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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D500D2 it is the complementary color #2AFF2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D500D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D500D2 shade: #DA00CD, #EB12E0, #FC24F3, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D500D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D500D2 shade: #D500D2, #C400BF, #B300AC, #A20099 and #910086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D500D2 shade: #D600D3, #D60099, #D6005F, #D60025 and #D60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D500D2 shade: #D600D3, #9F00D6, #6500D6, #2B00D6 and #0000D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D500D2 shade matches the following richer shades: #D600D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D500D2 shade: #D600D3, #C411C2, #B322B1, #A233A0 and #90458F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D500D2 shade: #6300D6, #9D00D6, #D600D6, #D6009D and #D60063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D500D2 shade: #830081, #AC00AA, #D600D3, #FF00FB and #FF29FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D500D2 shade: #D500D2, #D62A00 and #00D680

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D500D2 shade: #D500D2, #D6D600 and #00D6D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D500D2 shade: #D500D2, #D62A00, #00D600 and #00ABD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D500D2 shade: #D500D2, #D66B00, #00D600 and #006BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

Complementary color

CMYK 84 / 0 / 82 / 0

HEX #2AFF2D

RGB 42 255 45

HSL 120.85, 1%, 0.58%

LAB 88.07, -82.86, 77.39

 

CMYK 0 / 100 / 6 / 15

HEX #DA00CD

RGB 218 0 205

HSL 303.58, 1%, 0.43%

LAB 51.05, 85.47, -47.8

 

CMYK 0 / 92 / 5 / 8

HEX #EB12E0

RGB 235 18 224

HSL 303.04, 0.86%, 0.5%

LAB 55.56, 89.54, -51.29

 

CMYK 0 / 86 / 4 / 1

HEX #FC24F3

RGB 252 36 243

HSL 302.5, 0.97%, 0.56%

LAB 60.27, 92.77, -54.28

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 100 / 3 / 23

HEX #C400BF

RGB 196 0 191

HSL 301.53, 1%, 0.38%

LAB 46.31, 79.88, -47.47

 

CMYK 0 / 100 / 4 / 30

HEX #B300AC

RGB 179 0 172

HSL 302.35, 1%, 0.35%

LAB 42.1, 74.31, -43.17

 

CMYK 0 / 100 / 6 / 36

HEX #A20099

RGB 162 0 153

HSL 303.33, 1%, 0.32%

LAB 37.81, 68.65, -38.76

 

CMYK 0 / 100 / 8 / 43

HEX #910086

RGB 145 0 134

HSL 304.55, 1%, 0.28%

LAB 33.44, 62.87, -34.23

 

CMYK 0 / 100 / 1 / 16

HEX #D600D3

RGB 214 0 211

HSL 300.84, 1%, 0.42%

LAB 50.69, 85.65, -51.87

 

CMYK 0 / 100 / 29 / 16

HEX #D60099

RGB 214 0 153

HSL 317.1, 1%, 0.42%

LAB 47.75, 78.35, -22.47

 

CMYK 0 / 100 / 56 / 16

HEX #D6005F

RGB 214 0 95

HSL 333.36, 1%, 0.42%

LAB 45.8, 73.28, 10.2

 

CMYK 0 / 100 / 83 / 16

HEX #D60025

RGB 214 0 37

HSL 349.63, 1%, 0.42%

LAB 44.84, 70.7, 44.12

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 100 / 1 / 16

HEX #D600D3

RGB 214 0 211

HSL 300.84, 1%, 0.42%

LAB 50.69, 85.65, -51.87

 

CMYK 26 / 100 / 0 / 16

HEX #9F00D6

RGB 159 0 214

HSL 284.58, 1%, 0.42%

LAB 41.57, 78.22, -68.78

 

CMYK 53 / 100 / 0 / 16

HEX #6500D6

RGB 101 0 214

HSL 268.32, 1%, 0.42%

LAB 33.18, 72.48, -82.88

 

CMYK 80 / 100 / 0 / 16

HEX #2B00D6

RGB 43 0 214

HSL 252.06, 1%, 0.42%

LAB 27.76, 69.87, -92.05

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 0 / 100 / 1 / 16

HEX #D600D3

RGB 214 0 211

HSL 300.84, 1%, 0.42%

LAB 50.69, 85.65, -51.87

 

CMYK 0 / 100 / 1 / 16

HEX #D600D3

RGB 214 0 211

HSL 300.84, 1%, 0.42%

LAB 50.69, 85.65, -51.87

 

