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Color name
HEX #D4C18B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C18B it is the complementary color #2B3E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C18B shade: #D9C186, #EAD399, #FBE5AC, #FFF7BF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C18B shade: #D4C18B, #C3AF78, #B29D65, #A18B52 and #90793F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C18B shade: #D4C18B, #D4AD8B, #D49A8B and #D48B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C18B shade: #D4C18B, #D3D48B, #C0D48B, #ACD48B and #98D48B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C18B shade matches the following richer shades: #D4C18B, #E1C77E, #EDCD72 and #FAD365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C18B shade: #D4C18B, #C7BB98, #BAB5A5, #ADAEB1 and #A1A8BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C18B shade: #D49A8B, #D4AD8B, #D4C08B, #D4D48B and #C0D48B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C18B shade: #BEA14F, #C9B16D, #D4C18B, #DFD1A9 and #EAE1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C18B shade: #D4C18B, #90D48B and #A38BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C18B shade: #D4C18B, #8BD4C0 and #C08BD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C18B shade: #D4C18B, #90D48B, #8B9ED4 and #CF8BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C18B shade: #D4C18B, #8BD49C, #8B9ED4 and #D48BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

Complementary color

CMYK 63 / 47 / 0 / 55

HEX #2B3E74

RGB 43 62 116

HSL 224.38, 0.46%, 0.31%

LAB 27.35, 10.79, -33.41

 

CMYK 0 / 11 / 38 / 15

HEX #D9C186

RGB 217 193 134

HSL 42.65, 0.52%, 0.69%

LAB 78.82, 0.21, 32.82

 

CMYK 0 / 10 / 35 / 8

HEX #EAD399

RGB 234 211 153

HSL 42.96, 0.66%, 0.76%

LAB 85.19, -0.27, 31.67

 

CMYK 0 / 9 / 31 / 2

HEX #FBE5AC

RGB 251 229 172

HSL 43.29, 0.91%, 0.83%

LAB 91.47, -0.69, 30.57

 

CMYK 0 / 3 / 25 / 0

HEX #FFF7BF

RGB 255 247 191

HSL 52.5, 1%, 0.87%

LAB 96.63, -5.84, 27.95

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 10 / 38 / 24

HEX #C3AF78

RGB 195 175 120

HSL 44, 0.38%, 0.62%

LAB 71.97, -0.71, 30.84

 

CMYK 0 / 12 / 43 / 30

HEX #B29D65

RGB 178 157 101

HSL 43.64, 0.33%, 0.55%

LAB 65.37, -0.15, 32.08

 

CMYK 0 / 14 / 49 / 37

HEX #A18B52

RGB 161 139 82

HSL 43.29, 0.33%, 0.48%

LAB 58.65, 0.52, 33.39

 

CMYK 0 / 16 / 56 / 44

HEX #90793F

RGB 144 121 63

HSL 42.96, 0.39%, 0.41%

LAB 51.8, 1.34, 34.75

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 18 / 34 / 17

HEX #D4AD8B

RGB 212 173 139

HSL 27.95, 0.46%, 0.69%

LAB 73.38, 9.43, 22.83

 

CMYK 0 / 27 / 34 / 17

HEX #D49A8B

RGB 212 154 139

HSL 12.33, 0.46%, 0.69%

LAB 68.73, 19.71, 16.44

 

CMYK 0 / 34 / 34 / 17

HEX #D48B8B

RGB 212 139 139

HSL 0, 0.46%, 0.69%

LAB 65.22, 27.84, 11.52

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 0 / 34 / 17

HEX #D3D48B

RGB 211 212 139

HSL 60.82, 0.46%, 0.69%

LAB 83.34, -11.35, 36.06

 

CMYK 9 / 0 / 34 / 17

HEX #C0D48B

RGB 192 212 139

HSL 76.44, 0.46%, 0.69%

LAB 81.92, -18.61, 33.94

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 28 / 0 / 34 / 17

HEX #98D48B

RGB 152 212 139

HSL 109.32, 0.46%, 0.69%

LAB 79.4, -32.95, 30.15

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 12 / 44 / 12

HEX #E1C77E

RGB 225 199 126

HSL 44.24, 0.62%, 0.69%

LAB 80.94, -0.58, 39.81

 

CMYK 0 / 14 / 52 / 7

HEX #EDCD72

RGB 237 205 114

HSL 44.39, 0.77%, 0.69%

LAB 83.38, 0.06, 49.03

 

CMYK 0 / 16 / 60 / 2

HEX #FAD365

RGB 250 211 101

HSL 44.3, 0.94%, 0.69%

LAB 85.93, 1.3, 58.42

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 6 / 24 / 22

HEX #C7BB98

RGB 199 187 152

HSL 44.68, 0.3%, 0.69%

LAB 76.04, -1.35, 19.28

 

