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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4E1C5 it is the complementary color #2B1E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4E1C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4E1C5 shade: #D9E1C0, #EAF3D3, #FBFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4E1C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4E1C5 shade: #D4E1C5, #C3CFB2, #B2BD9F, #A1AB8C and #909979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4E1C5 shade: #D4E1C5, #DCE1C5, #E1DFC5, #E1D7C5 and #E1D0C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4E1C5 shade: #D4E1C5, #CDE1C5, #C5E1C5, #C5E1CD and #C5E1D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4E1C5 shade matches the following richer shades: #D4E1C5, #D5E8BE, #D5EFB7, #D6F6B0 and #D6FDA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4E1C5 shade: #D4E1C5, #D4DACC, #D3D3D3, #D3CCDA and #D2C5E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4E1C5 shade: #E1DFC5, #DCE1C5, #D5E1C5, #CDE1C5 and #C6E1C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4E1C5 shade: #ACC58F, #C0D3AA, #D4E1C5, #E8EFE1 and #FCFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4E1C5 shade: #D4E1C5, #C5E1D7 and #E1C5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4E1C5 shade: #D4E1C5, #C5D5E1 and #E1C5D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4E1C5 shade: #D4E1C5, #C5E1D7, #D2C5E1 and #E1C5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4E1C5 shade: #D4E1C5, #C5E1E0, #D2C5E1 and #E1C5C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

Complementary color

CMYK 26 / 48 / 0 / 77

HEX #2B1E3A

RGB 43 30 58

HSL 267.86, 0.32%, 0.17%

LAB 14.1, 13.26, -15.8

 

CMYK 4 / 0 / 15 / 12

HEX #D9E1C0

RGB 217 225 192

HSL 74.55, 0.35%, 0.82%

LAB 88.16, -8.35, 15.25

 

CMYK 4 / 0 / 13 / 5

HEX #EAF3D3

RGB 234 243 211

HSL 76.88, 0.57%, 0.89%

LAB 94.44, -8.43, 14.42

 

CMYK 2 / 0 / 10 / 0

HEX #FBFFE6

RGB 251 255 230

HSL 69.6, 1%, 0.95%

LAB 99.12, -5.54, 11.49

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 6 / 0 / 14 / 19

HEX #C3CFB2

RGB 195 207 178

HSL 84.83, 0.23%, 0.75%

LAB 81.53, -9.24, 13.04

 

CMYK 6 / 0 / 16 / 26

HEX #B2BD9F

RGB 178 189 159

HSL 82, 0.19%, 0.68%

LAB 75.05, -9.18, 13.89

 

CMYK 6 / 0 / 18 / 33

HEX #A1AB8C

RGB 161 171 140

HSL 79.35, 0.16%, 0.61%

LAB 68.46, -9.13, 14.8

 

CMYK 6 / 0 / 21 / 40

HEX #909979

RGB 144 153 121

HSL 76.88, 0.14%, 0.54%

LAB 61.73, -9.06, 15.77

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 2 / 0 / 12 / 12

HEX #DCE1C5

RGB 220 225 197

HSL 70.71, 0.32%, 0.83%

LAB 88.49, -6.49, 13.13

 

CMYK 0 / 1 / 12 / 12

HEX #E1DFC5

RGB 225 223 197

HSL 55.71, 0.32%, 0.83%

LAB 88.36, -3.69, 12.99

 

CMYK 0 / 4 / 12 / 12

HEX #E1D7C5

RGB 225 215 197

HSL 38.57, 0.32%, 0.83%

LAB 86.33, 0.43, 10.1

 

CMYK 0 / 8 / 12 / 12

HEX #E1D0C5

RGB 225 208 197

HSL 23.57, 0.32%, 0.83%

LAB 84.56, 4.07, 7.57

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 9 / 0 / 12 / 12

HEX #CDE1C5

RGB 205 225 197

HSL 102.86, 0.32%, 0.83%

LAB 87.42, -11.71, 11.45

 

CMYK 12 / 0 / 12 / 12

HEX #C5E1C5

RGB 197 225 197

HSL 120, 0.32%, 0.83%

LAB 86.88, -14.44, 10.61

 

CMYK 12 / 0 / 9 / 12

HEX #C5E1CD

RGB 197 225 205

HSL 137.14, 0.32%, 0.83%

LAB 87.06, -13.01, 6.67

 

CMYK 12 / 0 / 6 / 12

HEX #C5E1D4

RGB 197 225 212

HSL 152.14, 0.32%, 0.83%

LAB 87.23, -11.71, 3.23

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 8 / 0 / 18 / 9

HEX #D5E8BE

RGB 213 232 190

HSL 87.14, 0.48%, 0.83%

LAB 89.66, -13.59, 18.35

 

CMYK 11 / 0 / 23 / 6

HEX #D5EFB7

RGB 213 239 183

HSL 87.86, 0.64%, 0.83%

LAB 91.37, -18.13, 24.32

 