CMYK 0 / 91 / 1 / 23

HEX #C411C2

RGB 196 17 194

HSL 300.67, 0.84%, 0.42%

LAB 47.02, 78.74, -48.09

 

CMYK 0 / 81 / 1 / 30

HEX #B322B1

RGB 179 34 177

HSL 300.83, 0.68%, 0.42%

LAB 44.09, 70.06, -42.96

 

CMYK 0 / 69 / 1 / 36

HEX #A233A0

RGB 162 51 160

HSL 301.08, 0.52%, 0.42%

LAB 42.13, 58.4, -36.12

 

CMYK 0 / 52 / 1 / 44

HEX #90458F

RGB 144 69 143

HSL 300.8, 0.35%, 0.42%

LAB 41.48, 42.45, -27.09

 

CMYK 54 / 100 / 0 / 16

HEX #6300D6

RGB 99 0 214

HSL 267.76, 1%, 0.42%

LAB 32.94, 72.34, -83.3

 

CMYK 27 / 100 / 0 / 16

HEX #9D00D6

RGB 157 0 214

HSL 284.02, 1%, 0.42%

LAB 41.25, 77.97, -69.32

 

CMYK 0 / 100 / 0 / 16

HEX #D600D6

RGB 214 0 214

HSL 300, 1%, 0.42%

LAB 50.86, 86.08, -53.3

 

CMYK 0 / 100 / 27 / 16

HEX #D6009D

RGB 214 0 157

HSL 315.98, 1%, 0.42%

LAB 47.92, 78.79, -24.61

 

CMYK 0 / 100 / 54 / 16

HEX #D60063

RGB 214 0 99

HSL 332.24, 1%, 0.42%

LAB 45.9, 73.55, 7.85

 

CMYK 0 / 100 / 2 / 49

HEX #830081

RGB 131 0 129

HSL 300.92, 1%, 0.26%

LAB 30.42, 59.62, -36.07

 

CMYK 0 / 100 / 1 / 33

HEX #AC00AA

RGB 172 0 170

HSL 300.7, 1%, 0.34%

LAB 40.69, 72.85, -44.3

 

CMYK 0 / 100 / 1 / 16

HEX #D600D3

RGB 214 0 211

HSL 300.84, 1%, 0.42%

LAB 50.69, 85.65, -51.87

 

CMYK 0 / 100 / 2 / 0

HEX #FF00FB

RGB 255 0 251

HSL 300.94, 1%, 0.5%

LAB 60.09, 97.7, -58.99

 

CMYK 0 / 84 / 2 / 0

HEX #FF29FB

RGB 255 41 251

HSL 301.12, 1%, 0.58%

LAB 61.49, 93.58, -56.76

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 80 / 100 / 16

HEX #D62A00

RGB 214 42 0

HSL 11.78, 1%, 0.42%

LAB 46.91, 63.72, 59.75

 

CMYK 100 / 0 / 40 / 16

HEX #00D680

RGB 0 214 128

HSL 155.89, 1%, 0.42%

LAB 75.85, -63.46, 30.39

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 0 / 100 / 16

HEX #D6D600

RGB 214 214 0

HSL 60, 1%, 0.42%

LAB 83.12, -18.89, 82.78

 

CMYK 100 / 0 / 0 / 16

HEX #00D6D6

RGB 0 214 214

HSL 180, 1%, 0.42%

LAB 77.84, -42.12, -12.39

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 80 / 100 / 16

HEX #D62A00

RGB 214 42 0

HSL 11.78, 1%, 0.42%

LAB 46.91, 63.72, 59.75

 

CMYK 100 / 0 / 100 / 16

HEX #00D600

RGB 0 214 0

HSL 120, 1%, 0.42%

LAB 74.88, -75.51, 72.87

 

CMYK 100 / 20 / 0 / 16

HEX #00ABD6

RGB 0 171 214

HSL 192.06, 1%, 0.42%

LAB 64.95, -21.45, -32.03

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 50 / 100 / 16

HEX #D66B00

RGB 214 107 0

HSL 30, 1%, 0.42%

LAB 56.89, 37.2, 64.93

 

CMYK 100 / 0 / 100 / 16

HEX #00D600

RGB 0 214 0

HSL 120, 1%, 0.42%

LAB 74.88, -75.51, 72.87

 

CMYK 100 / 50 / 0 / 16

HEX #006BD6

RGB 0 107 214

HSL 210, 1%, 0.42%

LAB 46.14, 16.05, -61.84

 

Description

Color code: HEX #D500D2 | qconv.com Color code: HEX #D500D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, none green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 0 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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