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Color name
HEX #D4C5B4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C5B4 it is the complementary color #2B3A4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C5B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C5B4 shade: #D9C5AF, #EAD7C2, #FBE9D5, #FFFBE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C5B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C5B4 shade: #D4C5B4, #C3B3A1, #B2A18E, #A18F7B and #907D68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C5B4 shade: #D4C5B4, #D4BCB4 and #D4B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C5B4 shade: #D4C5B4, #D4CDB4, #D1D4B4, #C9D4B4 and #C0D4B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C5B4 shade matches the following richer shades: #D4C5B4, #DDC5AB, #E7C6A1, #F0C798 and #FAC78E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C5B4 shade: #D4C5B4, #CAC4BE, #C1C4C7, #B7C3D0 and #AEC2DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C5B4 shade: #D4B4B5, #D4BCB4, #D4C4B4, #D4CDB4 and #D2D4B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C5B4 shade: #B69C80, #C5B19A, #D4C5B4, #E3D9CE and #F2EDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C5B4 shade: #D4C5B4, #BDD4B4 and #B8B4D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C5B4 shade: #D4C5B4, #B4D4C4 and #C4B4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C5B4 shade: #D4C5B4, #BDD4B4, #B4C3D4 and #CBB4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C5B4 shade: #D4C5B4, #B4D4B5, #B4C3D4 and #D4B4D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

Complementary color

CMYK 43 / 23 / 0 / 71

HEX #2B3A4B

RGB 43 58 75

HSL 211.88, 0.27%, 0.23%

LAB 23.83, -1.02, -12.35

 

CMYK 0 / 9 / 19 / 15

HEX #D9C5AF

RGB 217 197 175

HSL 31.43, 0.36%, 0.77%

LAB 80.62, 3.51, 13.58

 

CMYK 0 / 8 / 17 / 8

HEX #EAD7C2

RGB 234 215 194

HSL 31.5, 0.49%, 0.84%

LAB 86.99, 3.2, 12.73

 

CMYK 0 / 7 / 15 / 2

HEX #FBE9D5

RGB 251 233 213

HSL 31.58, 0.83%, 0.91%

LAB 93.27, 2.91, 11.91

 

CMYK 0 / 2 / 9 / 0

HEX #FFFBE8

RGB 255 251 232

HSL 49.57, 1%, 0.95%

LAB 98.46, -1.84, 9.56

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 8 / 17 / 24

HEX #C3B3A1

RGB 195 179 161

HSL 31.76, 0.22%, 0.7%

LAB 73.81, 2.74, 11.25

 

CMYK 0 / 10 / 20 / 30

HEX #B2A18E

RGB 178 161 142

HSL 31.67, 0.19%, 0.63%

LAB 67.21, 3.07, 12.15

 

CMYK 0 / 11 / 24 / 37

HEX #A18F7B

RGB 161 143 123

HSL 31.58, 0.17%, 0.56%

LAB 60.47, 3.44, 13.11

 

CMYK 0 / 13 / 28 / 44

HEX #907D68

RGB 144 125 104

HSL 31.5, 0.16%, 0.49%

LAB 53.6, 3.88, 14.14

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 11 / 15 / 17

HEX #D4BCB4

RGB 212 188 180

HSL 15, 0.27%, 0.77%

LAB 78.03, 7.22, 7.15

 

CMYK 0 / 15 / 15 / 17

HEX #D4B4B4

RGB 212 180 180

HSL 0, 0.27%, 0.77%

LAB 76.03, 11.5, 4.28

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 3 / 15 / 17

HEX #D4CDB4

RGB 212 205 180

HSL 46.88, 0.27%, 0.77%

LAB 82.35, -1.75, 13.32

 

CMYK 1 / 0 / 15 / 17

HEX #D1D4B4

RGB 209 212 180

HSL 65.63, 0.27%, 0.77%

LAB 83.93, -6.46, 15.51

 

CMYK 5 / 0 / 15 / 17

HEX #C9D4B4

RGB 201 212 180

HSL 80.63, 0.27%, 0.77%

LAB 83.34, -9.34, 14.58

 

CMYK 9 / 0 / 15 / 17

HEX #C0D4B4

RGB 192 212 180

HSL 97.5, 0.27%, 0.77%

LAB 82.69, -12.52, 13.58

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 11 / 23 / 13

HEX #DDC5AB

RGB 221 197 171

HSL 31.2, 0.42%, 0.77%

LAB 80.87, 4.42, 16.13

 

CMYK 0 / 14 / 30 / 9

HEX #E7C6A1

RGB 231 198 161

HSL 31.71, 0.59%, 0.77%

LAB 81.81, 6.32, 22.88

 

CMYK 0 / 17 / 37 / 6

HEX #F0C798

RGB 240 199 152

HSL 32.05, 0.75%, 0.77%

LAB 82.72, 8.17, 28.99

 