CMYK 13 / 0 / 28 / 4

HEX #D6F6B0

RGB 214 246 176

HSL 87.43, 0.8%, 0.83%

LAB 93.16, -22.2, 30.35

 

CMYK 15 / 0 / 33 / 1

HEX #D6FDA9

RGB 214 253 169

HSL 87.86, 0.95%, 0.83%

LAB 94.91, -26.5, 36.19

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 3 / 0 / 6 / 15

HEX #D4DACC

RGB 212 218 204

HSL 85.71, 0.16%, 0.83%

LAB 86.26, -4.53, 6.17

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 3 / 6 / 0 / 15

HEX #D3CCDA

RGB 211 204 218

HSL 270, 0.16%, 0.83%

LAB 82.96, 4.98, -6.08

 

CMYK 7 / 12 / 0 / 12

HEX #D2C5E1

RGB 210 197 225

HSL 267.86, 0.32%, 0.83%

LAB 81.33, 9.71, -12.26

 

CMYK 0 / 1 / 12 / 12

HEX #E1DFC5

RGB 225 223 197

HSL 55.71, 0.32%, 0.83%

LAB 88.36, -3.69, 12.99

 

CMYK 2 / 0 / 12 / 12

HEX #DCE1C5

RGB 220 225 197

HSL 70.71, 0.32%, 0.83%

LAB 88.49, -6.49, 13.13

 

CMYK 5 / 0 / 12 / 12

HEX #D5E1C5

RGB 213 225 197

HSL 85.71, 0.32%, 0.83%

LAB 87.98, -8.94, 12.33

 

CMYK 9 / 0 / 12 / 12

HEX #CDE1C5

RGB 205 225 197

HSL 102.86, 0.32%, 0.83%

LAB 87.42, -11.71, 11.45

 

CMYK 12 / 0 / 12 / 12

HEX #C6E1C5

RGB 198 225 197

HSL 117.86, 0.32%, 0.83%

LAB 86.94, -14.1, 10.71

 

CMYK 13 / 0 / 27 / 23

HEX #ACC58F

RGB 172 197 143

HSL 87.78, 0.32%, 0.67%

LAB 76.49, -18.01, 24.36

 

CMYK 9 / 0 / 19 / 17

HEX #C0D3AA

RGB 192 211 170

HSL 87.8, 0.32%, 0.75%

LAB 82.22, -13.65, 18.2

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 3 / 0 / 6 / 6

HEX #E8EFE1

RGB 232 239 225

HSL 90, 0.3%, 0.91%

LAB 93.59, -4.79, 5.95

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFC

RGB 252 253 252

HSL 120, 0.2%, 0.99%

LAB 99.21, -0.5, 0.35

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 12 / 0 / 4 / 12

HEX #C5E1D7

RGB 197 225 215

HSL 158.57, 0.32%, 0.83%

LAB 87.3, -11.14, 1.76

 

CMYK 0 / 12 / 0 / 12

HEX #E1C5E0

RGB 225 197 224

HSL 302.14, 0.32%, 0.83%

LAB 82.55, 14.53, -9.77

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 12 / 5 / 0 / 12

HEX #C5D5E1

RGB 197 213 225

HSL 205.71, 0.32%, 0.83%

LAB 84.43, -2.99, -7.75

 

CMYK 0 / 12 / 5 / 12

HEX #E1C5D5

RGB 225 197 213

HSL 325.71, 0.32%, 0.83%

LAB 82.24, 12.56, -4.34

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 12 / 0 / 4 / 12

HEX #C5E1D7

RGB 197 225 215

HSL 158.57, 0.32%, 0.83%

LAB 87.3, -11.14, 1.76

 

CMYK 7 / 12 / 0 / 12

HEX #D2C5E1

RGB 210 197 225

HSL 267.86, 0.32%, 0.83%

LAB 81.33, 9.71, -12.26

 

CMYK 0 / 12 / 8 / 12

HEX #E1C5CF

RGB 225 197 207

HSL 338.57, 0.32%, 0.83%

LAB 82.08, 11.53, -1.36

 

CMYK 6 / 0 / 12 / 12

HEX #D4E1C5

RGB 212 225 197

HSL 87.86, 0.32%, 0.83%

LAB 87.91, -9.29, 12.22

 

CMYK 12 / 0 / 0 / 12

HEX #C5E1E0

RGB 197 225 224

HSL 177.86, 0.32%, 0.83%

LAB 87.53, -9.39, -2.64

 

CMYK 7 / 12 / 0 / 12

HEX #D2C5E1

RGB 210 197 225

HSL 267.86, 0.32%, 0.83%

LAB 81.33, 9.71, -12.26

 

CMYK 0 / 12 / 12 / 12

HEX #E1C5C7

RGB 225 197 199

HSL 355.71, 0.32%, 0.83%

LAB 81.87, 10.19, 2.63

 

Description

Color code: HEX #D4E1C5 | qconv.com Color code: HEX #D4E1C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 225 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 225 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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