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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D51545 it is the complementary color #2AEABA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D51545. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D51545 shade: #DA1540, #EB2753, #FC3966, #FF4B79 and #FF5D8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D51545. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D51545 shade: #D51545, #C40332, #B3001F, #A2000C and #910000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D51545 shade: #D51545 and #D51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D51545 shade: #D51545, #D51579, #D515AC, #CA15D5 and #9615D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D51545 shade matches the following richer shades: #D51545 and #E8023B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D51545 shade: #D51545, #C2284E, #AF3B58, #9C4E61 and #89616B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D51545 shade: #D515AB, #D51578, #D51545, #D51815 and #D54B15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D51545 shade: #8A0D2C, #AF1139, #D51545, #E92959 and #ED4F77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D51545 shade: #D51545, #D5CB15 and #1592D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D51545 shade: #D51545, #45D515 and #1545D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D51545 shade: #D51545, #D5CB15, #15D5A5 and #151ED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D51545 shade: #D51545, #A5D515, #15D5A5 and #4515D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

Complementary color

CMYK 82 / 0 / 21 / 8

HEX #2AEABA

RGB 42 234 186

HSL 165, 0.82%, 0.54%

LAB 83.38, -56.06, 10.61

 

CMYK 0 / 90 / 71 / 15

HEX #DA1540

RGB 218 21 64

HSL 346.9, 0.82%, 0.47%

LAB 46.73, 70.46, 30.73

 

CMYK 0 / 83 / 65 / 8

HEX #EB2753

RGB 235 39 83

HSL 346.53, 0.83%, 0.54%

LAB 51.54, 72.47, 26.01

 

CMYK 0 / 77 / 60 / 1

HEX #FC3966

RGB 252 57 102

HSL 346.15, 0.97%, 0.61%

LAB 56.66, 73.6, 22

 

CMYK 0 / 71 / 53 / 0

HEX #FF4B79

RGB 255 75 121

HSL 344.67, 1%, 0.65%

LAB 59.59, 70.14, 14.88

 

CMYK 0 / 64 / 45 / 0

HEX #FF5D8C

RGB 255 93 140

HSL 342.59, 1%, 0.68%

LAB 62.49, 65, 7.9

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 98 / 74 / 23

HEX #C40332

RGB 196 3 50

HSL 345.39, 0.97%, 0.39%

LAB 41.27, 66.42, 31.66

 

CMYK 0 / 100 / 83 / 30

HEX #B3001F

RGB 179 0 31

HSL 349.61, 1%, 0.35%

LAB 37.27, 61.92, 37.59

 

CMYK 0 / 100 / 93 / 36

HEX #A2000C

RGB 162 0 12

HSL 355.56, 1%, 0.32%

LAB 33.37, 57.21, 42.59

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 90 / 90 / 16

HEX #D51515

RGB 213 21 21

HSL 0, 0.82%, 0.46%

LAB 45.27, 67.97, 52.12

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 90 / 43 / 16

HEX #D51579

RGB 213 21 121

HSL 328.75, 0.82%, 0.46%

LAB 47.06, 72.97, -4.11

 

CMYK 0 / 90 / 19 / 16

HEX #D515AC

RGB 213 21 172

HSL 312.81, 0.82%, 0.46%

LAB 49.08, 78.38, -31.72

 

CMYK 5 / 90 / 0 / 16

HEX #CA15D5

RGB 202 21 213

HSL 296.56, 0.82%, 0.46%

LAB 49.37, 82.11, -55.24

 

CMYK 30 / 90 / 0 / 16

HEX #9615D5

RGB 150 21 213

HSL 280.31, 0.82%, 0.46%

LAB 40.94, 74.33, -69.3

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 99 / 75 / 9

HEX #E8023B

RGB 232 2 59

HSL 345.13, 0.98%, 0.46%

LAB 48.9, 75.5, 36.99

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 79 / 60 / 24

HEX #C2284E

RGB 194 40 78

HSL 345.19, 0.66%, 0.46%

LAB 43.56, 60.97, 17.1

 

CMYK 0 / 66 / 50 / 31

HEX #AF3B58

RGB 175 59 88

HSL 345, 0.5%, 0.46%

LAB 42.68, 49.35, 9.1

 

