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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50B97 it is the complementary color #2AF468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50B97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D50B97 shade: #DA0B92, #EB1DA5, #FC2FB8, #FF41CB and #FF53DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50B97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D50B97 shade: #D50B97, #C40084, #B30071, #A2005E and #91004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D50B97 shade: #D50B97, #D50B60, #D50B2A and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D50B97 shade: #D50B97, #D50BCD, #A60BD5, #6F0BD5 and #390BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D50B97 shade matches the following richer shades: #D50B97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D50B97 shade: #D50B97, #C31D90, #B02F89, #9E4182 and #8C537B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D50B97 shade: #A60BD5, #D50BCE, #D50B98, #D50B62 and #D50B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D50B97 shade: #86075F, #AD097B, #D50B97, #F216AF and #F43EBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D50B97 shade: #D50B97, #D5700B and #0BD5C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D50B97 shade: #D50B97, #98D50B and #0B98D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D50B97 shade: #D50B97, #D5700B, #0BD547 and #0B70D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D50B97 shade: #D50B97, #D5AC0B, #0BD547 and #0B33D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

Complementary color

CMYK 83 / 0 / 57 / 4

HEX #2AF468

RGB 42 244 104

HSL 138.42, 0.9%, 0.56%

LAB 85.09, -74.65, 53.51

 

CMYK 0 / 95 / 33 / 15

HEX #DA0B92

RGB 218 11 146

HSL 320.87, 0.9%, 0.45%

LAB 48.54, 77.53, -16.99

 

CMYK 0 / 88 / 30 / 8

HEX #EB1DA5

RGB 235 29 165

HSL 320.39, 0.84%, 0.52%

LAB 53.23, 80.89, -20.85

 

CMYK 0 / 81 / 27 / 1

HEX #FC2FB8

RGB 252 47 184

HSL 319.9, 0.97%, 0.59%

LAB 58.22, 83.23, -24.02

 

CMYK 0 / 75 / 20 / 0

HEX #FF41CB

RGB 255 65 203

HSL 316.42, 1%, 0.63%

LAB 61.09, 81.59, -30.43

 

CMYK 0 / 67 / 13 / 0

HEX #FF53DE

RGB 255 83 222

HSL 311.51, 1%, 0.66%

LAB 63.93, 78.38, -36.74

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 100 / 33 / 23

HEX #C40084

RGB 196 0 132

HSL 319.59, 1%, 0.38%

LAB 43.36, 72.53, -16.76

 

CMYK 0 / 100 / 37 / 30

HEX #B30071

RGB 179 0 113

HSL 322.12, 1%, 0.35%

LAB 39.2, 67.05, -11.6

 

CMYK 0 / 100 / 42 / 36

HEX #A2005E

RGB 162 0 94

HSL 325.19, 1%, 0.32%

LAB 34.98, 61.52, -6.19

 

CMYK 0 / 100 / 48 / 43

HEX #91004B

RGB 145 0 75

HSL 328.97, 1%, 0.28%

LAB 30.71, 55.94, -0.48

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 95 / 55 / 16

HEX #D50B60

RGB 213 11 96

HSL 334.75, 0.9%, 0.44%

LAB 45.95, 72.17, 9.75

 

CMYK 0 / 95 / 80 / 16

HEX #D50B2A

RGB 213 11 42

HSL 350.79, 0.9%, 0.44%

LAB 45.02, 69.61, 41.46

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 95 / 4 / 16

HEX #D50BCD

RGB 213 11 205

HSL 302.38, 0.9%, 0.44%

LAB 50.44, 83.81, -48.82

 

CMYK 22 / 95 / 0 / 16

HEX #A60BD5

RGB 166 11 213

HSL 286.04, 0.9%, 0.44%

LAB 42.99, 77.86, -65.85

 

CMYK 48 / 95 / 0 / 16

HEX #6F0BD5

RGB 111 11 213

HSL 269.7, 0.9%, 0.44%

LAB 34.85, 71.56, -79.51

 

CMYK 73 / 95 / 0 / 16

HEX #390BD5

RGB 57 11 213

HSL 253.66, 0.9%, 0.44%

LAB 29.19, 68.11, -89.06

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 85 / 26 / 24

HEX #C31D90

RGB 195 29 144

HSL 318.43, 0.74%, 0.44%

LAB 44.93, 69.96, -21.68

 

CMYK 0 / 73 / 22 / 31

HEX #B02F89

RGB 176 47 137

HSL 318.14, 0.58%, 0.44%

LAB 42.87, 59.8, -20.9

 

