB 218 45 216

HSL 300.69, 0.7%, 0.52%

LAB 53.75, 80.93, -49.8

 

CMYK 0 / 73 / 0 / 8

HEX #EB3FEB

RGB 235 63 235

HSL 300, 0.81%, 0.58%

LAB 59.17, 82.37, -51.73

 

CMYK 1 / 68 / 0 / 0

HEX #FC51FE

RGB 252 81 254

HSL 299.31, 0.99%, 0.66%

LAB 64.75, 83.16, -53.26

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

CMYK 3 / 87 / 0 / 21

HEX #C41BCA

RGB 196 27 202

HSL 297.94, 0.76%, 0.45%

LAB 47.99, 78.5, -51.18

 

CMYK 2 / 95 / 0 / 28

HEX #B309B7

RGB 179 9 183

HSL 298.62, 0.91%, 0.38%

LAB 43.06, 75.07, -48.15

 

CMYK 1 / 100 / 0 / 36

HEX #A200A4

RGB 162 0 164

HSL 299.27, 1%, 0.32%

LAB 38.48, 70.28, -44.34

 

CMYK 0 / 100 / 0 / 43

HEX #910091

RGB 145 0 145

HSL 300, 1%, 0.28%

LAB 34.12, 64.52, -39.95

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 0 / 80 / 40 / 14

HEX #DC2C85

RGB 220 44 133

HSL 329.66, 0.72%, 0.52%

LAB 50.35, 71.2, -6.38

 

CMYK 0 / 80 / 61 / 14

HEX #DC2C56

RGB 220 44 86

HSL 345.68, 0.72%, 0.52%

LAB 49.12, 67.51, 20.48

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 25 / 80 / 0 / 14

HEX #A52CDC

RGB 165 44 220

HSL 281.25, 0.72%, 0.52%

LAB 45.59, 72.43, -65.64

 

CMYK 47 / 80 / 0 / 14

HEX #752CDC

RGB 117 44 220

HSL 264.89, 0.72%, 0.52%

LAB 39.16, 65.27, -76.42

 

CMYK 68 / 80 / 0 / 14

HEX #462CDC

RGB 70 44 220

HSL 248.86, 0.72%, 0.52%

LAB 34.54, 60.2, -84.19

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 4 / 90 / 0 / 6

HEX #E618F0

RGB 230 24 240

HSL 297.22, 0.88%, 0.52%

LAB 55.85, 90.35, -59.88

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 3 / 68 / 0 / 22

HEX #C240C8

RGB 194 64 200

HSL 297.35, 0.55%, 0.52%

LAB 51.04, 67.71, -45.17

 

CMYK 3 / 54 / 0 / 29

HEX #B054B5

RGB 176 84 181

HSL 296.91, 0.4%, 0.52%

LAB 50.58, 51.23, -35.08

 

CMYK 2 / 36 / 0 / 37

HEX #9E67A1

RGB 158 103 161

HSL 296.9, 0.24%, 0.52%

LAB 51.32, 31.83, -22.43

 

CMYK 1 / 13 / 0 / 45

HEX #8C7B8D

RGB 140 123 141

HSL 296.67, 0.07%, 0.52%

LAB 53.67, 9.95, -7.34

 

CMYK 47 / 80 / 0 / 14

HEX #752CDC

RGB 117 44 220

HSL 264.89, 0.72%, 0.52%

LAB 39.16, 65.27, -76.42

 

CMYK 25 / 80 / 0 / 14

HEX #A42CDC

RGB 164 44 220

HSL 280.91, 0.72%, 0.52%

LAB 45.44, 72.26, -65.89

 

CMYK 4 / 80 / 0 / 14

HEX #D32CDC

RGB 211 44 220

HSL 296.93, 0.72%, 0.52%

LAB 52.75, 80.48, -53.74

 

CMYK 0 / 80 / 17 / 14

HEX #DC2CB6

RGB 220 44 182

HSL 312.95, 0.72%, 0.52%

LAB 52.28, 76.79, -32.5

 

CMYK 0 / 80 / 39 / 14

HEX #DC2C87

RGB 220 44 135

HSL 328.98, 0.72%, 0.52%

LAB 50.41, 71.4, -7.49

 

CMYK 4 / 84 / 0 / 38

HEX #97199D

RGB 151 25 157

HSL 297.27, 0.73%, 0.36%

LAB 37.31, 63.55, -42.1

 

CMYK 4 / 84 / 0 / 25

HEX #B91FC0

RGB 185 31 192

HSL 297.39, 0.72%, 0.44%

LAB 45.77, 74.22, -49.03

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 3 / 65 / 0 / 11

HEX #DB4FE2

RGB 219 79 226

HSL 297.14, 0.72%, 0.6%

LAB 58.17, 72.1, -48.42

 

CMYK 3 / 50 / 0 / 9

HEX #E273E8

RGB 226 115 232

HSL 296.92, 0.72%, 0.68%

LAB 65.17, 59.24, -40.69

 

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

CMYK 0 / 68 / 80 / 14

HEX #DC462C

RGB 220 70 44

HSL 8.86, 0.72%, 0.52%

LAB 51.59, 57.1, 47.35

 

CMYK 80 / 0 / 36 / 14

HEX #2CDC8D

RGB 44 220 141

HSL 153.07, 0.72%, 0.52%

LAB 78.25, -60.48, 26.96

 

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

CMYK 0 / 4 / 80 / 14

HEX #DCD32C

RGB 220 211 44

HSL 56.93, 0.72%, 0.52%

LAB 82.91, -14.09, 75.88

 

CMYK 80 / 0 / 4 / 14

HEX #2CDCD3

RGB 44 220 211

HSL 176.93, 0.72%, 0.52%

LAB 79.86, -43.57, -7.75

 

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

CMYK 0 / 68 / 80 / 14

HEX #DC462C

RGB 220 70 44

HSL 8.86, 0.72%, 0.52%

LAB 51.59, 57.1, 47.35

 

CMYK 76 / 0 / 80 / 14

HEX #35DC2C

RGB 53 220 44

HSL 116.93, 0.72%, 0.52%

LAB 77.36, -71.63, 67.83

 

CMYK 80 / 12 / 0 / 14

HEX #2CC2DC

RGB 44 194 220

HSL 188.86, 0.72%, 0.52%

LAB 72.42, -28.82, -23.79

 

CMYK 4 / 80 / 0 / 13

HEX #D52DDD

RGB 213 45 221

HSL 297.27, 0.72%, 0.52%

LAB 53.21, 80.77, -53.54

 

CMYK 0 / 44 / 80 / 14

HEX #DC7B2C

RGB 220 123 44

HSL 26.93, 0.72%, 0.52%

LAB 61.28, 32.17, 56.55

 

CMYK 76 / 0 / 80 / 14

HEX #35DC2C

RGB 53 220 44

HSL 116.93, 0.72%, 0.52%

LAB 77.36, -71.63, 67.83

 

CMYK 80 / 36 / 0 / 14

HEX #2C8DDC

RGB 44 141 220

HSL 206.93, 0.72%, 0.52%

LAB 56.83, -0.2, -48.06

 

Description

Color code: HEX #D52DDD | qconv.com Color code: HEX #D52DDD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 45 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 45 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 80 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 80% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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