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Color name
HEX #D50EC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50EC8 it is the complementary color #2AF137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D50EC8 shade: #DA0EC3, #EB20D6, #FC32E9, #FF44FC and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D50EC8 shade: #D50EC8, #C400B5, #B300A2, #A2008F and #91007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D50EC8 shade: #D70DCA, #D70D94, #D70D5D, #D70D27 and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D50EC8 shade: #D70DCA, #AE0DD7, #780DD7, #410DD7 and #0D0DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D50EC8 shade matches the following richer shades: #D70DCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D50EC8 shade: #D70DCA, #C520BA, #B232AA, #A0459A and #8D5889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D50EC8 shade: #760DD7, #AB0DD7, #D70DCD, #D70D97 and #D70D61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D50EC8 shade: #8A0881, #B00BA6, #D70DCA, #F01EE2 and #F344E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D50EC8 shade: #D50EC8, #D7400D and #0DD791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D50EC8 shade: #D50EC8, #CDD70D and #0DCDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D50EC8 shade: #D50EC8, #D7400D, #0DD717 and #0DA5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D50EC8 shade: #D50EC8, #D77C0D, #0DD717 and #0D68D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

Complementary color

CMYK 83 / 0 / 77 / 5

HEX #2AF137

RGB 42 241 55

HSL 123.92, 0.88%, 0.55%

LAB 83.8, -78.39, 70.73

 

CMYK 0 / 94 / 11 / 15

HEX #DA0EC3

RGB 218 14 195

HSL 306.76, 0.88%, 0.45%

LAB 50.87, 83.05, -42.3

 

CMYK 0 / 86 / 9 / 8

HEX #EB20D6

RGB 235 32 214

HSL 306.21, 0.84%, 0.52%

LAB 55.63, 86.38, -45.49

 

CMYK 0 / 80 / 8 / 1

HEX #FC32E9

RGB 252 50 233

HSL 305.64, 0.97%, 0.59%

LAB 60.66, 88.73, -48.08

 

CMYK 0 / 73 / 1 / 0

HEX #FF44FC

RGB 255 68 252

HSL 300.96, 1%, 0.63%

LAB 63.69, 87.51, -53.81

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

CMYK 0 / 100 / 8 / 23

HEX #C400B5

RGB 196 0 181

HSL 304.59, 1%, 0.38%

LAB 45.73, 78.47, -42.52

 

CMYK 0 / 100 / 9 / 30

HEX #B300A2

RGB 179 0 162

HSL 305.7, 1%, 0.35%

LAB 41.52, 72.9, -38.11

 

CMYK 0 / 100 / 12 / 36

HEX #A2008F

RGB 162 0 143

HSL 307.04, 1%, 0.32%

LAB 37.23, 67.24, -33.57

 

CMYK 0 / 100 / 14 / 43

HEX #91007C

RGB 145 0 124

HSL 308.69, 1%, 0.28%

LAB 32.86, 61.46, -28.88

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 0 / 94 / 31 / 16

HEX #D70D94

RGB 215 13 148

HSL 319.9, 0.89%, 0.45%

LAB 48.1, 76.94, -18.91

 

CMYK 0 / 94 / 57 / 16

HEX #D70D5D

RGB 215 13 93

HSL 336.24, 0.89%, 0.45%

LAB 46.35, 72.25, 12.24

 

CMYK 0 / 94 / 82 / 16

HEX #D70D27

RGB 215 13 39

HSL 352.28, 0.89%, 0.45%

LAB 45.47, 69.83, 43.7

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 19 / 94 / 0 / 16

HEX #AE0DD7

RGB 174 13 215

HSL 287.82, 0.89%, 0.45%

LAB 44.51, 79.11, -64.47

 

CMYK 44 / 94 / 0 / 16

HEX #780DD7

RGB 120 13 215

HSL 271.78, 0.89%, 0.45%

LAB 36.34, 72.55, -78.16

 

CMYK 70 / 94 / 0 / 16

HEX #410DD7

RGB 65 13 215

HSL 255.45, 0.89%, 0.45%

LAB 30.2, 68.57, -88.52

 

CMYK 94 / 94 / 0 / 16

HEX #0D0DD7

RGB 13 13 215

HSL 240, 0.89%, 0.45%

LAB 27.52, 67.21, -93.07

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 0 / 84 / 6 / 23

HEX #C520BA

RGB 197 32 186

HSL 304, 0.72%, 0.45%

LAB 47.56, 75.34, -42.55

 

CMYK 0 / 72 / 4 / 30

HEX #B232AA

RGB 178 50 170

HSL 303.75, 0.56%, 0.45%

LAB 45.15, 64.12, -37.15

 

