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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4D0BC it is the complementary color #2B2F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4D0BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4D0BC shade: #D9D0B7, #EAE2CA, #FBF4DD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4D0BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4D0BC shade: #D4D0BC, #C3BEA9, #B2AC96, #A19A83 and #908870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4D0BC shade: #D3CFBA, #D3C8BA, #D3C1BA, #D3BBBA and #D3BABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4D0BC shade: #D3CFBA, #D0D3BA, #CAD3BA, #C3D3BA and #BCD3BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4D0BC shade matches the following richer shades: #D3CFBA, #DCD5B1, #E5DBA8, #EEE19F and #F7E796

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4D0BC shade: #D3CFBA, #CAC9C3, #C1C3CC, #B8BCD5 and #AEB6DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4D0BC shade: #D3C1BA, #D3C8BA, #D3CFBA, #D0D3BA and #CAD3BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4D0BC shade: #B3AB88, #C3BDA1, #D3CFBA, #E3E0D3 and #F3F2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4D0BC shade: #D4D0BC, #BAD3BB and #C5BAD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4D0BC shade: #D4D0BC, #BAD3CF and #CFBAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4D0BC shade: #D4D0BC, #BAD3BB, #BABED3 and #D3BAD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4D0BC shade: #D4D0BC, #BAD3C2, #BABED3 and #D3BACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

Complementary color

CMYK 36 / 30 / 0 / 74

HEX #2B2F43

RGB 43 47 67

HSL 230, 0.22%, 0.22%

LAB 19.85, 3.94, -13.1

 

CMYK 0 / 4 / 16 / 15

HEX #D9D0B7

RGB 217 208 183

HSL 44.12, 0.31%, 0.78%

LAB 83.59, -1.02, 13.53

 

CMYK 0 / 3 / 14 / 8

HEX #EAE2CA

RGB 234 226 202

HSL 45, 0.43%, 0.85%

LAB 89.93, -1.24, 12.7

 

CMYK 0 / 3 / 12 / 2

HEX #FBF4DD

RGB 251 244 221

HSL 46, 0.79%, 0.93%

LAB 96.18, -1.44, 11.91

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

CMYK 0 / 3 / 13 / 24

HEX #C3BEA9

RGB 195 190 169

HSL 48.46, 0.18%, 0.71%

LAB 76.86, -1.85, 11.23

 

CMYK 0 / 3 / 16 / 30

HEX #B2AC96

RGB 178 172 150

HSL 47.14, 0.15%, 0.64%

LAB 70.3, -1.64, 12.09

HEX #B2AC96

CMYK 0 / 4 / 19 / 37

HEX #A19A83

RGB 161 154 131

HSL 46, 0.14%, 0.57%

LAB 63.61, -1.4, 13

HEX #A19A83

CMYK 0 / 6 / 22 / 44

HEX #908870

RGB 144 136 112

HSL 45, 0.13%, 0.5%

LAB 56.79, -1.13, 13.98

HEX #908870

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 0 / 5 / 12 / 17

HEX #D3C8BA

RGB 211 200 186

HSL 33.6, 0.22%, 0.78%

LAB 81.13, 1.46, 8.36

 

CMYK 0 / 9 / 12 / 17

HEX #D3C1BA

RGB 211 193 186

HSL 16.8, 0.22%, 0.78%

LAB 79.35, 5.16, 5.8

 

CMYK 0 / 11 / 12 / 17

HEX #D3BBBA

RGB 211 187 186

HSL 2.4, 0.22%, 0.78%

LAB 77.84, 8.36, 3.62

 

CMYK 0 / 12 / 12 / 17

HEX #D3BABA

RGB 211 186 186

HSL 0, 0.22%, 0.78%

LAB 77.59, 8.89, 3.26

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3BA

RGB 208 211 186

HSL 67.2, 0.22%, 0.78%

LAB 83.73, -5.35, 12.03

 

CMYK 4 / 0 / 12 / 17

HEX #CAD3BA

RGB 202 211 186

HSL 81.6, 0.22%, 0.78%

LAB 83.28, -7.48, 11.34

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3BA

RGB 195 211 186

HSL 98.4, 0.22%, 0.78%

LAB 82.77, -9.94, 10.55

 

CMYK 11 / 0 / 12 / 17

HEX #BCD3BA

RGB 188 211 186

HSL 115.2, 0.22%, 0.78%

LAB 82.28, -12.37, 9.78

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 0 / 3 / 20 / 14

HEX #DCD5B1

RGB 220 213 177

HSL 50.23, 0.38%, 0.78%

LAB 84.99, -3.42, 18.69

 

CMYK 0 / 4 / 27 / 10

HEX #E5DBA8

RGB 229 219 168

HSL 50.16, 0.54%, 0.78%

LAB 87.07, -4.4, 26.37

 

CMYK 0 / 5 / 33 / 7

HEX #EEE19F

RGB 238 225 159

HSL 50.13, 0.7%, 0.78%

LAB 89.17, -5.17, 33.94

 

