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Color name
HEX #D4C02A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C02A it is the complementary color #2B3FD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C02A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C02A shade: #D9C025, #EAD238, #FBE44B, #FFF65E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C02A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C02A shade: #D4C02A, #C3AE17, #B29C04, #A18A00 and #907800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C02A shade: #D4C02A, #D4922A, #D4642A, #D4362A and #D42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C02A shade: #D4C02A, #BAD42A, #8CD42A, #5ED42A and #30D42A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C02A shade matches the following richer shades: #D4C02A, #E9D015 and #FEE000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C02A shade: #D4C02A, #C0B13E, #ABA153, #979167 and #82817C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C02A shade: #D4632A, #D4902A, #D4BE2A, #BED42A and #90D42A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C02A shade: #90821C, #B2A123, #D4C02A, #DBCA4C and #E2D46E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C02A shade: #D4C02A, #2AD435 and #792AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C02A shade: #D4C02A, #2AD4BE and #BE2AD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C02A shade: #D4C02A, #2AD435, #2A40D4 and #D42AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C02A shade: #D4C02A, #2AD468, #2A40D4 and #D42A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

Complementary color

CMYK 80 / 70 / 0 / 16

HEX #2B3FD5

RGB 43 63 213

HSL 232.94, 0.67%, 0.5%

LAB 35.74, 45.89, -78.23

 

CMYK 0 / 12 / 83 / 15

HEX #D9C025

RGB 217 192 37

HSL 51.67, 0.71%, 0.5%

LAB 77.63, -5.96, 73.1

 

CMYK 0 / 10 / 76 / 8

HEX #EAD238

RGB 234 210 56

HSL 51.91, 0.81%, 0.57%

LAB 83.9, -7.25, 73.68

 

CMYK 0 / 9 / 70 / 2

HEX #FBE44B

RGB 251 228 75

HSL 52.16, 0.96%, 0.64%

LAB 90.09, -8.36, 73.57

 

CMYK 0 / 4 / 63 / 0

HEX #FFF65E

RGB 255 246 94

HSL 56.65, 1%, 0.68%

LAB 95.15, -14.58, 71.58

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 0 / 11 / 88 / 24

HEX #C3AE17

RGB 195 174 23

HSL 52.67, 0.79%, 0.43%

LAB 70.83, -6.57, 69.91

 

CMYK 0 / 12 / 98 / 30

HEX #B29C04

RGB 178 156 4

HSL 52.41, 0.96%, 0.36%

LAB 64.36, -4.94, 67.24

 

CMYK 0 / 14 / 100 / 37

HEX #A18A00

RGB 161 138 0

HSL 51.43, 1%, 0.32%

LAB 57.8, -3.03, 62.36

 

CMYK 0 / 17 / 100 / 44

HEX #907800

RGB 144 120 0

HSL 50, 1%, 0.28%

LAB 51.11, -0.97, 56.83

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 0 / 31 / 80 / 17

HEX #D4922A

RGB 212 146 42

HSL 36.71, 0.67%, 0.5%

LAB 65.53, 16.42, 60.84

 

CMYK 0 / 53 / 80 / 17

HEX #D4642A

RGB 212 100 42

HSL 20.47, 0.67%, 0.5%

LAB 55.36, 40.72, 51.46

 

CMYK 0 / 75 / 80 / 17

HEX #D4362A

RGB 212 54 42

HSL 4.24, 0.67%, 0.5%

LAB 48.01, 60.27, 44.37

 

CMYK 0 / 80 / 80 / 17

HEX #D42A2A

RGB 212 42 42

HSL 0, 0.67%, 0.5%

LAB 46.74, 63.84, 43.11

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 12 / 0 / 80 / 17

HEX #BAD42A

RGB 186 212 42

HSL 69.18, 0.67%, 0.5%

LAB 80.57, -28.83, 73.36

 

CMYK 34 / 0 / 80 / 17

HEX #8CD42A

RGB 140 212 42

HSL 85.41, 0.67%, 0.5%

LAB 77.77, -46.58, 69.81

 

CMYK 56 / 0 / 80 / 17

HEX #5ED42A

RGB 94 212 42

HSL 101.65, 0.67%, 0.5%

LAB 75.84, -60.91, 67.33

 

CMYK 77 / 0 / 80 / 17

HEX #30D42A

RGB 48 212 42

HSL 117.88, 0.67%, 0.5%

LAB 74.75, -70.04, 65.91

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 0 / 11 / 91 / 9

HEX #E9D015

RGB 233 208 21

HSL 52.92, 0.83%, 0.5%

LAB 83.17, -7.57, 81.35

 

