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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4C460 it is the complementary color #2B3B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4C460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4C460 shade: #D9C45B, #EAD66E, #FBE881, #FFFA94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4C460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4C460 shade: #D4C460, #C3B24D, #B2A03A, #A18E27 and #907C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4C460 shade: #D3C35E, #D3A35E, #D3845E, #D3655E and #D35E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4C460 shade: #D3C35E, #C3D35E, #A4D35E, #85D35E and #65D35E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4C460 shade matches the following richer shades: #D3C35E, #E3CF4E and #F4DA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4C460 shade: #D3C35E, #C2B76F, #B2AB7F, #A19F90 and #9193A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4C460 shade: #D3835E, #D3A25E, #D3C15E, #C5D35E and #A6D35E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4C460 shade: #AF9D30, #CAB63E, #D3C35E, #DCCF7F and #E4DB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4C460 shade: #D4C460, #5ED364 and #935ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4C460 shade: #D4C460, #5ED3C1 and #C15ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4C460 shade: #D4C460, #5ED364, #5E70D3 and #D35ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4C460 shade: #D4C460, #5ED387, #5E70D3 and #D35EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

Complementary color

CMYK 73 / 63 / 0 / 38

HEX #2B3B9F

RGB 43 59 159

HSL 231.72, 0.57%, 0.4%

LAB 29.77, 29.05, -56.13

 

CMYK 0 / 10 / 58 / 15

HEX #D9C45B

RGB 217 196 91

HSL 50, 0.62%, 0.6%

LAB 79.03, -5.35, 54.36

 

CMYK 0 / 9 / 53 / 8

HEX #EAD66E

RGB 234 214 110

HSL 50.32, 0.75%, 0.67%

LAB 85.36, -6.09, 53.23

 

CMYK 0 / 8 / 49 / 2

HEX #FBE881

RGB 251 232 129

HSL 50.66, 0.94%, 0.75%

LAB 91.6, -6.72, 52.06

 

CMYK 0 / 2 / 42 / 0

HEX #FFFA94

RGB 255 250 148

HSL 57.2, 1%, 0.79%

LAB 96.73, -12.29, 49.38

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

CMYK 0 / 9 / 61 / 24

HEX #C3B24D

RGB 195 178 77

HSL 51.36, 0.5%, 0.53%

LAB 72.21, -6.27, 52.58

 

CMYK 0 / 10 / 67 / 30

HEX #B2A03A

RGB 178 160 58

HSL 51, 0.51%, 0.46%

LAB 65.68, -5.34, 53.48

 

CMYK 0 / 12 / 76 / 37

HEX #A18E27

RGB 161 142 39

HSL 50.66, 0.61%, 0.39%

LAB 59.04, -4.21, 53.95

 

CMYK 0 / 14 / 86 / 44

HEX #907C14

RGB 144 124 20

HSL 50.32, 0.76%, 0.32%

LAB 52.28, -2.81, 53.5

 

CMYK 0 / 8 / 55 / 17

HEX #D3C35E

RGB 211 195 94

HSL 51.79, 0.57%, 0.6%

LAB 78.28, -7.1, 51.97

 

CMYK 0 / 23 / 55 / 17

HEX #D3A35E

RGB 211 163 94

HSL 35.38, 0.57%, 0.6%

LAB 70.07, 9.78, 42.29

 

CMYK 0 / 37 / 55 / 17

HEX #D3845E

RGB 211 132 94

HSL 19.49, 0.57%, 0.6%

LAB 62.64, 26.55, 33.11

 

CMYK 0 / 52 / 55 / 17

HEX #D3655E

RGB 211 101 94

HSL 3.59, 0.57%, 0.6%

LAB 56.05, 42.75, 24.63

 

CMYK 0 / 55 / 55 / 17

HEX #D35E5E

RGB 211 94 94

HSL 0, 0.57%, 0.6%

LAB 54.72, 46.18, 22.87

 

CMYK 0 / 8 / 55 / 17

HEX #D3C35E

RGB 211 195 94

HSL 51.79, 0.57%, 0.6%

LAB 78.28, -7.1, 51.97

 

CMYK 8 / 0 / 55 / 17

HEX #C3D35E

RGB 195 211 94

HSL 68.21, 0.57%, 0.6%

LAB 81.29, -21.68, 55.09

 

CMYK 22 / 0 / 55 / 17

HEX #A4D35E

RGB 164 211 94

HSL 84.1, 0.57%, 0.6%

LAB 79.21, -33.74, 52.15

 

CMYK 37 / 0 / 55 / 17

HEX #85D35E

RGB 133 211 94

HSL 100, 0.57%, 0.6%

LAB 77.51, -44.72, 49.74

 

CMYK 52 / 0 / 55 / 17

HEX #65D35E

RGB 101 211 94

HSL 116.41, 0.57%, 0.6%

LAB 76.17, -54.29, 47.83

 

CMYK 0 / 8 / 55 / 17

HEX #D3C35E

RGB 211 195 94

HSL 51.79, 0.57%, 0.6%

LAB 78.28, -7.1, 51.97

 

CMYK 0 / 9 / 66 / 11

HEX #E3CF4E

RGB 227 207 78

HSL 51.95, 0.73%, 0.6%

LAB 82.65, -7.64, 64.19

 

