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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4BE7E it is the complementary color #2B4181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4BE7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4BE7E shade: #D9BE79, #EAD08C, #FBE29F, #FFF4B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4BE7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4BE7E shade: #D4BE7E, #C3AC6B, #B29A58, #A18845 and #907632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4BE7E shade: #D3BD7C, #D3A67C, #D38E7C and #D37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4BE7E shade: #D3BD7C, #D2D37C, #BBD37C, #A3D37C and #8CD37C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4BE7E shade matches the following richer shades: #D3BD7C, #E1C46E, #EFCB60 and #FDD252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4BE7E shade: #D3BD7C, #C5B68A, #B7AF99, #A9A8A7 and #9BA2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4BE7E shade: #D38E7C, #D3A57C, #D3BC7C, #D3D37C and #BCD37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4BE7E shade: #BE9E3F, #C9AD5E, #D3BD7C, #DDCD9B and #E8DCBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4BE7E shade: #D4BE7E, #82D37C and #997CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4BE7E shade: #D4BE7E, #7CD3BC and #BC7CD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4BE7E shade: #D4BE7E, #82D37C, #7C94D3 and #CD7CD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4BE7E shade: #D4BE7E, #7CD391, #7C94D3 and #D37CBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

Complementary color

CMYK 67 / 50 / 0 / 49

HEX #2B4181

RGB 43 65 129

HSL 224.65, 0.5%, 0.34%

LAB 29.11, 13.64, -38.77

 

CMYK 0 / 12 / 44 / 15

HEX #D9BE79

RGB 217 190 121

HSL 43.13, 0.56%, 0.66%

LAB 77.85, 0.39, 38.29

 

CMYK 0 / 11 / 40 / 8

HEX #EAD08C

RGB 234 208 140

HSL 43.4, 0.69%, 0.73%

LAB 84.22, -0.19, 37.07

 

CMYK 0 / 10 / 37 / 2

HEX #FBE29F

RGB 251 226 159

HSL 43.7, 0.92%, 0.8%

LAB 90.51, -0.69, 35.9

 

CMYK 0 / 4 / 30 / 0

HEX #FFF4B2

RGB 255 244 178

HSL 51.43, 1%, 0.85%

LAB 95.65, -6, 33.2

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

CMYK 0 / 12 / 45 / 24

HEX #C3AC6B

RGB 195 172 107

HSL 44.32, 0.42%, 0.59%

LAB 70.99, -0.52, 36.39

 

CMYK 0 / 13 / 51 / 30

HEX #B29A58

RGB 178 154 88

HSL 44, 0.37%, 0.52%

LAB 64.39, 0.16, 37.69

 

CMYK 0 / 16 / 57 / 37

HEX #A18845

RGB 161 136 69

HSL 43.7, 0.4%, 0.45%

LAB 57.67, 1, 39

 

CMYK 0 / 18 / 65 / 44

HEX #907632

RGB 144 118 50

HSL 43.4, 0.48%, 0.38%

LAB 50.82, 2.03, 40.27

 

CMYK 0 / 10 / 41 / 17

HEX #D3BD7C

RGB 211 189 124

HSL 44.83, 0.5%, 0.66%

LAB 77.1, -1.2, 35.68

 

CMYK 0 / 21 / 41 / 17

HEX #D3A67C

RGB 211 166 124

HSL 28.97, 0.5%, 0.66%

LAB 71.27, 11.05, 28.06

 

CMYK 0 / 33 / 41 / 17

HEX #D38E7C

RGB 211 142 124

HSL 12.41, 0.5%, 0.66%

LAB 65.48, 24.05, 20.27

 

CMYK 0 / 41 / 41 / 17

HEX #D37C7C

RGB 211 124 124

HSL 0, 0.5%, 0.66%

LAB 61.41, 33.73, 14.67

 

CMYK 0 / 10 / 41 / 17

HEX #D3BD7C

RGB 211 189 124

HSL 44.83, 0.5%, 0.66%

LAB 77.1, -1.2, 35.68

 

CMYK 0 / 0 / 41 / 17

HEX #D2D37C

RGB 210 211 124

HSL 60.69, 0.5%, 0.66%

LAB 82.78, -12.91, 42.87

 

CMYK 11 / 0 / 41 / 17

HEX #BBD37C

RGB 187 211 124

HSL 76.55, 0.5%, 0.66%

LAB 81.08, -21.85, 40.37

 

CMYK 23 / 0 / 41 / 17

HEX #A3D37C

RGB 163 211 124

HSL 93.1, 0.5%, 0.66%

LAB 79.52, -30.76, 38.07

 

CMYK 34 / 0 / 41 / 17

HEX #8CD37C

RGB 140 211 124

HSL 108.97, 0.5%, 0.66%

LAB 78.24, -38.68, 36.17

 

CMYK 0 / 10 / 41 / 17

HEX #D3BD7C

RGB 211 189 124

HSL 44.83, 0.5%, 0.66%

LAB 77.1, -1.2, 35.68

 

CMYK 0 / 13 / 51 / 12

HEX #E1C46E

RGB 225 196 110

HSL 44.87, 0.66%, 0.66%

LAB 79.96, -0.52, 46.59

 

CMYK 0 / 15 / 60 / 6

HEX #EFCB60

RGB 239 203 96

HSL 44.9, 0.82%, 0.66%

LAB 82.86, 0.54, 56.95

 