CMYK 0 / 6 / 39 / 3

HEX #F7E796

RGB 247 231 150

HSL 50.1, 0.86%, 0.78%

LAB 91.29, -5.75, 41.38

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 0 / 0 / 3 / 21

HEX #CAC9C3

RGB 202 201 195

HSL 51.43, 0.06%, 0.78%

LAB 80.89, -0.73, 3.11

 

CMYK 5 / 4 / 0 / 20

HEX #C1C3CC

RGB 193 195 204

HSL 229.09, 0.1%, 0.78%

LAB 78.88, 1.02, -4.75

 

CMYK 14 / 12 / 0 / 16

HEX #B8BCD5

RGB 184 188 213

HSL 231.72, 0.26%, 0.78%

LAB 76.66, 3.61, -13

 

CMYK 22 / 18 / 0 / 13

HEX #AEB6DE

RGB 174 182 222

HSL 230, 0.42%, 0.78%

LAB 74.65, 5.67, -20.97

 

CMYK 0 / 9 / 12 / 17

HEX #D3C1BA

RGB 211 193 186

HSL 16.8, 0.22%, 0.78%

LAB 79.35, 5.16, 5.8

 

CMYK 0 / 5 / 12 / 17

HEX #D3C8BA

RGB 211 200 186

HSL 33.6, 0.22%, 0.78%

LAB 81.13, 1.46, 8.36

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3BA

RGB 208 211 186

HSL 67.2, 0.22%, 0.78%

LAB 83.73, -5.35, 12.03

 

CMYK 4 / 0 / 12 / 17

HEX #CAD3BA

RGB 202 211 186

HSL 81.6, 0.22%, 0.78%

LAB 83.28, -7.48, 11.34

 

CMYK 0 / 4 / 24 / 30

HEX #B3AB88

RGB 179 171 136

HSL 48.84, 0.22%, 0.62%

LAB 69.82, -2.86, 19.09

 

CMYK 0 / 3 / 17 / 24

HEX #C3BDA1

RGB 195 189 161

HSL 49.41, 0.22%, 0.7%

LAB 76.42, -2.58, 14.92

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFBA

RGB 211 207 186

HSL 50.4, 0.22%, 0.78%

LAB 82.92, -2.2, 10.92

 

CMYK 0 / 1 / 7 / 11

HEX #E3E0D3

RGB 227 224 211

HSL 48.75, 0.22%, 0.86%

LAB 89.09, -1.22, 6.71

 

CMYK 0 / 0 / 3 / 5

HEX #F3F2EC

RGB 243 242 236

HSL 51.43, 0.23%, 0.94%

LAB 95.42, -0.71, 3

 

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

CMYK 12 / 0 / 11 / 17

HEX #BAD3BB

RGB 186 211 187

HSL 122.4, 0.22%, 0.78%

LAB 82.17, -12.87, 9.07

 

CMYK 7 / 12 / 0 / 17

HEX #C5BAD3

RGB 197 186 211

HSL 266.4, 0.22%, 0.78%

LAB 77.1, 8.56, -11.15

 

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

CMYK 12 / 0 / 2 / 17

HEX #BAD3CF

RGB 186 211 207

HSL 170.4, 0.22%, 0.78%

LAB 82.66, -9.11, -0.86

 

CMYK 2 / 12 / 0 / 17

HEX #CFBAD3

RGB 207 186 211

HSL 290.4, 0.22%, 0.78%

LAB 77.93, 11.93, -9.82

 

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

CMYK 12 / 0 / 11 / 17

HEX #BAD3BB

RGB 186 211 187

HSL 122.4, 0.22%, 0.78%

LAB 82.17, -12.87, 9.07

 

CMYK 12 / 10 / 0 / 17

HEX #BABED3

RGB 186 190 211

HSL 230.4, 0.22%, 0.78%

LAB 77.26, 2.76, -10.99

 

CMYK 0 / 12 / 0 / 17

HEX #D3BAD2

RGB 211 186 210

HSL 302.4, 0.22%, 0.78%

LAB 78.24, 13.1, -8.78

 

CMYK 0 / 2 / 11 / 17

HEX #D4D0BC

RGB 212 208 188

HSL 50, 0.22%, 0.78%

LAB 83.31, -2.04, 10.42

 

CMYK 12 / 0 / 8 / 17

HEX #BAD3C2

RGB 186 211 194

HSL 139.2, 0.22%, 0.78%

LAB 82.34, -11.6, 5.59

 

CMYK 12 / 10 / 0 / 17

HEX #BABED3

RGB 186 190 211

HSL 230.4, 0.22%, 0.78%

LAB 77.26, 2.76, -10.99

 

CMYK 0 / 12 / 4 / 17

HEX #D3BACB

RGB 211 186 203

HSL 319.2, 0.22%, 0.78%

LAB 78.04, 11.83, -5.29

 

Description

Color code: HEX #D4D0BC | qconv.com Color code: HEX #D4D0BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 208 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 208 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 11 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 11% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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