CMYK 0 / 11 / 75 / 4

HEX #F4DA3D

RGB 244 218 61

HSL 51.48, 0.89%, 0.6%

LAB 86.86, -6.88, 75.11

 

CMYK 0 / 8 / 55 / 17

HEX #D3C35E

RGB 211 195 94

HSL 51.79, 0.57%, 0.6%

LAB 78.28, -7.1, 51.97

 

CMYK 0 / 6 / 43 / 24

HEX #C2B76F

RGB 194 183 111

HSL 52.05, 0.4%, 0.6%

LAB 73.86, -6.33, 37.93

 

CMYK 0 / 4 / 29 / 30

HEX #B2AB7F

RGB 178 171 127

HSL 51.76, 0.25%, 0.6%

LAB 69.56, -4.51, 23.61

 

CMYK 0 / 1 / 11 / 37

HEX #A19F90

RGB 161 159 144

HSL 52.94, 0.08%, 0.6%

LAB 65.27, -1.99, 8.08

 

CMYK 9 / 8 / 0 / 37

HEX #9193A0

RGB 145 147 160

HSL 232, 0.07%, 0.6%

LAB 61.16, 1.92, -7.09

 

CMYK 0 / 38 / 55 / 17

HEX #D3835E

RGB 211 131 94

HSL 18.97, 0.57%, 0.6%

LAB 62.41, 27.09, 32.83

 

CMYK 0 / 23 / 55 / 17

HEX #D3A25E

RGB 211 162 94

HSL 34.87, 0.57%, 0.6%

LAB 69.82, 10.32, 41.99

 

CMYK 0 / 9 / 55 / 17

HEX #D3C15E

RGB 211 193 94

HSL 50.77, 0.57%, 0.6%

LAB 77.75, -6.07, 51.37

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35E

RGB 197 211 94

HSL 67.18, 0.57%, 0.6%

LAB 81.44, -20.88, 55.3

 

CMYK 21 / 0 / 55 / 17

HEX #A6D35E

RGB 166 211 94

HSL 83.08, 0.57%, 0.6%

LAB 79.33, -32.99, 52.33

 

CMYK 0 / 10 / 73 / 31

HEX #AF9D30

RGB 175 157 48

HSL 51.5, 0.57%, 0.44%

LAB 64.52, -5.61, 56.27

 

CMYK 0 / 10 / 69 / 21

HEX #CAB63E

RGB 202 182 62

HSL 51.43, 0.57%, 0.52%

LAB 73.78, -6.28, 60.82

 

CMYK 0 / 8 / 55 / 17

HEX #D3C35E

RGB 211 195 94

HSL 51.79, 0.57%, 0.6%

LAB 78.28, -7.1, 51.97

 

CMYK 0 / 6 / 42 / 14

HEX #DCCF7F

RGB 220 207 127

HSL 51.61, 0.57%, 0.68%

LAB 82.58, -6.6, 41.3

 

CMYK 0 / 4 / 30 / 11

HEX #E4DB9F

RGB 228 219 159

HSL 52.17, 0.56%, 0.76%

LAB 86.83, -5.94, 30.68

 

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

CMYK 55 / 0 / 53 / 17

HEX #5ED364

RGB 94 211 100

HSL 123.08, 0.57%, 0.6%

LAB 76, -55.33, 44.76

 

CMYK 30 / 55 / 0 / 17

HEX #935ED3

RGB 147 94 211

HSL 267.18, 0.57%, 0.6%

LAB 50.58, 44.87, -52.57

 

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

CMYK 55 / 0 / 9 / 17

HEX #5ED3C1

RGB 94 211 193

HSL 170.77, 0.57%, 0.6%

LAB 77.77, -37.33, -1.08

 

CMYK 9 / 55 / 0 / 17

HEX #C15ED3

RGB 193 94 211

HSL 290.77, 0.57%, 0.6%

LAB 56.13, 56.62, -43.41

 

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

CMYK 55 / 0 / 53 / 17

HEX #5ED364

RGB 94 211 100

HSL 123.08, 0.57%, 0.6%

LAB 76, -55.33, 44.76

 

CMYK 55 / 47 / 0 / 17

HEX #5E70D3

RGB 94 112 211

HSL 230.77, 0.57%, 0.6%

LAB 50.3, 22, -53.28

 

CMYK 0 / 55 / 3 / 17

HEX #D35ECD

RGB 211 94 205

HSL 303.08, 0.57%, 0.6%

LAB 58.28, 60.3, -36.45

 

CMYK 0 / 8 / 55 / 17

HEX #D4C460

RGB 212 196 96

HSL 51.72, 0.57%, 0.6%

LAB 78.65, -7.04, 51.49

 

CMYK 55 / 0 / 36 / 17

HEX #5ED387

RGB 94 211 135

HSL 141.03, 0.57%, 0.6%

LAB 76.51, -49.88, 27.91

 

CMYK 55 / 47 / 0 / 17

HEX #5E70D3

RGB 94 112 211

HSL 230.77, 0.57%, 0.6%

LAB 50.3, 22, -53.28

 

CMYK 0 / 55 / 19 / 17

HEX #D35EAA

RGB 211 94 170

HSL 321.03, 0.57%, 0.6%

LAB 56.84, 54.78, -18.61

 

Description

Color code: HEX #D4C460 | qconv.com Color code: HEX #D4C460 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 196 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 196 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 55 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 55% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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