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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4E875 it is the complementary color #2B178A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4E875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4E875 shade: #D9E870, #EAFA83, #FBFF96, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4E875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4E875 shade: #D4E875, #C3D662, #B2C44F, #A1B23C and #90A029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4E875 shade: #D3E773, #E7DC73, #E7BC73, #E79D73 and #E77E73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4E875 shade: #D3E773, #B3E773, #94E773, #75E773 and #73E790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4E875 shade matches the following richer shades: #D3E773 and #DBF466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4E875 shade: #D3E773, #CADA80, #C1CC8D, #B9BF9B and #B0B2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4E875 shade: #E7BC73, #E7DB73, #D4E773, #B5E773 and #96E773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4E875 shade: #BDDB2C, #C8E150, #D3E773, #DEED96 and #E9F3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4E875 shade: #D4E875, #73E79D and #CC73E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4E875 shade: #D4E875, #73D4E7 and #E773D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4E875 shade: #D4E875, #73E79D, #8673E7 and #E773BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4E875 shade: #D4E875, #73E7C0, #8673E7 and #E7739A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

Complementary color

CMYK 69 / 83 / 0 / 46

HEX #2B178A

RGB 43 23 138

HSL 250.43, 0.71%, 0.32%

LAB 19.89, 43.17, -59.45

 

CMYK 6 / 0 / 52 / 9

HEX #D9E870

RGB 217 232 112

HSL 67.5, 0.72%, 0.67%

LAB 88.75, -21.65, 55.95

 

CMYK 6 / 0 / 48 / 2

HEX #EAFA83

RGB 234 250 131

HSL 68.07, 0.92%, 0.75%

LAB 94.95, -21.99, 54.87

 

CMYK 2 / 0 / 41 / 0

HEX #FBFF96

RGB 251 255 150

HSL 62.29, 1%, 0.79%

LAB 97.73, -16.06, 49.6

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 9 / 0 / 54 / 16

HEX #C3D662

RGB 195 214 98

HSL 69.83, 0.59%, 0.61%

LAB 82.15, -22.81, 54.27

 

CMYK 9 / 0 / 60 / 23

HEX #B2C44F

RGB 178 196 79

HSL 69.23, 0.5%, 0.54%

LAB 75.77, -22.39, 55.22

 

CMYK 10 / 0 / 66 / 30

HEX #A1B23C

RGB 161 178 60

HSL 68.64, 0.5%, 0.47%

LAB 69.29, -21.84, 55.95

 

CMYK 10 / 0 / 74 / 37

HEX #90A029

RGB 144 160 41

HSL 68.07, 0.59%, 0.39%

LAB 62.7, -21.14, 56.2

 

CMYK 9 / 0 / 50 / 9

HEX #D3E773

RGB 211 231 115

HSL 70.34, 0.71%, 0.68%

LAB 88.08, -23.24, 53.68

 

CMYK 0 / 5 / 50 / 9

HEX #E7DC73

RGB 231 220 115

HSL 54.31, 0.71%, 0.68%

LAB 86.71, -9.91, 52.42

 

CMYK 0 / 19 / 50 / 9

HEX #E7BC73

RGB 231 188 115

HSL 37.76, 0.71%, 0.68%

LAB 78.57, 6.55, 42.53

 

CMYK 0 / 32 / 50 / 9

HEX #E79D73

RGB 231 157 115

HSL 21.72, 0.71%, 0.68%

LAB 71.11, 23.01, 33.08

 

CMYK 0 / 45 / 50 / 9

HEX #E77E73

RGB 231 126 115

HSL 5.69, 0.71%, 0.68%

LAB 64.28, 39.31, 24.11

 

CMYK 9 / 0 / 50 / 9

HEX #D3E773

RGB 211 231 115

HSL 70.34, 0.71%, 0.68%

LAB 88.08, -23.24, 53.68

 

CMYK 23 / 0 / 50 / 9

HEX #B3E773

RGB 179 231 115

HSL 86.9, 0.71%, 0.68%

LAB 85.99, -35.3, 50.68

 

CMYK 36 / 0 / 50 / 9

HEX #94E773

RGB 148 231 115

HSL 102.93, 0.71%, 0.68%

LAB 84.32, -45.97, 48.27

 

CMYK 49 / 0 / 50 / 9

HEX #75E773

RGB 117 231 115

HSL 118.97, 0.71%, 0.68%

LAB 83, -55.18, 46.36

 

CMYK 50 / 0 / 38 / 9

HEX #73E790

RGB 115 231 144

HSL 135, 0.71%, 0.68%

LAB 83.34, -51.39, 32.52

 

CMYK 9 / 0 / 50 / 9

HEX #D3E773

RGB 211 231 115

HSL 70.34, 0.71%, 0.68%

LAB 88.08, -23.24, 53.68

 

