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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4FF4D it is the complementary color #2B00B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4FF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4FF4D shade: #D9FF48, #EAFF5B, #FBFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4FF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4FF4D shade: #D4FF4D, #C3ED3A, #B2DB27, #A1C914 and #90B701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4FF4D shade: #D3FF4C, #FFF94C, #FFC94C, #FF994C and #FF694C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4FF4D shade: #D3FF4C, #A3FF4C, #73FF4C, #4CFF55 and #4CFF85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4FF4D shade matches the following richer shades: #D3FF4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4FF4D shade: #D3FF4C, #CCF05A, #C4E269, #BDD377 and #B6C586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4FF4D shade: #FFC94C, #FFF94C, #D5FF4C, #A5FF4C and #76FF4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4FF4D shade: #BCF800, #C9FF23, #D3FF4C, #DDFF75 and #E7FF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4FF4D shade: #D4FF4D, #4CFF99 and #E14CFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4FF4D shade: #D4FF4D, #4CD5FF and #FF4CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4FF4D shade: #D4FF4D, #4CFF99, #764CFF and #FF4CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4FF4D shade: #D4FF4D, #4CFFCF, #764CFF and #FF4C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

Complementary color

CMYK 76 / 100 / 0 / 30

HEX #2B00B2

RGB 43 0 178

HSL 254.49, 1%, 0.35%

LAB 22.75, 61.14, -79.19

 

CMYK 15 / 0 / 72 / 0

HEX #D9FF48

RGB 217 255 72

HSL 72.46, 1%, 0.64%

LAB 94.63, -35.1, 78.16

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5B

RGB 234 255 91

HSL 67.68, 1%, 0.68%

LAB 95.9, -27.42, 73.05

 

CMYK 2 / 0 / 57 / 0

HEX #FBFF6E

RGB 251 255 110

HSL 61.66, 1%, 0.72%

LAB 97.29, -19.49, 67.24

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

CMYK 18 / 0 / 76 / 7

HEX #C3ED3A

RGB 195 237 58

HSL 74.08, 0.83%, 0.58%

LAB 88.2, -36.15, 75.97

 

CMYK 19 / 0 / 82 / 14

HEX #B2DB27

RGB 178 219 39

HSL 73.67, 0.71%, 0.51%

LAB 81.99, -35.4, 75.15

 

CMYK 20 / 0 / 90 / 21

HEX #A1C914

RGB 161 201 20

HSL 73.26, 0.82%, 0.43%

LAB 75.7, -34.47, 73.25

 

CMYK 21 / 0 / 99 / 28

HEX #90B701

RGB 144 183 1

HSL 72.86, 0.99%, 0.36%

LAB 69.33, -33.35, 70.12

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4C

RGB 211 255 76

HSL 74.75, 1%, 0.65%

LAB 94.27, -37.2, 76.34

 

CMYK 0 / 2 / 70 / 0

HEX #FFF94C

RGB 255 249 76

HSL 57.99, 1%, 0.65%

LAB 95.8, -16.97, 78.9

 

CMYK 0 / 21 / 70 / 0

HEX #FFC94C

RGB 255 201 76

HSL 41.9, 1%, 0.65%

LAB 83.73, 7.06, 66.94

 

CMYK 0 / 40 / 70 / 0

HEX #FF994C

RGB 255 153 76

HSL 25.81, 1%, 0.65%

LAB 72.6, 32.04, 55.31

 

CMYK 0 / 59 / 70 / 0

HEX #FF694C

RGB 255 105 76

HSL 9.72, 1%, 0.65%

LAB 63.25, 55.47, 44.97

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4C

RGB 211 255 76

HSL 74.75, 1%, 0.65%

LAB 94.27, -37.2, 76.34

 

CMYK 36 / 0 / 70 / 0

HEX #A3FF4C

RGB 163 255 76

HSL 90.84, 1%, 0.65%

LAB 91.61, -54.45, 72.8

 

CMYK 55 / 0 / 70 / 0

HEX #73FF4C

RGB 115 255 76

HSL 106.93, 1%, 0.65%

LAB 89.71, -68.48, 70.27

 

CMYK 70 / 0 / 67 / 0

HEX #4CFF55

RGB 76 255 85

HSL 123.02, 1%, 0.65%

LAB 88.79, -75.79, 65.68

 

CMYK 70 / 0 / 48 / 0

HEX #4CFF85

RGB 76 255 133

HSL 139.11, 1%, 0.65%

LAB 89.28, -70.01, 45.35

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4C

RGB 211 255 76

HSL 74.75, 1%, 0.65%

LAB 94.27, -37.2, 76.34

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4C

RGB 211 255 76

HSL 74.75, 1%, 0.65%

LAB 94.27, -37.2, 76.34

 

