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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4E504 it is the complementary color #2B1AFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4E504. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4E504 shade: #D9E500, #EAF712, #FBFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4E504. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4E504 shade: #D4E504, #C3D300, #B2C100, #A1AF00 and #909D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4E504 shade: #D5E703, #E7BA03, #E77D03, #E74003 and #E70303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4E504 shade: #D5E703, #98E703, #5BE703, #1DE703 and #03E726

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4E504 shade matches the following richer shades: #D5E703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4E504 shade: #D5E703, #C5D416, #B5C129, #A5AE3C and #959B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4E504 shade: #E77C03, #E7B903, #D7E703, #9BE703 and #5EE703

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4E504 shade: #8A9502, #B0BE02, #D5E703, #EAFB18 and #EDFC41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4E504 shade: #D4E504, #03E740 and #9B03E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4E504 shade: #D4E504, #03D7E7 and #E703D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4E504 shade: #D4E504, #03E740, #1203E7 and #E703AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4E504 shade: #D4E504, #03E784, #1203E7 and #E70366

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

Complementary color

CMYK 83 / 90 / 0 / 2

HEX #2B1AFB

RGB 43 26 251

HSL 244.53, 0.97%, 0.54%

LAB 34.43, 73.83, -102.03

 

CMYK 5 / 0 / 100 / 10

HEX #D9E500

RGB 217 229 0

HSL 63.14, 1%, 0.45%

LAB 87.38, -24.87, 86.01

 

CMYK 5 / 0 / 93 / 3

HEX #EAF712

RGB 234 247 18

HSL 63.41, 0.93%, 0.52%

LAB 93.48, -26.22, 89.64

 

CMYK 2 / 0 / 85 / 0

HEX #FBFF25

RGB 251 255 37

HSL 61.1, 1%, 0.57%

LAB 96.89, -22.75, 90.11

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

CMYK 8 / 0 / 100 / 17

HEX #C3D300

RGB 195 211 0

HSL 64.55, 1%, 0.41%

LAB 80.84, -25.44, 80.44

 

CMYK 8 / 0 / 100 / 24

HEX #B2C100

RGB 178 193 0

HSL 64.66, 1%, 0.38%

LAB 74.58, -23.92, 75.23

 

CMYK 8 / 0 / 100 / 31

HEX #A1AF00

RGB 161 175 0

HSL 64.8, 1%, 0.34%

LAB 68.19, -22.37, 69.92

 

CMYK 8 / 0 / 100 / 38

HEX #909D00

RGB 144 157 0

HSL 64.97, 1%, 0.31%

LAB 61.69, -20.8, 64.51

 

CMYK 8 / 0 / 99 / 9

HEX #D5E703

RGB 213 231 3

HSL 64.74, 0.97%, 0.46%

LAB 87.63, -27.44, 85.82

 

CMYK 0 / 19 / 99 / 9

HEX #E7BA03

RGB 231 186 3

HSL 48.16, 0.97%, 0.46%

LAB 77.35, 2.68, 79.03

 

CMYK 0 / 46 / 99 / 9

HEX #E77D03

RGB 231 125 3

HSL 32.11, 0.97%, 0.46%

LAB 63.06, 34.86, 69.43

 

CMYK 0 / 72 / 99 / 9

HEX #E74003

RGB 231 64 3

HSL 16.05, 0.97%, 0.46%

LAB 52.58, 62.12, 63.44

 

CMYK 0 / 99 / 99 / 9

HEX #E70303

RGB 231 3 3

HSL 0, 0.97%, 0.46%

LAB 48.34, 74.12, 61.54

 

CMYK 8 / 0 / 99 / 9

HEX #D5E703

RGB 213 231 3

HSL 64.74, 0.97%, 0.46%

LAB 87.63, -27.44, 85.82

 

CMYK 34 / 0 / 99 / 9

HEX #98E703

RGB 152 231 3

HSL 80.79, 0.97%, 0.46%

LAB 83.88, -51.07, 81.32

 

CMYK 61 / 0 / 99 / 9

HEX #5BE703

RGB 91 231 3

HSL 96.84, 0.97%, 0.46%

LAB 81.5, -69.17, 78.43

 

CMYK 87 / 0 / 99 / 9

HEX #1DE703

RGB 29 231 3

HSL 113.16, 0.97%, 0.46%

LAB 80.42, -78.59, 77.11

 

CMYK 99 / 0 / 84 / 9

HEX #03E726

RGB 3 231 38

HSL 129.21, 0.97%, 0.46%

LAB 80.35, -78.86, 71.95

 

CMYK 8 / 0 / 99 / 9

HEX #D5E703

RGB 213 231 3

HSL 64.74, 0.97%, 0.46%

LAB 87.63, -27.44, 85.82

 

CMYK 8 / 0 / 99 / 9

HEX #D5E703

RGB 213 231 3

HSL 64.74, 0.97%, 0.46%

LAB 87.63, -27.44, 85.82

 