CMYK 10 / 0 / 58 / 4

HEX #DBF466

RGB 219 244 102

HSL 70.56, 0.87%, 0.68%

LAB 92.01, -27.39, 64.11

 

CMYK 9 / 0 / 50 / 9

HEX #D3E773

RGB 211 231 115

HSL 70.34, 0.71%, 0.68%

LAB 88.08, -23.24, 53.68

 

CMYK 7 / 0 / 41 / 15

HEX #CADA80

RGB 202 218 128

HSL 70.67, 0.55%, 0.68%

LAB 84.1, -19.08, 42.42

 

CMYK 5 / 0 / 31 / 20

HEX #C1CC8D

RGB 193 204 141

HSL 70.48, 0.38%, 0.68%

LAB 79.87, -13.96, 30.21

 

CMYK 3 / 0 / 19 / 25

HEX #B9BF9B

RGB 185 191 155

HSL 70, 0.22%, 0.68%

LAB 76.03, -8.29, 17.5

 

CMYK 1 / 0 / 6 / 30

HEX #B0B2A8

RGB 176 178 168

HSL 72, 0.06%, 0.68%

LAB 72.16, -2.54, 4.85

 

CMYK 0 / 19 / 50 / 9

HEX #E7BC73

RGB 231 188 115

HSL 37.76, 0.71%, 0.68%

LAB 78.57, 6.55, 42.53

 

CMYK 0 / 5 / 50 / 9

HEX #E7DB73

RGB 231 219 115

HSL 53.79, 0.71%, 0.68%

LAB 86.45, -9.41, 52.11

 

CMYK 8 / 0 / 50 / 9

HEX #D4E773

RGB 212 231 115

HSL 69.83, 0.71%, 0.68%

LAB 88.15, -22.85, 53.78

 

CMYK 22 / 0 / 50 / 9

HEX #B5E773

RGB 181 231 115

HSL 85.86, 0.71%, 0.68%

LAB 86.11, -34.57, 50.85

 

CMYK 35 / 0 / 50 / 9

HEX #96E773

RGB 150 231 115

HSL 101.9, 0.71%, 0.68%

LAB 84.42, -45.32, 48.41

 

CMYK 14 / 0 / 80 / 14

HEX #BDDB2C

RGB 189 219 44

HSL 70.29, 0.71%, 0.52%

LAB 82.73, -30.83, 74.82

 

CMYK 11 / 0 / 64 / 12

HEX #C8E150

RGB 200 225 80

HSL 70.34, 0.71%, 0.6%

LAB 85.36, -27.44, 65.57

 

CMYK 9 / 0 / 50 / 9

HEX #D3E773

RGB 211 231 115

HSL 70.34, 0.71%, 0.68%

LAB 88.08, -23.24, 53.68

 

CMYK 6 / 0 / 37 / 7

HEX #DEED96

RGB 222 237 150

HSL 70.34, 0.71%, 0.76%

LAB 90.92, -18.28, 40.51

 

CMYK 4 / 0 / 23 / 5

HEX #E9F3BA

RGB 233 243 186

HSL 70.53, 0.7%, 0.84%

LAB 93.87, -12.53, 26.45

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 50 / 0 / 32 / 9

HEX #73E79D

RGB 115 231 157

HSL 141.72, 0.71%, 0.68%

LAB 83.56, -49.13, 26.18

 

CMYK 12 / 50 / 0 / 9

HEX #CC73E7

RGB 204 115 231

HSL 286.03, 0.71%, 0.68%

LAB 62.4, 53.1, -44.67

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 50 / 8 / 0 / 9

HEX #73D4E7

RGB 115 212 231

HSL 189.83, 0.71%, 0.68%

LAB 79.9, -23.55, -18.18

 

CMYK 0 / 50 / 8 / 9

HEX #E773D4

RGB 231 115 212

HSL 309.83, 0.71%, 0.68%

LAB 64.97, 57.23, -29.81

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 50 / 0 / 32 / 9

HEX #73E79D

RGB 115 231 157

HSL 141.72, 0.71%, 0.68%

LAB 83.56, -49.13, 26.18

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 0 / 50 / 19 / 9

HEX #E773BC

RGB 231 115 188

HSL 322.24, 0.71%, 0.68%

LAB 64.06, 53.52, -17.67

 

CMYK 9 / 0 / 50 / 9

HEX #D4E875

RGB 212 232 117

HSL 70.43, 0.71%, 0.68%

LAB 88.45, -23.15, 53.2

 

CMYK 50 / 0 / 17 / 9

HEX #73E7C0

RGB 115 231 192

HSL 159.83, 0.71%, 0.68%

LAB 84.28, -42.07, 8.96

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 0 / 50 / 33 / 9

HEX #E7739A

RGB 231 115 154

HSL 339.83, 0.71%, 0.68%

LAB 63, 48.96, 0.12

 

Description

Color code: HEX #D4E875 | qconv.com Color code: HEX #D4E875 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 232 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 232 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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