CMYK 0 / 12 / 100 / 0

HEX #FEE000

RGB 254 224 0

HSL 52.91, 1%, 0.5%

LAB 89.1, -6.87, 88.64

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 0 / 8 / 68 / 25

HEX #C0B13E

RGB 192 177 62

HSL 53.08, 0.51%, 0.5%

LAB 71.55, -7.98, 58.27

 

CMYK 0 / 6 / 51 / 33

HEX #ABA153

RGB 171 161 83

HSL 53.18, 0.35%, 0.5%

LAB 65.57, -7.05, 41.51

 

CMYK 0 / 4 / 32 / 41

HEX #979167

RGB 151 145 103

HSL 52.5, 0.19%, 0.5%

LAB 59.72, -4.57, 23.14

 

CMYK 0 / 1 / 5 / 49

HEX #82817C

RGB 130 129 124

HSL 50, 0.02%, 0.5%

LAB 53.92, -0.59, 2.83

 

CMYK 0 / 53 / 80 / 17

HEX #D4632A

RGB 212 99 42

HSL 20.12, 0.67%, 0.5%

LAB 55.16, 41.21, 51.27

 

CMYK 0 / 32 / 80 / 17

HEX #D4902A

RGB 212 144 42

HSL 36, 0.67%, 0.5%

LAB 65.05, 17.5, 60.41

 

CMYK 0 / 10 / 80 / 17

HEX #D4BE2A

RGB 212 190 42

HSL 52.24, 0.67%, 0.5%

LAB 76.67, -6.94, 70.74

 

CMYK 10 / 0 / 80 / 17

HEX #BED42A

RGB 190 212 42

HSL 67.76, 0.67%, 0.5%

LAB 80.85, -27.19, 73.72

 

CMYK 32 / 0 / 80 / 17

HEX #90D42A

RGB 144 212 42

HSL 84, 0.67%, 0.5%

LAB 77.98, -45.14, 70.07

 

CMYK 0 / 10 / 81 / 44

HEX #90821C

RGB 144 130 28

HSL 52.76, 0.67%, 0.34%

LAB 54, -5.87, 52.57

 

CMYK 0 / 10 / 80 / 30

HEX #B2A123

RGB 178 161 35

HSL 52.87, 0.67%, 0.42%

LAB 65.81, -6.94, 62.07

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 0 / 8 / 65 / 14

HEX #DBCA4C

RGB 219 202 76

HSL 52.87, 0.67%, 0.58%

LAB 80.64, -8.56, 62.7

 

CMYK 0 / 6 / 51 / 11

HEX #E2D46E

RGB 226 212 110

HSL 52.76, 0.67%, 0.66%

LAB 84.16, -8.32, 51.66

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 80 / 0 / 75 / 17

HEX #2AD435

RGB 42 212 53

HSL 123.88, 0.67%, 0.5%

LAB 74.72, -70.08, 62.49

 

CMYK 43 / 80 / 0 / 17

HEX #792AD4

RGB 121 42 212

HSL 267.88, 0.67%, 0.5%

LAB 38.68, 64.63, -72.58

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 80 / 0 / 10 / 17

HEX #2AD4BE

RGB 42 212 190

HSL 172.24, 0.67%, 0.5%

LAB 76.86, -46.04, -0.93

 

CMYK 10 / 80 / 0 / 17

HEX #BE2AD4

RGB 190 42 212

HSL 292.24, 0.67%, 0.5%

LAB 48.71, 75.85, -55.84

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 80 / 0 / 75 / 17

HEX #2AD435

RGB 42 212 53

HSL 123.88, 0.67%, 0.5%

LAB 74.72, -70.08, 62.49

 

CMYK 80 / 70 / 0 / 17

HEX #2A40D4

RGB 42 64 212

HSL 232.24, 0.67%, 0.5%

LAB 35.82, 44.88, -77.53

 

CMYK 0 / 80 / 5 / 17

HEX #D42AC9

RGB 212 42 201

HSL 303.88, 0.67%, 0.5%

LAB 51.69, 78.25, -44.54

 

CMYK 0 / 9 / 80 / 17

HEX #D4C02A

RGB 212 192 42

HSL 52.94, 0.67%, 0.5%

LAB 77.2, -7.97, 71.2

 

CMYK 80 / 0 / 51 / 17

HEX #2AD468

RGB 42 212 104

HSL 141.88, 0.67%, 0.5%

LAB 75.19, -64.38, 41.58

 

CMYK 80 / 70 / 0 / 17

HEX #2A40D4

RGB 42 64 212

HSL 232.24, 0.67%, 0.5%

LAB 35.82, 44.88, -77.53

 

CMYK 0 / 80 / 29 / 17

HEX #D42A96

RGB 212 42 150

HSL 321.88, 0.67%, 0.5%

LAB 49.32, 71.58, -18.29

 

Description

Color code: HEX #D4C02A | qconv.com Color code: HEX #D4C02A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 192 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 192 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 80 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 80% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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