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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4D2AF it is the complementary color #2B2D50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4D2AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4D2AF shade: #D9D2AA, #EAE4BD, #FBF6D0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4D2AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4D2AF shade: #D4D2AF, #C3C09C, #B2AE89, #A19C76 and #908A63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4D2AF shade: #D4D2AF, #D4C8AF, #D4BEAF, #D4B4AF and #D4AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4D2AF shade: #D4D2AF, #CCD4AF, #C2D4AF, #B8D4AF and #AFD4B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4D2AF shade matches the following richer shades: #D4D2AF, #DEDBA5, #E7E39B, #F1EC91 and #FBF587

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4D2AF shade: #D4D2AF, #CAC9B9, #C0C0C3, #B6B7CD and #ACAED7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4D2AF shade: #D4BEAF, #D4C7AF, #D4D1AF, #CCD4AF and #C3D4AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4D2AF shade: #B7B379, #C5C394, #D4D2AF, #E2E1CA and #F1F0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4D2AF shade: #D4D2AF, #AFD4B4 and #C3AFD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4D2AF shade: #D4D2AF, #AFD4D1 and #D1AFD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4D2AF shade: #D4D2AF, #AFD4B4, #AFB1D4 and #D4AFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4D2AF shade: #D4D2AF, #AFD4BF, #AFB1D4 and #D4AFC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

Complementary color

CMYK 46 / 44 / 0 / 69

HEX #2B2D50

RGB 43 45 80

HSL 236.76, 0.3%, 0.24%

LAB 19.92, 9.63, -21.78

 

CMYK 0 / 3 / 22 / 15

HEX #D9D2AA

RGB 217 210 170

HSL 51.06, 0.38%, 0.76%

LAB 83.83, -4, 20.73

 

CMYK 0 / 3 / 19 / 8

HEX #EAE4BD

RGB 234 228 189

HSL 52, 0.52%, 0.83%

LAB 90.16, -4.22, 19.8

 

CMYK 0 / 2 / 17 / 2

HEX #FBF6D0

RGB 251 246 208

HSL 53.02, 0.84%, 0.9%

LAB 96.4, -4.42, 18.91

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 0 / 2 / 20 / 24

HEX #C3C09C

RGB 195 192 156

HSL 55.38, 0.25%, 0.69%

LAB 77.1, -4.92, 18.56

 

CMYK 0 / 2 / 23 / 30

HEX #B2AE89

RGB 178 174 137

HSL 54.15, 0.21%, 0.62%

LAB 70.55, -4.7, 19.55

 

CMYK 0 / 3 / 27 / 37

HEX #A19C76

RGB 161 156 118

HSL 53.02, 0.19%, 0.55%

LAB 63.89, -4.45, 20.61

 

CMYK 0 / 4 / 31 / 44

HEX #908A63

RGB 144 138 99

HSL 52, 0.19%, 0.48%

LAB 57.08, -4.15, 21.74

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 0 / 6 / 17 / 17

HEX #D4C8AF

RGB 212 200 175

HSL 40.54, 0.3%, 0.76%

LAB 80.96, 0.09, 14.01

 

CMYK 0 / 10 / 17 / 17

HEX #D4BEAF

RGB 212 190 175

HSL 24.32, 0.3%, 0.76%

LAB 78.41, 5.37, 10.4

 

CMYK 0 / 15 / 17 / 17

HEX #D4B4AF

RGB 212 180 175

HSL 8.11, 0.3%, 0.76%

LAB 75.91, 10.71, 6.82

 

CMYK 0 / 17 / 17 / 17

HEX #D4AFAF

RGB 212 175 175

HSL 0, 0.3%, 0.76%

LAB 74.67, 13.4, 5.04

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 4 / 0 / 17 / 17

HEX #CCD4AF

RGB 204 212 175

HSL 72.97, 0.3%, 0.76%

LAB 83.45, -9.05, 17.42

 

CMYK 8 / 0 / 17 / 17

HEX #C2D4AF

RGB 194 212 175

HSL 89.19, 0.3%, 0.76%

LAB 82.73, -12.64, 16.3

 

CMYK 13 / 0 / 17 / 17

HEX #B8D4AF

RGB 184 212 175

HSL 105.41, 0.3%, 0.76%

LAB 82.04, -16.16, 15.23

 

CMYK 17 / 0 / 17 / 17

HEX #AFD4B0

RGB 175 212 176

HSL 121.62, 0.3%, 0.76%

LAB 81.48, -19.07, 13.82

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 0 / 1 / 26 / 13

HEX #DEDBA5

RGB 222 219 165

HSL 56.84, 0.46%, 0.76%

LAB 86.46, -7.43, 27

 

CMYK 0 / 2 / 33 / 9

HEX #E7E39B

RGB 231 227 155

HSL 56.84, 0.61%, 0.76%

LAB 89.06, -9.33, 35.72

 

CMYK 0 / 2 / 40 / 5

HEX #F1EC91

RGB 241 236 145

HSL 56.88, 0.77%, 0.76%

LAB 92.01, -11.09, 44.67

 