CMYK 0 / 50 / 38 / 39

HEX #9C4E61

RGB 156 78 97

HSL 345.38, 0.33%, 0.46%

LAB 43.33, 34.51, 4.03

 

CMYK 0 / 29 / 22 / 46

HEX #89616B

RGB 137 97 107

HSL 345, 0.17%, 0.46%

LAB 45.54, 17.81, 0.82

 

CMYK 0 / 90 / 20 / 16

HEX #D515AB

RGB 213 21 171

HSL 313.13, 0.82%, 0.46%

LAB 49.04, 78.26, -31.21

 

CMYK 0 / 90 / 44 / 16

HEX #D51578

RGB 213 21 120

HSL 329.06, 0.82%, 0.46%

LAB 47.02, 72.88, -3.54

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 89 / 90 / 16

HEX #D51815

RGB 213 24 21

HSL 0.94, 0.82%, 0.46%

LAB 45.43, 67.51, 52.23

 

CMYK 0 / 65 / 90 / 16

HEX #D54B15

RGB 213 75 21

HSL 16.88, 0.82%, 0.46%

LAB 50.96, 52.17, 56.16

 

CMYK 0 / 91 / 68 / 46

HEX #8A0D2C

RGB 138 13 44

HSL 345.12, 0.83%, 0.3%

LAB 29.09, 49.9, 17.79

 

CMYK 0 / 90 / 67 / 31

HEX #AF1139

RGB 175 17 57

HSL 344.81, 0.82%, 0.38%

LAB 37.5, 59.78, 21.67

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 82 / 62 / 9

HEX #E92959

RGB 233 41 89

HSL 345, 0.81%, 0.54%

LAB 51.42, 71.84, 22.16

 

CMYK 0 / 67 / 50 / 7

HEX #ED4F77

RGB 237 79 119

HSL 344.81, 0.81%, 0.62%

LAB 57.01, 63.27, 11.99

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 5 / 90 / 16

HEX #D5CB15

RGB 213 203 21

HSL 56.88, 0.82%, 0.46%

LAB 80.13, -13.62, 78.25

 

CMYK 90 / 31 / 0 / 16

HEX #1592D5

RGB 21 146 213

HSL 200.94, 0.82%, 0.46%

LAB 57.58, -7.4, -42.98

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 68 / 0 / 90 / 16

HEX #45D515

RGB 69 213 21

HSL 105, 0.82%, 0.46%

LAB 75.39, -67.78, 71.24

 

CMYK 90 / 68 / 0 / 16

HEX #1545D5

RGB 21 69 213

HSL 225, 0.82%, 0.46%

LAB 36.4, 40.96, -77.16

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 0 / 5 / 90 / 16

HEX #D5CB15

RGB 213 203 21

HSL 56.88, 0.82%, 0.46%

LAB 80.13, -13.62, 78.25

 

CMYK 90 / 0 / 23 / 16

HEX #15D5A5

RGB 21 213 165

HSL 165, 0.82%, 0.46%

LAB 76.35, -54.29, 11.69

 

CMYK 90 / 86 / 0 / 16

HEX #151ED5

RGB 21 30 213

HSL 237.19, 0.82%, 0.46%

LAB 29.14, 61.62, -89.2

 

CMYK 0 / 90 / 68 / 16

HEX #D51545

RGB 213 21 69

HSL 345, 0.82%, 0.46%

LAB 45.79, 69.44, 26.29

 

CMYK 23 / 0 / 90 / 16

HEX #A5D515

RGB 165 213 21

HSL 75, 0.82%, 0.46%

LAB 79.41, -38.29, 76.2

 

CMYK 90 / 0 / 23 / 16

HEX #15D5A5

RGB 21 213 165

HSL 165, 0.82%, 0.46%

LAB 76.35, -54.29, 11.69

 

CMYK 68 / 90 / 0 / 16

HEX #4515D5

RGB 69 21 213

HSL 255, 0.82%, 0.46%

LAB 30.89, 66.47, -86.2

 

Description

Color code: HEX #D51545 | qconv.com Color code: HEX #D51545 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 21 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 21 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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