CMYK 15 / 0 / 63 / 6

HEX #CCF05A

RGB 204 240 90

HSL 74.4, 0.83%, 0.65%

LAB 89.81, -32.21, 66.39

 

CMYK 13 / 0 / 54 / 11

HEX #C4E269

RGB 196 226 105

HSL 74.88, 0.68%, 0.65%

LAB 85.58, -27.57, 55.07

 

CMYK 10 / 0 / 44 / 17

HEX #BDD377

RGB 189 211 119

HSL 74.35, 0.51%, 0.65%

LAB 81.15, -21.65, 42.97

 

CMYK 8 / 0 / 32 / 23

HEX #B6C586

RGB 182 197 134

HSL 74.29, 0.35%, 0.65%

LAB 77.04, -15.54, 29.96

 

CMYK 0 / 21 / 70 / 0

HEX #FFC94C

RGB 255 201 76

HSL 41.9, 1%, 0.65%

LAB 83.73, 7.06, 66.94

 

CMYK 0 / 2 / 70 / 0

HEX #FFF94C

RGB 255 249 76

HSL 57.99, 1%, 0.65%

LAB 95.8, -16.97, 78.9

 

CMYK 16 / 0 / 70 / 0

HEX #D5FF4C

RGB 213 255 76

HSL 74.08, 1%, 0.65%

LAB 94.39, -36.44, 76.5

 

CMYK 35 / 0 / 70 / 0

HEX #A5FF4C

RGB 165 255 76

HSL 90.17, 1%, 0.65%

LAB 91.7, -53.78, 72.93

 

CMYK 54 / 0 / 70 / 0

HEX #76FF4C

RGB 118 255 76

HSL 105.92, 1%, 0.65%

LAB 89.81, -67.72, 70.4

 

CMYK 24 / 0 / 100 / 3

HEX #BCF800

RGB 188 248 0

HSL 74.52, 1%, 0.49%

LAB 90.7, -45.02, 87.65

 

CMYK 21 / 0 / 86 / 0

HEX #C9FF23

RGB 201 255 35

HSL 74.73, 1%, 0.57%

LAB 93.48, -42.6, 86.28

 

CMYK 17 / 0 / 70 / 0

HEX #D3FF4C

RGB 211 255 76

HSL 74.75, 1%, 0.65%

LAB 94.27, -37.2, 76.34

 

CMYK 13 / 0 / 54 / 0

HEX #DDFF75

RGB 221 255 117

HSL 74.78, 1%, 0.73%

LAB 95.24, -30.55, 61.32

 

CMYK 9 / 0 / 38 / 0

HEX #E7FF9F

RGB 231 255 159

HSL 75, 1%, 0.81%

LAB 96.42, -22.57, 43.3

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

CMYK 70 / 0 / 40 / 0

HEX #4CFF99

RGB 76 255 153

HSL 145.81, 1%, 0.65%

LAB 89.56, -66.78, 36.02

 

CMYK 12 / 70 / 0 / 0

HEX #E14CFF

RGB 225 76 255

HSL 289.94, 1%, 0.65%

LAB 60.25, 79.47, -61.23

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

CMYK 70 / 16 / 0 / 0

HEX #4CD5FF

RGB 76 213 255

HSL 194.08, 1%, 0.65%

LAB 79.81, -23.78, -31.22

 

CMYK 0 / 70 / 16 / 0

HEX #FF4CD5

RGB 255 76 213

HSL 314.08, 1%, 0.65%

LAB 62.7, 79.51, -33.6

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

CMYK 70 / 0 / 40 / 0

HEX #4CFF99

RGB 76 255 153

HSL 145.81, 1%, 0.65%

LAB 89.56, -66.78, 36.02

 

CMYK 54 / 70 / 0 / 0

HEX #764CFF

RGB 118 76 255

HSL 254.08, 1%, 0.65%

LAB 47.29, 60.32, -82.83

 

CMYK 0 / 70 / 31 / 0

HEX #FF4CB1

RGB 255 76 177

HSL 326.15, 1%, 0.65%

LAB 61.31, 75.08, -15.22

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4D

RGB 212 255 77

HSL 74.49, 1%, 0.65%

LAB 94.33, -36.76, 76.08

 

CMYK 70 / 0 / 19 / 0

HEX #4CFFCF

RGB 76 255 207

HSL 163.91, 1%, 0.65%

LAB 90.58, -55.76, 10.03

 

CMYK 54 / 70 / 0 / 0

HEX #764CFF

RGB 118 76 255

HSL 254.08, 1%, 0.65%

LAB 47.29, 60.32, -82.83

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7C

RGB 255 76 124

HSL 343.91, 1%, 0.65%

LAB 59.78, 70.03, 13.39

 

Description

Color code: HEX #D4FF4D | qconv.com Color code: HEX #D4FF4D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 255 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 255 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 70 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 70% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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