CMYK 7 / 0 / 90 / 17

HEX #C5D416

RGB 197 212 22

HSL 64.74, 0.81%, 0.46%

LAB 81.3, -24.81, 78.47

 

CMYK 6 / 0 / 79 / 24

HEX #B5C129

RGB 181 193 41

HSL 64.74, 0.65%, 0.46%

LAB 74.9, -21.79, 68.47

 

CMYK 5 / 0 / 66 / 32

HEX #A5AE3C

RGB 165 174 60

HSL 64.74, 0.49%, 0.46%

LAB 68.46, -18.15, 55.18

 

CMYK 4 / 0 / 49 / 39

HEX #959B4F

RGB 149 155 79

HSL 64.74, 0.32%, 0.46%

LAB 62, -13.59, 38.8

 

CMYK 0 / 46 / 99 / 9

HEX #E77C03

RGB 231 124 3

HSL 31.84, 0.97%, 0.46%

LAB 62.85, 35.37, 69.29

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 7 / 0 / 99 / 9

HEX #D7E703

RGB 215 231 3

HSL 64.21, 0.97%, 0.46%

LAB 87.78, -26.62, 86

 

CMYK 33 / 0 / 99 / 9

HEX #9BE703

RGB 155 231 3

HSL 80, 0.97%, 0.46%

LAB 84.03, -50, 81.5

 

CMYK 59 / 0 / 99 / 9

HEX #5EE703

RGB 94 231 3

HSL 96.05, 0.97%, 0.46%

LAB 81.59, -68.47, 78.54

 

CMYK 7 / 0 / 99 / 42

HEX #8A9502

RGB 138 149 2

HSL 64.49, 0.97%, 0.3%

LAB 58.88, -19.36, 61.91

 

CMYK 7 / 0 / 99 / 25

HEX #B0BE02

RGB 176 190 2

HSL 64.47, 0.98%, 0.38%

LAB 73.59, -23.28, 74.21

 

CMYK 8 / 0 / 99 / 9

HEX #D5E703

RGB 213 231 3

HSL 64.74, 0.97%, 0.46%

LAB 87.63, -27.44, 85.82

 

CMYK 7 / 0 / 90 / 2

HEX #EAFB18

RGB 234 251 24

HSL 64.49, 0.97%, 0.54%

LAB 94.55, -28.01, 89.76

 

CMYK 6 / 0 / 74 / 1

HEX #EDFC41

RGB 237 252 65

HSL 64.81, 0.97%, 0.62%

LAB 95.16, -26.14, 81.37

 

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

CMYK 99 / 0 / 72 / 9

HEX #03E740

RGB 3 231 64

HSL 136.05, 0.97%, 0.46%

LAB 80.48, -77.2, 64.45

 

CMYK 33 / 99 / 0 / 9

HEX #9B03E7

RGB 155 3 231

HSL 280, 0.97%, 0.46%

LAB 42.47, 80.58, -77.07

 

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

CMYK 99 / 7 / 0 / 9

HEX #03D7E7

RGB 3 215 231

HSL 184.21, 0.97%, 0.46%

LAB 78.69, -37.35, -20.21

 

CMYK 0 / 99 / 7 / 9

HEX #E703D7

RGB 231 3 215

HSL 304.21, 0.97%, 0.46%

LAB 53.98, 88.77, -48.72

 

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

CMYK 99 / 0 / 72 / 9

HEX #03E740

RGB 3 231 64

HSL 136.05, 0.97%, 0.46%

LAB 80.48, -77.2, 64.45

 

CMYK 92 / 99 / 0 / 9

HEX #1203E7

RGB 18 3 231

HSL 243.95, 0.97%, 0.46%

LAB 29.32, 73.08, -99.26

 

CMYK 0 / 99 / 26 / 9

HEX #E703AA

RGB 231 3 170

HSL 316.05, 0.97%, 0.46%

LAB 51.79, 83.26, -26.08

 

CMYK 7 / 0 / 98 / 10

HEX #D4E504

RGB 212 229 4

HSL 64.53, 0.97%, 0.46%

LAB 87.02, -26.9, 85.25

 

CMYK 99 / 0 / 43 / 9

HEX #03E784

RGB 3 231 132

HSL 153.95, 0.97%, 0.46%

LAB 81.2, -68.34, 35.37

 

CMYK 92 / 99 / 0 / 9

HEX #1203E7

RGB 18 3 231

HSL 243.95, 0.97%, 0.46%

LAB 29.32, 73.08, -99.26

 

CMYK 0 / 99 / 56 / 9

HEX #E70366

RGB 231 3 102

HSL 333.95, 0.97%, 0.46%

LAB 49.51, 77.31, 11.57

 

Description

Color code: HEX #D4E504 | qconv.com Color code: HEX #D4E504 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 229 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 229 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 98 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 98% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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