CMYK 0 / 59 / 18 / 38

HEX #9E4182

RGB 158 65 130

HSL 318.06, 0.42%, 0.44%

LAB 42.25, 46.42, -17.83

 

CMYK 0 / 41 / 12 / 45

HEX #8C537B

RGB 140 83 123

HSL 317.89, 0.26%, 0.44%

LAB 43.05, 29.83, -12.56

 

CMYK 22 / 95 / 0 / 16

HEX #A60BD5

RGB 166 11 213

HSL 286.04, 0.9%, 0.44%

LAB 42.99, 77.86, -65.85

 

CMYK 0 / 95 / 3 / 16

HEX #D50BCE

RGB 213 11 206

HSL 302.08, 0.9%, 0.44%

LAB 50.5, 83.95, -49.3

 

CMYK 0 / 95 / 29 / 16

HEX #D50B98

RGB 213 11 152

HSL 318.12, 0.9%, 0.44%

LAB 47.82, 77.15, -21.78

 

CMYK 0 / 95 / 54 / 16

HEX #D50B62

RGB 213 11 98

HSL 334.16, 0.9%, 0.44%

LAB 46, 72.31, 8.58

 

CMYK 0 / 95 / 79 / 16

HEX #D50B2C

RGB 213 11 44

HSL 350.2, 0.9%, 0.44%

LAB 45.04, 69.67, 40.35

 

CMYK 0 / 95 / 29 / 47

HEX #86075F

RGB 134 7 95

HSL 318.43, 0.9%, 0.28%

LAB 29.53, 54.4, -15.66

 

CMYK 0 / 95 / 29 / 32

HEX #AD097B

RGB 173 9 123

HSL 318.29, 0.9%, 0.36%

LAB 38.74, 65.86, -18.67

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 91 / 28 / 5

HEX #F216AF

RGB 242 22 175

HSL 318.27, 0.89%, 0.52%

LAB 54.6, 84.35, -24.5

 

CMYK 0 / 75 / 23 / 4

HEX #F43EBC

RGB 244 62 188

HSL 318.46, 0.89%, 0.6%

LAB 58.33, 78.09, -26.27

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 47 / 95 / 16

HEX #D5700B

RGB 213 112 11

HSL 30, 0.9%, 0.44%

LAB 57.81, 34.33, 63.46

 

CMYK 95 / 0 / 10 / 16

HEX #0BD5C0

RGB 11 213 192

HSL 173.76, 0.9%, 0.44%

LAB 76.96, -47.69, -1.89

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 29 / 0 / 95 / 16

HEX #98D50B

RGB 152 213 11

HSL 78.12, 0.9%, 0.44%

LAB 78.63, -43.45, 76.5

 

CMYK 95 / 29 / 0 / 16

HEX #0B98D5

RGB 11 152 213

HSL 198.12, 0.9%, 0.44%

LAB 59.28, -11.21, -40.31

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 47 / 95 / 16

HEX #D5700B

RGB 213 112 11

HSL 30, 0.9%, 0.44%

LAB 57.81, 34.33, 63.46

 

CMYK 95 / 0 / 67 / 16

HEX #0BD547

RGB 11 213 71

HSL 137.82, 0.9%, 0.44%

LAB 74.9, -71.14, 55.95

 

CMYK 95 / 47 / 0 / 16

HEX #0B70D5

RGB 11 112 213

HSL 210, 0.9%, 0.44%

LAB 47.58, 12.79, -58.94

 

CMYK 0 / 95 / 29 / 16

HEX #D50B97

RGB 213 11 151

HSL 318.42, 0.9%, 0.44%

LAB 47.78, 77.04, -21.24

 

CMYK 0 / 19 / 95 / 16

HEX #D5AC0B

RGB 213 172 11

HSL 47.82, 0.9%, 0.44%

LAB 72.01, 2.25, 73.5

 

CMYK 95 / 0 / 67 / 16

HEX #0BD547

RGB 11 213 71

HSL 137.82, 0.9%, 0.44%

LAB 74.9, -71.14, 55.95

 

CMYK 95 / 76 / 0 / 16

HEX #0B33D5

RGB 11 51 213

HSL 228.12, 0.9%, 0.44%

LAB 32.35, 51.37, -83.86

 

Description

Color code: HEX #D50B97 | qconv.com Color code: HEX #D50B97 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 11 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 11 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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