CMYK 0 / 3 / 11 / 27

HEX #BAB5A5

RGB 186 181 165

HSL 45.71, 0.13%, 0.69%

LAB 73.68, -1.03, 8.77

 

CMYK 2 / 2 / 0 / 31

HEX #ADAEB1

RGB 173 174 177

HSL 225, 0.02%, 0.69%

LAB 71.1, 0.22, -1.67

 

CMYK 15 / 12 / 0 / 25

HEX #A1A8BE

RGB 161 168 190

HSL 225.52, 0.18%, 0.69%

LAB 68.97, 2.08, -12.1

 

CMYK 0 / 27 / 34 / 17

HEX #D49A8B

RGB 212 154 139

HSL 12.33, 0.46%, 0.69%

LAB 68.73, 19.71, 16.44

 

CMYK 0 / 18 / 34 / 17

HEX #D4AD8B

RGB 212 173 139

HSL 27.95, 0.46%, 0.69%

LAB 73.38, 9.43, 22.83

 

CMYK 0 / 9 / 34 / 17

HEX #D4C08B

RGB 212 192 139

HSL 43.56, 0.46%, 0.69%

LAB 78.2, -0.66, 29.32

 

CMYK 0 / 0 / 34 / 17

HEX #D4D48B

RGB 212 212 139

HSL 60, 0.46%, 0.69%

LAB 83.42, -10.96, 36.17

 

CMYK 9 / 0 / 34 / 17

HEX #C0D48B

RGB 192 212 139

HSL 76.44, 0.46%, 0.69%

LAB 81.92, -18.61, 33.94

 

CMYK 0 / 15 / 58 / 25

HEX #BEA14F

RGB 190 161 79

HSL 44.32, 0.46%, 0.53%

LAB 67.28, 0.76, 45.93

 

CMYK 0 / 12 / 46 / 21

HEX #C9B16D

RGB 201 177 109

HSL 44.35, 0.46%, 0.61%

LAB 72.87, -0.51, 37.85

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 0 / 6 / 24 / 13

HEX #DFD1A9

RGB 223 209 169

HSL 44.44, 0.46%, 0.77%

LAB 84.05, -1.38, 21.63

 

CMYK 0 / 4 / 15 / 8

HEX #EAE1C7

RGB 234 225 199

HSL 44.57, 0.45%, 0.85%

LAB 89.61, -1.19, 13.82

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 32 / 0 / 34 / 17

HEX #90D48B

RGB 144 212 139

HSL 115.89, 0.46%, 0.69%

LAB 78.97, -35.59, 29.5

 

CMYK 23 / 34 / 0 / 17

HEX #A38BD4

RGB 163 139 212

HSL 259.73, 0.46%, 0.69%

LAB 62.51, 24.09, -34.21

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 34 / 0 / 9 / 17

HEX #8BD4C0

RGB 139 212 192

HSL 163.56, 0.46%, 0.69%

LAB 79.83, -27.14, 2.68

 

CMYK 9 / 34 / 0 / 17

HEX #C08BD4

RGB 192 139 212

HSL 283.56, 0.46%, 0.69%

LAB 65.3, 32.98, -29.67

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 32 / 0 / 34 / 17

HEX #90D48B

RGB 144 212 139

HSL 115.89, 0.46%, 0.69%

LAB 78.97, -35.59, 29.5

 

CMYK 34 / 25 / 0 / 17

HEX #8B9ED4

RGB 139 158 212

HSL 224.38, 0.46%, 0.69%

LAB 65.51, 6.21, -29.7

 

CMYK 2 / 34 / 0 / 17

HEX #CF8BD4

RGB 207 139 212

HSL 295.89, 0.46%, 0.69%

LAB 66.89, 37.69, -27.08

 

CMYK 0 / 9 / 34 / 17

HEX #D4C18B

RGB 212 193 139

HSL 44.38, 0.46%, 0.69%

LAB 78.46, -1.18, 29.66

 

CMYK 34 / 0 / 26 / 17

HEX #8BD49C

RGB 139 212 156

HSL 133.97, 0.46%, 0.69%

LAB 79.03, -34.31, 20.67

 

CMYK 34 / 25 / 0 / 17

HEX #8B9ED4

RGB 139 158 212

HSL 224.38, 0.46%, 0.69%

LAB 65.51, 6.21, -29.7

 

CMYK 0 / 34 / 8 / 17

HEX #D48BC3

RGB 212 139 195

HSL 313.97, 0.46%, 0.69%

LAB 66.83, 36.22, -17.65

 

Description

Color code: HEX #D4C18B | qconv.com Color code: HEX #D4C18B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 193 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 193 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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