CMYK 0 / 20 / 43 / 2

HEX #FAC78E

RGB 250 199 142

HSL 31.67, 0.92%, 0.77%

LAB 83.51, 10.99, 35.4

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 3 / 6 / 21

HEX #CAC4BE

RGB 202 196 190

HSL 30, 0.1%, 0.77%

LAB 79.47, 1.03, 3.74

 

CMYK 3 / 2 / 0 / 22

HEX #C1C4C7

RGB 193 196 199

HSL 210, 0.05%, 0.77%

LAB 79.01, -0.47, -1.87

 

CMYK 12 / 6 / 0 / 18

HEX #B7C3D0

RGB 183 195 208

HSL 211.2, 0.21%, 0.77%

LAB 78.26, -1.51, -7.91

 

CMYK 20 / 11 / 0 / 15

HEX #AEC2DA

RGB 174 194 218

HSL 212.73, 0.37%, 0.77%

LAB 77.66, -1.71, -14.26

 

CMYK 0 / 15 / 15 / 17

HEX #D4B4B5

RGB 212 180 181

HSL 358.13, 0.27%, 0.77%

LAB 76.05, 11.66, 3.77

 

CMYK 0 / 11 / 15 / 17

HEX #D4BCB4

RGB 212 188 180

HSL 15, 0.27%, 0.77%

LAB 78.03, 7.22, 7.15

 

CMYK 0 / 8 / 15 / 17

HEX #D4C4B4

RGB 212 196 180

HSL 30, 0.27%, 0.77%

LAB 80.05, 2.97, 10.05

 

CMYK 0 / 3 / 15 / 17

HEX #D4CDB4

RGB 212 205 180

HSL 46.88, 0.27%, 0.77%

LAB 82.35, -1.75, 13.32

 

CMYK 1 / 0 / 15 / 17

HEX #D2D4B4

RGB 210 212 180

HSL 63.75, 0.27%, 0.77%

LAB 84.01, -6.1, 15.63

 

CMYK 0 / 14 / 30 / 29

HEX #B69C80

RGB 182 156 128

HSL 31.11, 0.27%, 0.61%

LAB 65.97, 5.34, 18.23

 

CMYK 0 / 10 / 22 / 23

HEX #C5B19A

RGB 197 177 154

HSL 32.09, 0.27%, 0.69%

LAB 73.32, 3.5, 14.39

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 0 / 4 / 9 / 11

HEX #E3D9CE

RGB 227 217 206

HSL 31.43, 0.27%, 0.85%

LAB 87.2, 1.56, 6.62

 

CMYK 0 / 2 / 4 / 5

HEX #F2EDE8

RGB 242 237 232

HSL 30, 0.28%, 0.93%

LAB 94, 0.82, 3

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 11 / 0 / 15 / 17

HEX #BDD4B4

RGB 189 212 180

HSL 103.13, 0.27%, 0.77%

LAB 82.49, -13.57, 13.26

 

CMYK 13 / 15 / 0 / 17

HEX #B8B4D4

RGB 184 180 212

HSL 247.5, 0.27%, 0.77%

LAB 74.56, 7.74, -15.6

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 15 / 0 / 8 / 17

HEX #B4D4C4

RGB 180 212 196

HSL 150, 0.27%, 0.77%

LAB 82.26, -13.72, 4.36

 

CMYK 8 / 15 / 0 / 17

HEX #C4B4D4

RGB 196 180 212

HSL 270, 0.27%, 0.77%

LAB 75.53, 11.68, -14.04

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 11 / 0 / 15 / 17

HEX #BDD4B4

RGB 189 212 180

HSL 103.13, 0.27%, 0.77%

LAB 82.49, -13.57, 13.26

 

CMYK 15 / 8 / 0 / 17

HEX #B4C3D4

RGB 180 195 212

HSL 211.88, 0.27%, 0.77%

LAB 78.16, -1.65, -10.24

 

CMYK 4 / 15 / 0 / 17

HEX #CBB4D4

RGB 203 180 212

HSL 283.13, 0.27%, 0.77%

LAB 76.13, 14.02, -13.09

 

CMYK 0 / 7 / 15 / 17

HEX #D4C5B4

RGB 212 197 180

HSL 31.88, 0.27%, 0.77%

LAB 80.31, 2.44, 10.41

 

CMYK 15 / 0 / 15 / 17

HEX #B4D4B5

RGB 180 212 181

HSL 121.88, 0.27%, 0.77%

LAB 81.91, -16.49, 11.83

 

CMYK 15 / 8 / 0 / 17

HEX #B4C3D4

RGB 180 195 212

HSL 211.88, 0.27%, 0.77%

LAB 78.16, -1.65, -10.24

 

CMYK 0 / 15 / 0 / 17

HEX #D4B4D3

RGB 212 180 211

HSL 301.88, 0.27%, 0.77%

LAB 76.89, 16.87, -11.33

 

Description

Color code: HEX #D4C5B4 | qconv.com Color code: HEX #D4C5B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 197 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 197 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 15 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 15% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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