CMYK 0 / 2 / 46 / 2

HEX #FBF587

RGB 251 245 135

HSL 56.9, 0.94%, 0.76%

LAB 94.98, -12.62, 53.33

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 0 / 0 / 8 / 21

HEX #CAC9B9

RGB 202 201 185

HSL 56.47, 0.14%, 0.76%

LAB 80.65, -2.46, 8.11

 

CMYK 2 / 2 / 0 / 24

HEX #C0C0C3

RGB 192 192 195

HSL 240, 0.02%, 0.76%

LAB 77.78, 0.56, -1.51

 

CMYK 11 / 11 / 0 / 20

HEX #B6B7CD

RGB 182 183 205

HSL 237.39, 0.19%, 0.76%

LAB 74.96, 3.99, -11.2

 

CMYK 20 / 19 / 0 / 16

HEX #ACAED7

RGB 172 174 215

HSL 237.21, 0.35%, 0.76%

LAB 72.19, 7.85, -20.91

 

CMYK 0 / 10 / 17 / 17

HEX #D4BEAF

RGB 212 190 175

HSL 24.32, 0.3%, 0.76%

LAB 78.41, 5.37, 10.4

 

CMYK 0 / 6 / 17 / 17

HEX #D4C7AF

RGB 212 199 175

HSL 38.92, 0.3%, 0.76%

LAB 80.7, 0.61, 13.65

 

CMYK 0 / 1 / 17 / 17

HEX #D4D1AF

RGB 212 209 175

HSL 55.14, 0.3%, 0.76%

LAB 83.28, -4.59, 17.27

 

CMYK 4 / 0 / 17 / 17

HEX #CCD4AF

RGB 204 212 175

HSL 72.97, 0.3%, 0.76%

LAB 83.45, -9.05, 17.42

 

CMYK 8 / 0 / 17 / 17

HEX #C3D4AF

RGB 195 212 175

HSL 87.57, 0.3%, 0.76%

LAB 82.8, -12.29, 16.4

 

CMYK 0 / 2 / 34 / 28

HEX #B7B379

RGB 183 179 121

HSL 56.13, 0.3%, 0.6%

LAB 72.02, -7.53, 30.18

 

CMYK 0 / 1 / 25 / 23

HEX #C5C394

RGB 197 195 148

HSL 57.55, 0.3%, 0.68%

LAB 77.9, -6.87, 23.94

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 0 / 0 / 11 / 11

HEX #E2E1CA

RGB 226 225 202

HSL 57.5, 0.29%, 0.84%

LAB 89.06, -3.56, 11.37

 

CMYK 0 / 0 / 5 / 5

HEX #F1F0E5

RGB 241 240 229

HSL 55, 0.3%, 0.92%

LAB 94.6, -1.56, 5.42

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 17 / 0 / 15 / 17

HEX #AFD4B4

RGB 175 212 180

HSL 128.11, 0.3%, 0.76%

LAB 81.56, -18.36, 11.83

 

CMYK 8 / 17 / 0 / 17

HEX #C3AFD4

RGB 195 175 212

HSL 272.43, 0.3%, 0.76%

LAB 74.2, 14.08, -16.06

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 17 / 0 / 1 / 17

HEX #AFD4D1

RGB 175 212 209

HSL 175.14, 0.3%, 0.76%

LAB 82.27, -12.75, -2.58

 

CMYK 1 / 17 / 0 / 17

HEX #D1AFD4

RGB 209 175 212

HSL 295.14, 0.3%, 0.76%

LAB 75.43, 18.75, -14.08

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 17 / 0 / 15 / 17

HEX #AFD4B4

RGB 175 212 180

HSL 128.11, 0.3%, 0.76%

LAB 81.56, -18.36, 11.83

 

CMYK 17 / 17 / 0 / 17

HEX #AFB1D4

RGB 175 177 212

HSL 236.76, 0.3%, 0.76%

LAB 73.1, 6.48, -17.88

 

CMYK 0 / 17 / 2 / 17

HEX #D4AFCF

RGB 212 175 207

HSL 308.11, 0.3%, 0.76%

LAB 75.55, 18.84, -11.15

 

CMYK 0 / 1 / 17 / 17

HEX #D4D2AF

RGB 212 210 175

HSL 56.76, 0.3%, 0.76%

LAB 83.54, -5.11, 17.63

 

CMYK 17 / 0 / 10 / 17

HEX #AFD4BF

RGB 175 212 191

HSL 145.95, 0.3%, 0.76%

LAB 81.82, -16.32, 6.34

 

CMYK 17 / 17 / 0 / 17

HEX #AFB1D4

RGB 175 177 212

HSL 236.76, 0.3%, 0.76%

LAB 73.1, 6.48, -17.88

 

CMYK 0 / 17 / 8 / 17

HEX #D4AFC4

RGB 212 175 196

HSL 325.95, 0.3%, 0.76%

LAB 75.23, 16.88, -5.62

 

Description

Color code: HEX #D4D2AF | qconv.com Color code: HEX #D4D2AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 210 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 210 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 17 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 17% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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