CMYK 0 / 17 / 68 / 1

HEX #FDD252

RGB 253 210 82

HSL 44.91, 0.98%, 0.66%

LAB 85.8, 1.9, 66.57

 

CMYK 0 / 10 / 41 / 17

HEX #D3BD7C

RGB 211 189 124

HSL 44.83, 0.5%, 0.66%

LAB 77.1, -1.2, 35.68

 

CMYK 0 / 8 / 30 / 23

HEX #C5B68A

RGB 197 182 138

HSL 44.75, 0.34%, 0.66%

LAB 74.29, -1.41, 24.37

 

CMYK 0 / 4 / 16 / 28

HEX #B7AF99

RGB 183 175 153

HSL 44, 0.17%, 0.66%

LAB 71.57, -0.89, 12.31

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A7

RGB 169 168 167

HSL 30, 0.01%, 0.66%

LAB 68.92, 0.17, 0.63

 

CMYK 14 / 10 / 0 / 29

HEX #9BA2B5

RGB 155 162 181

HSL 223.85, 0.15%, 0.66%

LAB 66.63, 1.46, -10.65

 

CMYK 0 / 33 / 41 / 17

HEX #D38E7C

RGB 211 142 124

HSL 12.41, 0.5%, 0.66%

LAB 65.48, 24.05, 20.27

 

CMYK 0 / 22 / 41 / 17

HEX #D3A57C

RGB 211 165 124

HSL 28.28, 0.5%, 0.66%

LAB 71.02, 11.58, 27.73

 

CMYK 0 / 11 / 41 / 17

HEX #D3BC7C

RGB 211 188 124

HSL 44.14, 0.5%, 0.66%

LAB 76.84, -0.67, 35.35

 

CMYK 0 / 0 / 41 / 17

HEX #D3D37C

RGB 211 211 124

HSL 60, 0.5%, 0.66%

LAB 82.86, -12.51, 42.99

 

CMYK 11 / 0 / 41 / 17

HEX #BCD37C

RGB 188 211 124

HSL 75.86, 0.5%, 0.66%

LAB 81.15, -21.47, 40.47

 

CMYK 0 / 17 / 67 / 25

HEX #BE9E3F

RGB 190 158 63

HSL 44.88, 0.5%, 0.5%

LAB 66.34, 1.29, 52.35

 

CMYK 0 / 14 / 53 / 21

HEX #C9AD5E

RGB 201 173 94

HSL 44.3, 0.5%, 0.58%

LAB 71.63, 0.23, 43.93

 

CMYK 0 / 10 / 41 / 17

HEX #D3BD7C

RGB 211 189 124

HSL 44.83, 0.5%, 0.66%

LAB 77.1, -1.2, 35.68

 

CMYK 0 / 7 / 30 / 13

HEX #DDCD9B

RGB 221 205 155

HSL 45.45, 0.49%, 0.74%

LAB 82.59, -1.94, 26.96

 

CMYK 0 / 5 / 20 / 9

HEX #E8DCBA

RGB 232 220 186

HSL 44.35, 0.5%, 0.82%

LAB 87.91, -1.3, 18.2

 

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

CMYK 38 / 0 / 41 / 17

HEX #82D37C

RGB 130 211 124

HSL 115.86, 0.5%, 0.66%

LAB 77.75, -41.87, 35.44

 

CMYK 27 / 41 / 0 / 17

HEX #997CD3

RGB 153 124 211

HSL 260, 0.5%, 0.66%

LAB 57.93, 29.53, -40.87

 

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

CMYK 41 / 0 / 11 / 17

HEX #7CD3BC

RGB 124 211 188

HSL 164.14, 0.5%, 0.66%

LAB 78.75, -31.61, 3.17

 

CMYK 11 / 41 / 0 / 17

HEX #BC7CD3

RGB 188 124 211

HSL 284.14, 0.5%, 0.66%

LAB 61.49, 39.76, -35.05

 

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

CMYK 38 / 0 / 41 / 17

HEX #82D37C

RGB 130 211 124

HSL 115.86, 0.5%, 0.66%

LAB 77.75, -41.87, 35.44

 

CMYK 41 / 30 / 0 / 17

HEX #7C94D3

RGB 124 148 211

HSL 223.45, 0.5%, 0.66%

LAB 61.8, 7.57, -34.98

 

CMYK 3 / 41 / 0 / 17

HEX #CD7CD3

RGB 205 124 211

HSL 295.86, 0.5%, 0.66%

LAB 63.42, 44.86, -31.89

 

CMYK 0 / 10 / 41 / 17

HEX #D4BE7E

RGB 212 190 126

HSL 44.65, 0.5%, 0.66%

LAB 77.48, -1.1, 35.15

 

CMYK 41 / 0 / 31 / 17

HEX #7CD391

RGB 124 211 145

HSL 134.48, 0.5%, 0.66%

LAB 77.83, -40.27, 24.68

 

CMYK 41 / 30 / 0 / 17

HEX #7C94D3

RGB 124 148 211

HSL 223.45, 0.5%, 0.66%

LAB 61.8, 7.57, -34.98

 

CMYK 0 / 41 / 9 / 17

HEX #D37CBF

RGB 211 124 191

HSL 313.79, 0.5%, 0.66%

LAB 63.36, 43.16, -20.67

 

Description

Color code: HEX #D4BE7E | qconv.com Color code: HEX #D4BE7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 190 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 190 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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