CMYK 0 / 57 / 4 / 37

HEX #A0459A

RGB 160 69 154

HSL 303.96, 0.4%, 0.45%

LAB 44.32, 49.1, -29.11

 

CMYK 0 / 38 / 3 / 45

HEX #8D5889

RGB 141 88 137

HSL 304.53, 0.23%, 0.45%

LAB 44.87, 29.93, -18.26

 

CMYK 45 / 94 / 0 / 16

HEX #760DD7

RGB 118 13 215

HSL 271.19, 0.89%, 0.45%

LAB 36.07, 72.35, -78.61

 

CMYK 20 / 94 / 0 / 16

HEX #AB0DD7

RGB 171 13 215

HSL 286.93, 0.89%, 0.45%

LAB 44.02, 78.69, -65.29

 

CMYK 0 / 94 / 5 / 16

HEX #D70DCD

RGB 215 13 205

HSL 302.97, 0.89%, 0.45%

LAB 50.85, 83.98, -48.14

 

CMYK 0 / 94 / 30 / 16

HEX #D70D97

RGB 215 13 151

HSL 319.01, 0.89%, 0.45%

LAB 48.22, 77.26, -20.53

 

CMYK 0 / 94 / 55 / 16

HEX #D70D61

RGB 215 13 97

HSL 335.05, 0.89%, 0.45%

LAB 46.44, 72.51, 9.89

 

CMYK 0 / 94 / 7 / 46

HEX #8A0881

RGB 138 8 129

HSL 304.15, 0.89%, 0.29%

LAB 32.17, 59.71, -33.2

 

CMYK 0 / 94 / 6 / 31

HEX #B00BA6

RGB 176 11 166

HSL 303.64, 0.88%, 0.37%

LAB 41.57, 71.82, -40.46

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 0 / 88 / 6 / 6

HEX #F01EE2

RGB 240 30 226

HSL 304, 0.88%, 0.53%

LAB 57.02, 89.22, -50.04

 

CMYK 0 / 72 / 5 / 5

HEX #F344E7

RGB 243 68 231

HSL 304.11, 0.88%, 0.61%

LAB 60.74, 81.92, -46.92

 

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

CMYK 0 / 70 / 94 / 16

HEX #D7400D

RGB 215 64 13

HSL 15.15, 0.89%, 0.45%

LAB 49.67, 57.11, 57.89

 

CMYK 94 / 0 / 33 / 16

HEX #0DD791

RGB 13 215 145

HSL 159.21, 0.89%, 0.45%

LAB 76.52, -59.95, 22.48

 

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

CMYK 5 / 0 / 94 / 16

HEX #CDD70D

RGB 205 215 13

HSL 62.97, 0.89%, 0.45%

LAB 82.71, -23.04, 80.98

 

CMYK 94 / 5 / 0 / 16

HEX #0DCDD7

RGB 13 205 215

HSL 182.97, 0.89%, 0.45%

LAB 75.24, -37.41, -16.84

 

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

CMYK 0 / 70 / 94 / 16

HEX #D7400D

RGB 215 64 13

HSL 15.15, 0.89%, 0.45%

LAB 49.67, 57.11, 57.89

 

CMYK 94 / 0 / 89 / 16

HEX #0DD717

RGB 13 215 23

HSL 122.97, 0.89%, 0.45%

LAB 75.29, -74.78, 70.53

 

CMYK 94 / 23 / 0 / 16

HEX #0DA5D7

RGB 13 165 215

HSL 194.85, 0.89%, 0.45%

LAB 63.26, -17.54, -35.2

 

CMYK 0 / 93 / 6 / 16

HEX #D50EC8

RGB 213 14 200

HSL 303.92, 0.88%, 0.45%

LAB 50.25, 82.85, -46.24

 

CMYK 0 / 42 / 94 / 16

HEX #D77C0D

RGB 215 124 13

HSL 32.97, 0.89%, 0.45%

LAB 60.69, 28.88, 65.2

 

CMYK 94 / 0 / 89 / 16

HEX #0DD717

RGB 13 215 23

HSL 122.97, 0.89%, 0.45%

LAB 75.29, -74.78, 70.53

 

CMYK 94 / 52 / 0 / 16

HEX #0D68D7

RGB 13 104 215

HSL 212.97, 0.89%, 0.45%

LAB 45.49, 18.78, -63.46

 

Description

Color code: HEX #D50EC8 | qconv.com Color code: HEX #D50EC8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 14 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 14 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 6 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 6% 16% C M Y K

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Provide designers and agencies with accurate color values.

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